Posted in: Disc Reviews by Archive Authors on August 9th, 2007
There must be very few people out there who haven’t seen Taxi Driver or at the very least muttered the words, “you talking to me?†Regardless, this thirty year old film is easily a classic, and still on the top of many critics lists. It marked the blooming of an epic and ongoing relationship between Robert DeNiro and Martin Scorsese, the spawn of Jodie Foster’s career and arguably Harvey Keitel’s as well. At any rate Taxi Driver managed to receive four Academy award nominations as well as gaining a huge cult following. I don’t think it’s a surprise that I’ve already seen and love this movie, but how does the newly released DVD pan out?
Travis Bickle (Robert DeNiro, Heat) is an ex-marine who had recently fought in the Vietnam War. He has since developed several psychological disabilities as showcased throughout the movie including insomnia, obsession, and depression. He works as a nighttime taxi driver and spends his sleepless days in pornography movie theatres or watching presidential aide Betsy (Cybill Shepherd, Alice). He finally garners the courage to approach Betsy and ask her on a date, initially she in intrigued by Travis, but after he takes her on a date to a pornographic film she ditches him and takes a cab home. This acts as a catalyst for Travis’ depression and increasingly paranoid and delusional behavior. He begins having vigilante fantasies and acquires several handguns. One night a 12 year prostitute named Iris (Jodie Foster, Silence of the Lambs) jumps in to his cab trying to escape a beating from her pimp. Travis has a moment of realization about the decaying world around him. From here he begins toying with the notion of killing Senator Charles Palatine and Iris’ pimp (Harvey Keitel, Reservoir Dogs).
Posted in: Disc Reviews by Gino Sassani on August 7th, 2007
Superheroes come in all shapes and sizes these days, so it doesn’t really surprise me to find out that one is a big blue tick. I don’t think The Tick has any special Lyme Disease Ray, and I have yet to see him bite anyone, but he sure has a knack for stopping the bad guys. This Ben Edlund creation is one of those American Dream success stories. The independent comic was created to promote a local comic book store in Boston. Edlund, only 17 years old at the time, tapped into a wonderful spoof of the comic superhero molds. He populated his book with very colorful characters easily recognizable as the original ones he was spoofing. Within 10 years The Tick would become a children’s cartoon staple. There is an appealing degree of wit and intelligence in this cartoon that honestly looks kind of stupid on the surface. The Tick isn’t the sharpest tool in the toolbox and is rather naïve for a super crime fighting master. He’s surrounded by an equally kooky group of characters, assisted mostly by his sidekick, Arthur. The villains are just as outlandish and out there as The Tick and his comrades are.
   The DVD set’s clever title is The Tick vs. Season Two. The collection could not honestly be called The Complete Second Season because one of the episodes is mysteriously missing. I’ve been informed that the episode, Alone Together, was removed for rights issues. The same thing happened in the first year. Sometimes spoofs can be a little too close to another property, and perhaps that explains the missing toons. Fans will also be a little bummed that favorite Micky Dolenze, yes he’s that wacky The Monkees drummer, no longer voices Arthur. Rob Paulson takes over the job, and the difference does take some getting used to. The episodes are also not quite as strong as the first season. The single standout has to be the Christmas extravaganza, The Tick Loves Santa. The Tick’s love for Santa almost keeps him from nabbing the bad guy when an electrical accident converts him into “Multi-Santaâ€, a clone-like group of larceny-minded Kringles.
Posted in: Disc Reviews by Michael Durr on August 6th, 2007
In the United States, we tend to take for granted; influences. In the case of movies, we take certain film styles for granted. We just figure that they always existed. Doesn't really matter where they came from, we just know we like that style of movie; over and over and over again. Enter Hard Boiled, a 1992 film directed by John Woo. This featured Chow Yun-Fat as Tequila, a hard nosed cop who is on a quest to derail an arms smuggling ring that has both cops and innocent civilians dead in its wake. The movie also featured Tony Leung as Alan, an undercover cop who is in deep cover as a Triad hitman who tries desperately to keep his sanity and protect his true identity. But what set Hard Boiled apart from other films and that was duplicated time and time again was over the top action and no-nonsense gunplay. In the first five minutes alone with the teahouse scene, you see more dead bodies fly across the screen than most action movies deliver in a couple of hours. But it wasn't just dead bodies, you can rent George Romero Dead movies if you want to see lifeless bodies. It was the style, you had the imagery of three guns emptying from the bottom of a birdcage, Tequila jumping in the air and killing two gangsters with a gun in each hand; and sliding down a staircase with such grace. This would continue in other scenes where similar heroics would come into play. For over two hours, your breath would escape you and somehow return by the final bell.
