DVD

Previously on this site I had reviewed Season 4 of this legendary program (https://upcomingdiscs.com/2010/10/15/gunsmoke-season-4-volume-1/) and Season 5 still predates the major changes that occurred over this show's 20 year run, primarily consisting of supporting cast changes so that review can just about double as fair coverage of this season as well; which I hope conveys a testament to this show's consistency of quality and not to my personal laziness as a writer. Indeed, this season continues to provide entertaining evidence as to why this show lasted so long and remains beloved to this day.

James Arness' Marshall Matt Dillon keeps a stern, watchful eye on the city of Dodge. The stakes were always high in each episode's adventure, and any slip up, be you a hero or villain, could cost you your life. Being a production from the late 1950s we do deal with more than a few character stereotypes. The gypsies are devious, the natives are primitive, and the white yokels are frighteningly ignorant and violent. Dillon, as the final word of the law in all situations, makes a decent mediator and remains without prejudice so long as you keep on the happy side of his law...or you end up on the business end of his gun in many cases

“It's worse than I thought, but it's even worse upstairs… It’s dangerous. Do not go there.”

Uruguayan director Gustavo Hernández claims to have shot the first 78 minutes of The Silent House in one continuous unbroken take. Personally, I don’t believe that to be true, as there are plenty of times the camera goes to black passing furniture or into shadows which could hide a cut, but he does pull off the illusion with some incredibly long uninterrupted shots, and that is very impressive indeed.

"New York City 1958: In these concrete canyons, everybody's got an angle. The beauty with the sob story who killed her old man. The harmless geezer who's in bed with the mob. The kidnapped broad who's really a fraud. When a case gets too twisted for the cops, only one man can straighten it out: two-fisted gumshoe Mike Hammer."

My earliest memories of Darren McGavin are the tough reporter that stumbled upon supernatural creatures in Kolchak: The Night Stalker. That short-lived series had a huge impact on the likes of Chris Carter and would inspire shows like The X-Files and Supernatural. But Darren McGavin was already a steady veteran of television screens long before his Chicago reporter staked his first vampire. He first came into American living rooms in the 1950's as Mickey Spillane's fast-talking film noir detective Mike Hammer. As Mike Hammer he would influence another entirely different genre of television shows. There would be no James Rockford or Magnum PI without him. The character would reappear decades later with Stacey Keach in the title role, but if you want to know what makes the classic television detective tick, you have to go back to the source. A&E just made that possible, and you won't need a Delorean equipped with the optional flux capacitor to do it.

The CSI phenomenon has been going strong for many years now, and CBS has ridden that wave to become the top network these past couple of years. It all started with the original CSI: Crime Scene Investigator. This Las Vegas show became an instant hit, and three years later we found ourselves in Miami for a spin-off. Two years after basking in the Florida sunshine, Jerry Bruckheimer caught lightning a third time; this time out New York would serve as the setting. While there are ties that bind the three shows to the CSI franchise, each show has a unique style. The cases also serve to distinguish the shows from one another. The leads for the three shows likely give the most character to the series. Gary Sinise as Detective Mac Taylor brings a strength that establishes this show’s credibility from episode one. Taylor is ex-military who lost his wife in the 9/11 attacks. He’s incredibly driven and passionate about bringing down the bad guys, but won’t allow his integrity or that of his lab to be compromised. Also, the New York show differs from the original in that the CSI personnel are full fledged cops and not just lab rats working for them. I find I like this version far better than the Miami setting, even though I can relate more to the Florida locations essentially in my own back yard.

