Posted in: Disc Reviews by Archive Authors on June 8th, 2006
Synopsis
Photographer Timothy Greenfield-Sanders decided to do a series of portraits of some 30 porn stars. Two pictures of each, one clothed, one not, the same pose in both pictures. This is his documentary of that shoot. Scenes of the studio process are intercut with interviews with the various stars and talking-head moments from the likes of Karen Finley, Gore Vidal, John Waters and Whitley Streiber (!). We are at the other end of the porn spectrum from Dag Yngvesson’s Rated X – these are t...e top-paid performers, and so the overall experience is less depressing the world shown in Yngvesson’s film. (Though there is some inevitable overlap.) Many of the stars are very articulate (and not just from the expected sources such as porn star/activist Nina Hartley), and there is quite an interesting range of personalities and views presented here. Jenna Jameson is seen, but presumably was too expensive for an actual interview. Instead, she is talked about, and so accrues the semi-divine aura of an all-powerful, all-knowing, enigmatic Mona Lisa. One is left a bit wanting: one doesn’t learn very much about Greenfield-Sanders’ photographic process, and one wishes many of the interviews were longer and more in-depth. That said, a fascinating piece.
Posted in: Disc Reviews by Archive Authors on June 7th, 2006
Synopsis
Rayne (Kristanna Loken) is a dhamphyr – a human/vampire hybrid. Escaping from the carnival where she is imprisoned as a freak, she sets out on a crusade against vampires, her ultimate target being the lord vampire Kagin (Ben Kingsley, an actor showing Michael Caine’s former penchant to whore himself out without shame), who also happens to be her father. Along the way, she forms an initially uneasy alliance with Michael Madsen, Michelle Rodriguez, and Will Sanderson – members of Brimstone, a ...ampire-hunting organization.
Posted in: Disc Reviews by Gino Sassani on June 7th, 2006
You might not know this, but there are two Jackie Chans. The original Chan was an intense martial artist. His films were quite serious and action packed. While humor was always an element to his style, these early films did not really capitalize on that element. The Asian productions were nearly a genre unto themselves. Still, international stardom was elusive to this talented actor.
The second Jackie Chan is the man most Americans are familiar with. Still a talented martial artist, these films show a lighter side to the actor. Chan has become a character of his own like any James Bond or Jack Ryan. Whatever the character he’s playing, what we’re paying to see is Jackie Chan. In these films, Chan allows his own disarming charm to be the creative force in the film. Humor is always served in generous proportions. At times he is almost the caricature of his former self.
Posted in: Disc Reviews by Archive Authors on June 7th, 2006
The Culpepper Cattle Company was a surprise for me, and one that I looked forward to immensely. I love a good western, and I'm particularly fond of anything post-Leone. A western doesn't have to be spaghetti, however, for me to like it. I just feel that, for all Sergio's overblown proportions, he did instill an accurate degree of nastiness in his films, which I'm sure was prevalent in that time of American history. Once Sergio came, westerns grew up, even if they were playing closer to the American style of fi...mmaking. Gone were the days of the fired gun, the clenched chest, and the instant kill. A similar renaissance affected the war film genre with the arrival of Saving Private Ryan, and I feel the recent war-time efforts have been much the better for it. After the glut of Saturday morning western chicanery found in John Wayne's early films and others of that period, it was a relief to see westerns on the silver screen with the right amount of intensity. But unfortunately, all good things must come to an end. And The Culpepper Cattle Company falls somewhere in that descent.
That doesn't mean the film is without merit. I enjoyed parts of it very much. It is, most of the time, an interesting coming-of-age tale, as it follows a young boy with a dream. That dream? He wants to be a cowboy. But as the film progresses, he gets a bitter taste of what it means to fulfill that dream. The boy (Gary Grimes) tags along with a gang of cut-throat cattlemen on a drive to Colorado. As they trek westward, the harsh realities of the prairie - be it man-against-man, or man-against-nature - start to set in. Unfortunately, it doesn't get any more interesting than that. One event after another occurs and forms an episodic monotony instead of a coherent storyline. Still, things do heat up for an exciting and well-arc'd conclusion. Where the character ends up from where he started out is a noble writing effort; but everything it takes to get him there is the dull part. The strongest aspect of the film is the ensemble of veteran character actors, led by Billy Green Bush and Bo Hopkins. These are cowboys from the days when all cowboys were straight, and any suggestion otherwise would get you punched in the teeth faster than you could say "Brokeback Mountain." While they don't seem like very open-minded chaps, they do represent a rugged nature that would have been essential to their way of life.
Posted in: Disc Reviews by Archive Authors on June 7th, 2006
In 16 Blocks, Bruce Willis plays Jack Mosley, a NYPD detective who seems to be annoyed and tired of he job. He looks lethargic 90% of the time never wanting to really do his job. Jack is told that his boss wants him for another job; which is the last possible thing Jack wants right now. Jack has been told to transport a key witness 16 Blocks to a grand jury hearing. The witness must arrive in two hours before the grand jury's term expires. The witness is Eddie Bunker (Mos Def), who seems to have more lines tha... probably all of his film's combined as Eddie is constantly speaking his mind.