Hard Boiled was a film that made no apologies and has only amassed popularity as time goes on. The term cult classic would be more of an insult to the film as it has gone beyond that premise. In addition to two fine leading roles, the film included many popular supporting roles; primarily on the villains' side. Anthony Wong played the devious Johnny Wong, a character that had no morals and whose only real mission was to control the arms smuggling ring of China and get all the money in the process. Phillip Kwok (also known as Cheung Jue-Luh) played the role of Mad Dog (or One-Eye), the action counterpart to Wong's character as he enforced what Johnny didn't want to dirty his hands on. These characters developed a chemistry that produced memorable dialog with and without words. This was especially true when it came to the characters of Tequila and Alan once they get on-screen together. It was a flow of actions and reactions that had you enthralled for every last phrase that was used. The film's only negative would be the scenes where they decide to spend an inordinate amount of time surrounding getting the infants to safety. Once you dive into the extras on Disc Two, you start understanding that the babies actually were to be the main plot point or original concept of the film. So as a result they contributed to a major scene. The movie is still a masterpiece even with that small discordance with its amazing action and a hard running story that lead to be an influence of many future Asian and American action movies.
Posted in: Disc Reviews by David Annandale on August 5th, 2007
Dan Chupong plays a young warrior, armed with rockets and martial arts skills, who roams the Thai countryside in the 19th Century, searching for the man who killed his parents. His only clues are that he trades in buffalo and is a unique tattoo on his chest. He finds the man he believes is his target, but this trader, who possesses magical powers, is also in the sights of an evil local aristocrat who is trying to get rid of the local buffalo population in order to drive up sales for his tractor franchise. Said ne’er-do-well sets up our hero to do his dirty work.
The first fifteen minutes or so are a bit confusing as the plot gets all its ducks lined up, but once everything is in motion, the storyline clears up. The action, a mix of traditional stunt work and wire work, is not on the same level as Ong-Bak, but it is still exciting, and there’s plenty of it. If the lead-in to act 3 drags a bit, with an excessive use of flashbacks filling in events the audience has already figure out, the payoff makes it all worthwhile.
Posted in: Disc Reviews by David Annandale on August 3rd, 2007
One hundred years after Abraham Van Helsing and allies fail to annihilate Dracula, the vampire arrives in a small American town looking for an amulet that, if destroyed at the prescribed moment, will usher in a reign of darkness. Recruited to aid in this project are versions of the Wolfman, the Frankenstein Monster, the Mummy and the Creature from the Black Lagoon. Opposing Dracula is the titular Monster Squad, a group of monster-crazy boys and one very little (and very adorable) sister, who befriends the Monster.
I first caught this film during its original theatrical run, and enjoyed it then. Twenty years later, it looks even better. This is the kind of movie that Stephen Summers (The Mummy, Van Helsing) evidently thinks he is making, even though he is utterly unable to do so. Director Fred Dekker’s acknowledged model is Abbott and Costello Meet Frankenstein, and as in that film, the monsters are treated with respect, remaining figure of fear, not of fun. There is much humour in the film, but the stakes are real. There is a sense that the battles could have a real cost to them (and when the monsters attack, people do actually die). There are also enormously poignant, heartfelt moments (when was the last time you teared up at a Summers film?). The special effects have aged somewhat, but have accrued all the more charm for that. Dekker’s love of the classic Universal films imbues every frame, right down to replicating the out-of-place armadillos and phony-looking bats from the original Dracula. This is, from top to bottom, the dream of every classic monster fan made flesh.