The show does share some of the qualities that have become traditional essentials for the CSI franchise. Each opens with a song from The Who. I was bummed to hear that the original selection for New York was Behind Blue Eyes, one of my favorite Townsend compositions. It would have been a far better selection. New York has the same narrative style, which usually allows for an “A” crime and a “B” crime. The mandatory lab montages are intact, as are the CGI recreations of some of the internal body demonstrations. The show, like the others, focuses on the CSI team. Gone this season is Detective Stella Bonasara (Kanakaredes). In her place Sela Ward joins the cast as former FBI Agent Jo Danville. She specializes in the mental aspects of the crime. She's the team's answer to a behavior science unit and works closely with Mac. Detective Danny Messer (Giovinazzo) is all New York from the accent to his habits. He’s the kind of tough no nonsense New Yorker from an ethnic Italian hood who, you get a sense, could have just as easily gone the other way in the world of real-life cops and robbers. He's married to Detective Lindsay Monroe (Belknap), often called Montana, a country girl adjusting to the big city. Messer often looks after her like a sister, and these two have developed another of the show’s good character chemistries together. Now they have a kid and the relationship has taken another step in its evolution. Dr. Hawkes (Harper) started the series as the medical examiner, but now works as a CSI detective. Dr. Sid Hammerback (Joy) took over the medical examiner duties when Hawkes left. He's a thorough doctor who is always looking that one step farther than usual and often discovers what another medical examiner might have missed. Detective Don Flack (Cahill) is the beat detective that most often works with the team.

The series follows the CSI model set forth in the original Vegas version of the franchise. The lead CSI here is Horatio Caine played by former NYPD Blue actor David Caruso. Caruso left that series because he fancied himself better as a big movie star. Several failed leading roles later he finds himself back playing virtually the same character here. It’s the same Caruso odd speaking pattern, only this time he has a lab coat to go with that gun. Adam Rodriguez plays Caine’s favorite among his lab partners, Delko. He shares a bit of history with Delko. They’ve had a few off the reservation missions together and have bonded somewhat. Delko wants to be just like Caine. Next in the pecking order is Ryan Wolfe, played by Jonathan Togo. Togo is the Greek tragedy character here. It seems that every year this guy is getting the worst of it, from losing his hearing to getting roughed up by the Russian mob. He was a cop and transferred over to the CSI unit in season 2 under Caine’s wing. Emily Procter plays Calleigh. She’s the ballistics expert and all around tough girl with a disarming southern accent. She makes a living by being underestimated. By far the most annoying character is Eva La Rue’s Natalia. Her love lives and former life baggage turn her more often than not into the helpless whimpering damsel in distress. She’s by far the most frustrating character in the entire franchise. If I have to hear her whine one more season… Rex Linn plays the crew’s uniformed cop buddy, Frank Tripp. He’s getting more and more screen time and acts as the audience’s representative on the show. He’s a good tough cop, but the science just goes over his head. New to the 7th season was Megalyn Echikunwoke, please don’t make me spell that last name again, as the new medical examiner on the series, Dr. Tara Price. She’s a huge change from the previous pathologist whom I’m sure fans are already missing. She’s got a bit of a ‘tude. She also flirts too much, while Alex always had this almost unnatural respect for the dead.

The 9th season sees a few big storylines develop. This version of CSI has always been the more explosive action version of the franchise. That usually played out mostly with Caine and Delko. A big improvement to this season is that everyone gets to do a lot more running and jumping this year. The season begins with a full out assault on the lab and the action never really lets up for one episode. Emily Procter had a baby this season so the Calleigh character doesn't get near as much to do as all of the others. The lab rats had to step up and I even found myself enjoying Eva LaRue a bit more that usual. She's still annoying but a little less so when she's running for her life.

For the two or three people on the planet that don’t know, the idea is actually quite a simple one. The CSI night shift crime scene investigators utilize all of the latest science to solve often brutal crimes. Instead of guns, these detectives come packing microscopes and test tubes. The most senior member of the team is former Vegas showgirl Catherine Willows (Helgenberger) who juggles her long hours with raising a daughter. She usually provides the more clear-headed perspective. Grissom’s mild love interest is feisty Sarah Sidle (Fox). Promoted from the DNA lab is Greg Sanders (Szmanda). Sanders is often the comic relief, and while a solid team member, often gets into a spot of trouble. He’s the fresh eyes on the team, likely to be most identified with by the audience. Nick Stokes (Eads) is the macho man in the group. The newest member of the team is Dr. Raymond Langston (Fishburne) who came in last season after Grissom left to study bugs in South America.  Hodges (Langham) looked up to Grissom and has had to step up his game in the lab since his mentor left. He's the guy that takes some getting used to and not the most respected in the lab. It's a tough year for him because lab partner and girlfriend Wendy (Vassey) leaves as the 11th season opens. The team often works with Lt. Brass (Guilfoyle) and medical examiner Robbins (Hall). Together they follow the evidence wherever it might take them.