Luckily for Jack, the overall premise of the job seems rather easy. All he has to do is get in a car and drive a guy 16 Blocks. Not too difficult no. Well, this is a movie and nothing is ever easy. Poor old Jack can't drive even 16 Blocks without a quick stop. This quick stop is at a liquor store. When Jack leaves the liquor store, he sees the wrong kind of guy, and proceeds to shoot this guy. We soon learn that Jack's boss, Frank Nugent (David Morse) has two jobs, the first being Jack's boss and the second being the linchpin of a ring of corruption and drug dealing within his department. Sounds like an honest cop right? For some reason, Eddie and Jack seem to connect. As Jack quickly learns from Frank, a lot of people don't want Eddie to testify in Court a man named Jerry Shue will be going down on numerous charges. Just as Eddie is about to get shot in a plausible scenario Frank creates for Jack, Jack shoots a cop in the leg thus throwing himself on the same side of the law that Eddie is on. Now it's up to Jack as he must evade the police and get Eddie to the courthouse.
Posted in: Disc Reviews by Archive Authors on June 6th, 2006
It's hard to tell what Ronnie Warner and Kent George were trying to accomplish when they perpetrated Puff, Puff, Pass on the video rental public, but hopefully, they will discover it takes a little more work to write a funny script than cobbling together every stupid pot joke and lame religious blasphemy they can think of into a coherent script. Think "lame sitcom trying to be edgy for 95 minutes," and you'll have exactly what this film turns out to be. Featuring six stars from various TV shows - with Mekhi Ph...fer being the only one around with impressive film credits - this film applies the old adage, "You get what you pay for," in more ways than one.
The story centers on two stoners with a desire to go into business for themselves. However, they have no jobs and no ambition to help them along in the quest. They're always late on rent payments. One of the stoners even unknowingly has sex with the other's transvestite cousin. They fall for every huckster's grand "paid programming" scheme in the book, and finally check into rehab for access to cable television. All this sounds very funny, and I'm sure it was in the other films, which did a better job depicting this sort of behavior. All in all, it's a film that has very little going for it, except for an unusual affinity towards The Shawshank Redemption - but you'd have to be an idiot not to see the value in that film. While Puff, Puff, Pass may not be "an idiot," in that regard, it barely rises above said mark.
Posted in: Disc Reviews by Archive Authors on June 6th, 2006
Synopsis
Tómas Lemarquis plays Nói, a 17-year-old living in a tiny, frigid, massively isolated town in Iceland. He is brilliant, but refuses to be so, and many people in the town think he isn’t all there. He sleeps through school (when he bothers to show up), deals with his useless alcoholic father, and dreams of being somewhere else. When he meets a young woman who turns out to be a kindred spirit, his desire to escape is further enflamed. The odds, however, are stacked against him.
Posted in: Disc Reviews by Archive Authors on June 5th, 2006
It is exceedingly strange to me that in this unprecedented age of media availability, movies on demand and theaters in our very own homes, more and more men have not seen those movies that were a staple of manhood for so many years. Movies like Bullitt, The Good, The Bad and The Ugly and even The Godfather are less and less familiar to male audiences than ever. There is a reason that these films were so popular amongst men. They are movies about tough guys who weren't afraid to rearrange some fac...s to get the job done. Heavy drinking and hard living men. With more and more of these films being released in Special Edition DVD packages, this is a prime time to see these films, and reacquaint yourself with your male heritage. For the women that may be reading this, I'll just tell you now, you might as well stop reading. This is not a film for you.
The Dirty Dozen is a film filled with true tough guys. Lee Marvin. Telly Savalas. Jim Brown... Charles Bronson, for goodness sake! The biggest tough guys in the movies these days are Vin Diesel, Bruce Willis and The Rock. Willis is cut from the old mold, but he is truly the last of his breed. Somewhere along the way, Hollywood turned its back on the man's man. I feel that the male population in this country is the worse for it.
Posted in: Disc Reviews by Archive Authors on June 4th, 2006
Synopsis
Henry Fonda plays Colin Spence, a diffident, self-effacing Canadian (but of course!) corporal in the British infantry based in Tunisia. Led by the crusty but supremely competent Sergeant Kelly (Irish of course), Spence’s squad is sent out on a recon mission that goes badly awry, and the men are forced to engage in a terrible trek across the burning desert. Spence is forced to assume a leadership role, and along the way has flashbacks to his relationship with Maureen O’Hara, and how his unwil...ingness to take a risk or fight might have wrecked his chances with her.
Posted in: Disc Reviews by Archive Authors on June 4th, 2006
In Wayne Kramer's latest film, Paul Walker stars as Joey Gazelle, a man who seems to be a part of the mob and has a ten year old son named Nick. The film then zooms back to 18 hrs earlier where Joey and his Perello boys are ambushed and are nearly killed. Turns out these men who they just killed are big time cops. Joey is told to get rid of the murder weapons, which seems to be his main goal in this mob group. Instead, as we soon learn, Joey never does this instead he hides the weapons. Unfortunately for Joey, Nick a...d his friend Oleg see Joey put away one of the guns and, well, all hell breaks loose after this as Oleg steals the gun and uses it to shoot his abusive stepfather. Apparently. Oleg's stepfather was connected to the Russian mob. Convenient no?
Joey and his wife seem to be in a love-hate relationship where his wife seems to hate what he does for a living. All Joey wants to do is simply provide for his family which Director Wayne Kramer (The Cooler) shows us with a sly direction. Kramer presents Joey as a family type of man who, possibly, had a rough beginning to his life and only wants to provide the best he can for his son and wife. Joey must go on a non-stop chase searching for this gun otherwise Joey can kiss his life good bye as he so often tells us.