Posted in: Disc Reviews by Archive Authors on August 2nd, 2007
Having never seen or heard of this program, I had to do a bit of research into the history of this show. I’ll share my findings with you in case you are new to the series as well. Johnny Smith (Anthony Michael Hall, The Breakfast Club) was involved in a car accident that left him comatose for six years. Upon waking up he has a special gift, when he touches people or things he can see into the future, and sometimes prevent awful things from happening. The name the dead zone comes from the part of his brain that normally goes unused, but because of his accident it can now be attributed to his visions of the future. In season 5 there isn’t much ongoing story arcs, but rather a collection of different stories in which Johnny solves crimes and saves unwilling victims. He deals with the logistics of saving lives and changing the outcome of the world and his own personal life.
Well this show wasn’t spectacular but I liked it enough to label it decent. It was rather hit and miss with this show; some episodes were entertaining and others weren’t. But the acting was consistent throughout and surprisingly good for a cable TV show. Well I can’t offer any comparisons to past seasons of the show, but this seasons finale was extremely lackluster. Still, I can say that in the future I might check the rest of the seasons out after being left with a mostly positive perspective on the show.
Posted in: Disc Reviews by David Annandale on August 2nd, 2007
This is, I gather, part of a series of documentaries under the wider umbrella of “America Undercover,†and is not the first of the taxicab ones. What we have here is a collection of vignettes as various people hail a cab and, captured by the cab’s security camera, engage in revealing conversations with the driver. Most of these discussions deal with relationships and sex (the guy and his transsexual girlfriend, the guy with the big woman fetish, the guy with a thing for “crazy chicks†and so on). Over the course of the hour, this becomes a little tiresome, and one hopes for a passenger with something else on his/her mind. This moment finally comes in the form of a passenger whose former boyfriend is a firefighter who barely escaped the collapse of the World Trade Center with his life, and her narrative, moving and disturbing, is the highlight of the episode.
Audio
Posted in: Disc Reviews by Archive Authors on August 2nd, 2007
As much of a Bruce Willis fan as I am, I have to admit that this movie has no initial appeal to me. Still I am a fan of thrillers and hope I can be surprised by this one as it has a good enough cast including the previously mentioned Bruce Willis, Halle Berry, and Giovanni Ribisi.
The movie opens with the death of Grace, best friend of Rowena Price (Halle Berry, X-Men). We don’t learn much about her so it’s hard to garner up any feelings towards Rowena’s plight in tracking down the killer. But nonetheless as the story plays on Rowena enlists the help of her good friend Miles (Giovanni Ribisi Gone In 60 Seconds) and narrows down the list of potential killers to Harrison Hill (Bruce Willis, Live Free or Die Hard). The rest of the movie consists of Rowena following a trail of evidence that in the end is irrelevant in a twist ending that is quite common of modern day film.
Posted in: Disc Reviews by Archive Authors on August 1st, 2007
I can just feel already, what an epic teen comedy Surf School is going to be, much pun intended of course. But appearance isn’t everything and I hope that this film can somehow surprise, as much as I doubt it.
Laguna Beach High School is tough for everyone, especially the outcasts, the non surfers. But when a group of social misfits band together, they decide to beat the schools reigning champions in a surf competition. The group goes to Costa Rica to learn, meeting some interesting people along the way. I bet you can already guess how this one ends, and trust me there are no surprises.
Posted in: Disc Reviews by David Annandale on August 1st, 2007
Edward G. Robinson is the war crimes investigator on the relentless hunt for the fugitive Nazi who masterminded the Final Solution. He arranges for the one man who knows his face to escape imprisonment, and follows him to a small Connecticut town. There he loses his quarry, but evidence soon points to Orson Welles, who, under the identity of Charles Rankin, is now a college professor and new husband to Loretta Young. Welles stops at nothing, including murder, to protect his secret, but little by little Young is forced to realize who her husband really is.
Welles’ third film as a director is far more conventional than Citizen Kane or The Magnificent Ambersons, and it isn’t quite up to its predecessors. Robinson is terrific as a detective who must become almost as cold-blooded as his prey, but Welles’ performance is too big: his character might as well be wearing a “NOT A NAZI WAR CRIMINAL†name tag. That said, the suspense is powerful, and the cinematography pure, gorgeous noir.