Things are still changing in this 11th year, and the show has never really had a chance to settle since the departure of Grissom. Katherine is having to go up against the lab brass and Detective Brass this season and feels on the outs more than she feels like a part of the team. We're also about to lose the new character played by Lawrence Fishburne as he ends the season by killing a serial killer, but it wasn't a clean shoot. Even with the lab trying to protect him he's gone, and Ted Danson will replace him in the next season. Sarah is married to Grissom now but is here at the lab instead of in South America with him. It's an awkward situation for her and for us in the audience. It's hard for us to get past his exit because they keep talking about him. It's also never seemed very realistic to me that he could fall for Sarah. She's about the most aggravating character in the entire franchise.

I guess you might be tempted to call it I Spy redux. Robert Culp teams up with his I Spy partner Bill Cosby for this 1972 feature film that really looks more like a television film. It was written by future director Walter Hill, but don't expect this to be anything like Aliens or even the 48 Hours movies. The script suffers from a lack of imagination, and it's no wonder that it's Hill's first script.

Hickey (Cosby) and Boggs (Culp) are down-on-their-luck private detectives who are having trouble scraping the money together to even pay the phone bill. Hickey explains it's the phone bill or the answering service. He figures at least with the service a job can come in. Of course, Boggs counters that even if a job came in, how would they call the service to find out or call the guy back? It's the kind of dilemma that forces them to take a missing person case when (Fletcher) puts crisp 100 dollar bills in Hickey's hands. Of course, the simple case turns out to involve a bank heist and a few murders. The boys are in over their heads on this one. They're trying to stay one step ahead of the cops and the bad guys in order to collect a huge reward for the stolen bank money.

“There’s always a story. You just have to find it.”

What happens when you’re a popular murder-mystery writer and someone starts to use your stories and ideas to kill people in the real world? At first you become the prime suspect, particularly if you’re found to be completely self-centered and annoyingly arrogant. That’s where a pretty good alibi might come in handy. Is playing poker with the Mayor and the Chief of Police good enough? So, you’re no longer a suspect. Now what do you do? You sign on as a consultant for the special crimes squad of the police department, and you help catch the real killer. Only instead of looking for him O.J. style on golf courses and in steakhouses, you team up with the cops and nab that good-for-nothing plagiarist. The problem with that is you might just find that you like it. Even worse, it might end up curing that writer’s block you got after killing off your lead character and proverbial golden goose, much to the chagrin of your publisher who also happens to be your ex-wife. Follow any of that? If you did, you now have the setup for one of the better premiere series from last season, Castle.

The Durr household often enjoys a good vampire flic to warm the candlelight around the old HDTV (hey, shouldn't I be writing this for the 31 days of October delight?). The taste of blood, the price of your soul, nothing can prepare you for the demons that are right outside your door. Sure, they can promise you sexual pleasure and immortality but that blood is really hard to get out of your clothes. This evening we explore the title We Are the Night featuring four ghoulish women on the cover. Will they sate our palette for blood or perhaps share with us grooming tips? Let's find out.

We open up to a plane on auto-pilot that is witness to a horrifying display of murder and blood letting. Three girls, Louise, Charlotte, and Nora (played by Nina Hoss, Jennifer Ulrich, and Anna Fischer respectively) survey the damage. Unfortunately, none of them really know how to fly a plane, but that's what they get for killing the pilot. They get ready for their departure but Louise hears one more voice from the back of the cabin. She finds a stewardess and looks deep into her eyes before snapping her neck. The three women soon depart for the ground below.

"The body is the proof. It will tell you everything you need to know if you just have the patience to look."

And patience is exactly what you're going to need with this new ABC drama.  Body Of Proof was a mid-season entry by the network; it debuted at the end of March and ran for only 9 episodes so far. It has been renewed, so it will have the opportunity to develop into something better than what it is. So far I see a ton of potential, but these first 9 episodes didn't exactly leave me on the edge of my seat.