Posted in: Disc Reviews by Archive Authors on June 27th, 2006
Synopsis
Private Kang (Jan Dong-kun) is a coast guard – i.e. a soldier tasked with watching the South Korean coast for spies from North Korea. He is obsessed with shooting one, even though it is extremely unlikely that he will encounter any. One night, he sees movement and opens fire, killing not a spy, but a teenager having a tryst with his girlfriend. The boy isn’t just shot – he’s riddled with bullets and then blown to pieces with a grenade. No surprise, then, that the girl is traumatized to the p...int of insanity. When Kang realizes what he has done, his mental state disintegrates rapidly as well.
Posted in: Disc Reviews by Archive Authors on June 27th, 2006
The Naval Criminal Investigative Service is, it seems, the poor cousin to the likes of the FBI and the Secret Service. It doesn't have all the toys of these other organizations, and appears to have a staff of four (five by the end of the first episode). Mark Harmon heads up the investigative team that delves into mysteries that invariably have a military tone (and thus the stories frequently deal with terrorism and the like).
This is a series that wears its pop-culture influences on its sleeve. Too much so. Everyone watching this will compare it to CSI, and so, naturally, we get a jokey reference to that acronym. But the bigger problem is that though the shows wants to appear as it is Ripped From Today's Headlines, it is instead Ripped Off From Works Ripped From Today's Headlines. Thus, in the pilot episode, we are expected to believe not only in an al-Qaida that is presented in such an insultingly simplistic and fairy-tale that its leader is less Osama bin Laden, more Professor Moriarty, but an al-Qaida that shapes its plans by basing them on Harrison Ford movies. Pretty cheesy stuff, then, though entertaining enough.
Posted in: Disc Reviews by Archive Authors on June 26th, 2006
Jack Nicholson can make a convincing case for being one of the greatest actors of all time. He's had his share of memorable moments in movies, with quoted lines etched in our brains. It took a while for me to get "You can't handle the truth!" out of my head. He has also turned in outstanding performances in lesser known movies that have shown his range and dramatic ability. Alternate viewing recommendations to see Jack in action include Hoffa and The Pledge, among a variety of others....In About Schmidt, the follow-up effort by Alexander Payne (Election), Jack strips away the sunglasses, the eyebrow and the devilish grin, puts on 20 pounds, and gives us a performance that some have labeled as career defining.
Warren Schmidt (Nicholson) has recently retired from his job at Woodman of the World Insurance, in Omaha, Nebraska. While he has put his time and energy into the job, is it of no significance. Warren stops by the office shortly after retiring, to perhaps answer any questions his replacement may have, and he has none. His place in the world almost reflects this insignificance, as he is unable to complete a sentence around his wife Helen (June Squibb, Far From Heaven), and their marriage has emasculated him to the point where he finds himself sitting down in order to urinate. In order to pass the time in retirement, he decides to donate money to a "Save the Children"-type organization, and becomes the foster parent of a 6-year Tanzanian boy named Ndugu. He does have a daughter Jeannie (Hope Davis, Hearts in Atlantis) who is living in Denver, about to be married to Randall (Dermot Mulroney, Point of No Return), a waterbed salesman with a mullet, who also happens to be a fan of pyramid schemes. After Helen dies suddenly from a blood clot, Warren (with the help of a recently purchased Winnebago) heads out to Denver in an attempt to stop Jeannie from making a mistake that she may regret. Not only do we see Warren's adventures in getting to Denver, but he meets Randall's mother Roberta (Kathy Bates, Misery), where the events pick up at a hilarious pace.
Posted in: Disc Reviews by Archive Authors on June 26th, 2006
Let’s face it. Movies released in January usually aren’t very good. Yes, some of these movies are Oscar hopefuls that are released nation-wide, but only after being released in selected cities to quality for those Oscars. No, we’re talking about stinking piles of crap like Uwe Boll’s Bloodrayne here. Being that January is Hollywood’s cinematic dumping ground, it comes as no surprise that Tristan & Isolde was released during this very same month in 2006.
Delayed for nearly a year, Tristan & ...solde follows a slew of disappointing historical epics, so common sense would tell you that the studio heads looked at this film and dubbed it a risk, with no bankable stars attached. What the studio heads seemed to forget (or miss, because let’s face it -- they’re more concerned with target audiences and opening weekends than quality) Tristan & Isolde is not half bad. In fact, it’s rather good.
Posted in: Disc Reviews by Archive Authors on June 26th, 2006
Once in awhile, a film comes along that really catches you by surprise. Little Manhattan is one of those films. At first glance, it appears to be an updated take on a coming of age film that warms the cockles of your heart and leaves you smiling, but it's actually a bit of a romantic comedy that is timeless and memorable.
Written by Jennifer Flackett and directed by Mark Levin, who are a married writing team whose most notable work was Wimbledon, the focus of Little Manhattan is Gabe (Josh Hutcherson, Kicking and Screaming), who also narrates the film. At first the film starts with Gabe, sitting on his bed with a broken arm, crying over someone named Rosemary (Charlie Ray, in her first acting role). From there, Gabe tells the story of how happy he was before he met Rosemary. He was a happy 10 year old boy, knowing that girls were gross and he was going to be a placekicker with the help of his father (played by Bradley Whitford, Sisterhood of the Traveling Pants). Gabe has known Rosemary for awhile, since kindergarten, but they bump into each other again in a karate class. Gabe suddenly realizes that he has feelings for Rosemary, and wants to be around her as much as possible.
Posted in: Disc Reviews by Archive Authors on June 26th, 2006
Let’s face it. Movies released in January usually aren’t very good. Yes, some of these movies are Oscar hopefuls that are released nation-wide, but only after being released in selected cities to quality for those Oscars. No, we’re talking about stinking piles of crap like Uwe Boll’s Bloodrayne here. Being that January is Hollywood’s cinematic dumping ground, it comes as no surprise that Tristan & Isolde was released during this very same month in 2006.
Delayed for nearly a year, Tristan & ...solde follows a slew of disappointing historical epics, so common sense would tell you that the studio heads looked at this film and dubbed it a risk, with no bankable stars attached. What the studio heads seemed to forget (or miss, because let’s face it -- they’re more concerned with target audiences and opening weekends than quality) Tristan & Isolde is not half bad. In fact, it’s rather good.
Posted in: Disc Reviews by Archive Authors on June 25th, 2006
For better or worse, Hugh Grant has carved out a niche in Hollywood as the nervous, awkward, charming, British romantic leading man. He's tried doing other things, paired with Gene Hackman as the protagonist in the thriller Extreme Measures. But attempts such as these are few and far between, and haven't seemed to work. For better or worse, he'll always be the stodgy British guy trying to bed an American chick over the objection of her parents, or some other convoluted romantic comedy plot. To his credit, he has been playing against that stereotype lately, to a lesser degree in Bridget Jones's Diary, but to a larger scale in About a Boy, recently nominated for a Golden Globe in Comedy.
Will (Grant) is the son of a man who recorded a famous, but fictional, Christmas song in the late 1950's, and literally does nothing all day, living off of the royalties of that song. He's a bachelor who likes to avoid any responsibility or relationships, and has an epiphany: relationships with single mothers. He believes that they'll jump on top of you, but they'll always compare you to the guy who gave her the kid/kids that she's trying to raise, and they'll end the relationship first, so Will avoids any unpleasantness in breaking up now. He becomes such a firm believer in this theory, he creates an imaginary son, going as far as buying a childseat to put in his silver Audi sportscar, and uses this to attend support group meetings of other single parents, looking to hook up, and finds success.
Posted in: Disc Reviews by Archive Authors on June 25th, 2006
I watched Ryna while my wife watched Shopgirl on the TV. And aside from watching Ryna because I thought it was going to be a film about a DVD reviewer whose name is misspelled, there were a lot more differences between the two films. As far as I could tell, Shopirl appeared to be about a girl with Down�s Syndrome who falls in love with her Dad but reconsiders at the end (whoops, my wife tells me that I�ve got it wrong), Ryna is about a girl who tries to rise above being repressed because of her gender.
Ryna is the title character of a 16 year old girl (played by Doroteea Petre) who lives with her parents in a small Romanian town. Her father Biri (Valentin Popescu) has raised her as a boy with short hair, because he's disappointed that his only child was not born a male. Together they run an auto repair service that does price gouge foreign travelers from time to time. When a French anthropologist comes into town, he tells her about the world outside of her small town, and she wants to break out and enjoy life, despite her father's wishes.
Posted in: Disc Reviews by Archive Authors on June 24th, 2006
The irreverant, politically incorrect Married With Children returns to DVD, this time in its fifth season, and I first want to say, "It's about time." How long has it been? I've lost count. All I know is, I better not have to wait this long again. Al, Peg, Kelly, and Bud, return to torment the newly divorced Marcy Rhoades and any other poor sap, who gets in their way. In contrast, life dishes out enough misery to the Bundys to keep us all happy for a very long time. It's a funny dynamic, which the show plays t... the extreme... Bundys hate life, and life hates Bundys. I could watch the two struggle all day (with the Bundys always... well, nearly always... coming out on bottom), and never get tired of it. In this particular collection, we get more of the tragedy and the triumph with some of the greatest episodes heaped atop each other, one after another.
Follow a disgraced Al Bundy as he steps into the role of softball hero and gives one of the most stirring speeches of the series in "Unnatural" (Highlight: "In closing, I just want to say, 'I hate you all... and I thank only me for this accomplishment.") Join Kelly as she moves in to her first apartment and kindles Al and Peg's love in "One Down, Two to Go." Tia Carrere also finds out how painful it can be to cross a Bundy in "Kelly Bounces Back." And Al must face the demons of his football past in the classic "All Night Security Dude." We also get the first appearance of Weenie Tots and Jefferson D'Arcy. With 25 episodes of Bundy classics, being miserable has never been this fun.
Posted in: Disc Reviews by Archive Authors on June 24th, 2006
The sad thing about building a strong acting career is one usually has to take on roles better forgotten to get to the pinnacle of success. I'm sure Johnny Depp still has the occasional nightmare of being associated with Private Resort (on an artistic level anyway); and he is about to be reminded of this forgotten-with-good-reason teen sex comedy as Sony debuts it in the digital format just in time for summer. The release Sony offers bills Depp as the main star, and while his role is substantial, the film is m...re of a vehicle for Rob Morrow, and a paycheck for Hector Elizondo. You even get to see a pre-"Diceman" Andrew Clay playing his typical Brooklyn street tough self. I will say this: next time you feel the need to attack abysmal teen sex comedies of today, take this as Exhibit A that these foul, odorous wastes of celluloid are actually getting better... even at their worst.
Private Resort takes place in Florida during Spring Break. There are enough misunderstandings and ambiguous hijinx to fuel an entire season of Three's Company, but none are as well executed in the environment of this film. Depp and Morrow are "two sex-starved teens" spending their spring break at a posh Florida resort, where there is but one order of business... getting laid. Unfortunately (for them and us), they must contend with a ruthless jewel thief (Elizondo), an eccentric barber, a villainous security guard, and a stereotypically obnoxious jock before that can happen. Will they or won't they? It doesn't matter. I guarantee you it will not be a concern as this 82-minute crap fest drones on. Follow Depp's career post-superstardom. This work from his early days has nothing to offer in comparison.
