Posted in: Disc Reviews by Archive Authors on December 28th, 2005
Synopsis
It would appear that the 1961 Disney film The Parent Trap helped to spur popularity within Disney’s non-animated film section. Films like the Herbie films, and films featuring other stars like Kurt Russell would soon follow several years later. Based on a book by Erich Kastner, and written and directed by David Swift (Eight is Enough, Barney Miller), the film is centered around Sharon and Susie (both played by Hayley Mills, Saved by the Bell, Pollyanna), who are i...entical twins who do not realize that they are sisters. After some initial bristling between the two, they manage to get along and learn more about each other.
Posted in: Disc Reviews by Archive Authors on December 27th, 2005
Synopsis
This is a short (69 minutes), quite elliptical film that traces the arc of a relationship between a young man (Kieran O’Brien) and woman (the pseudonymous Margo Stilley). We see individual moments, usually framed around episodes of lovemaking, and in between we see our couple at rock concerts (and so we get, in their entirety, performances by the likes of Primal Scream, Super Furry Animals and Franz Ferdinand). The whole story is a flashback, with O’Brien in the present, post-relationship, r...flecting on it while he does research in Antarctica.
Posted in: Disc Reviews by Archive Authors on December 27th, 2005
Most film-goers could identify a Michael Bay film just by the techniques he uses -- quick edits, sun drenched color palate, and lots of action. This usually means that Bay is suited more for low-brow action movies as opposed to high concept films.
In Pearl Harbor, Bay proved that he couldn’t handle anything that didn’t explode -- resulting in a lop-sided film. The first hour was a tedious love story and the last 90 minutes were better -- including an excellent recreation of the surprise attack.
Posted in: Disc Reviews by Archive Authors on December 26th, 2005
Synopsis
There was a period in Francis Ford Coppola’s (The Godfather, Apocalypse Now) life where he went through a bit of a phase, where he was making films based on relatively obscure material. And he went through another smaller phase in the early ‘80s where he was making films from source material of author S.E. Hinton (The Outsiders). And Rumble Fish was one of those.
Posted in: Disc Reviews by Archive Authors on December 26th, 2005
Synopsis
Despite the upside of pro wrestling-being on worldwide TV and having people from ages 6 to 60 buy a shirt with your face on it, and cheer (or boo) you in the ring until they become hoarse, there is still a downside. A wrestler can be on the road for 250 days out of the year. The pay is comfortable, but there is the risk of injury, or worse, addictions to drugs to overcome the pain you can suffer from while on the road. And unlike John Q. Businessman, a lot of the wrestlers out there either don’t ha...e a health or pension plan, or can’t even afford either or both to begin with. Numerous wrestlers over the years have been incapacitated from the life, and at least that many have committed suicide, including several well known (to fans) wrestlers in the recent months. The upside can be great though, and a wrestler’s character can have a lasting impact on the public, long enough to maybe make them lifelong fans. I’m still watching it, off and on for (damn!) 20 years, and Barry Blaustein has the same identification with it, and uses it to help focus on several different people who have, and are, making their livelihood in the business, in Beyond the Mat.
Posted in: Disc Reviews by Archive Authors on December 26th, 2005
Four Brothers starts off as a solid drama about a group of orphans (Marky Mark, Tyrese Gibson, Andre Benjamin, and Garrett Hedlund) who were raised by a sympathetic woman (Fionnula Flanigan) in downtown Detroit. When she is murdered, the brothers reunite and stay in their mother’s old house. They sit at the dinner table and stare at her now empty seat. They horse around with one another in her living room. And in some cases they even wear her old clothes. In scenes like these, the actors do a good job of makin... their characters feel real -- a rare feat in movies these days. Then the action starts. And that’s where Four Brothers goes downhill.
What starts as a serious toned film about coming together to bury a loved one, Four Brothers transforms into an unintentionally funny action movie. The characters don’t just shoot at one another, they make corny quips while doing it. Marky Mark, yeah I know he’s Mark Wahlberg and all, but after this performance, he’s Marky Mark again. He’s lost the right to be taken seriously. Anyway, Marky Mark actually says the line, “Grab the gun and bust some shots” to Tyrese Gibson while chasing some bad guys down a street. I don’t know... the line might sound perfectly normal to some people. I guess they are the intended audience for this film. But it made me laugh. Many lines like that one made me laugh.
Posted in: Disc Reviews by Archive Authors on December 24th, 2005
Season Four of The West Wing was the series' final season with the show's creator, Aaron Sorkin. This left quite a bit of trepidation among the show's faithful followers. What would happen with the series left in the hands of new writers, and without Rob Lowe's portrayal of Sam Seaborn? After all, Sorkin's original plans for the show were for it to focus on Sam, and now everything seems to be falling apart.
With one notable exception, I am proud to announce that the show is still rolling along at a s...rong pace in Season Five. It is hard to write about the show without giving away any spoilers, but I can pretty safely say that the cliffhanger from the end of Season Four is resolved within the first few episodes, some appointments are made, some decisions from the President's past come back to haunt him, and in the end, yet another White House staffer's life hangs in the balance.
Posted in: Disc Reviews by Archive Authors on December 23rd, 2005
Synopsis
So after a somewhat shaky 4 episode run for Season 1 and a 6 episode showing of Season 2, the powers that be at HBO, apparently in between editing sessions of "Real Taxicab Divas," or whatever, answered Bob and David’s pleas for an increased budget for Season 3. But they also wanted a 10 episode season, something that brought them to new heights of stardom, neuroses and some real good comedy. Saturday Night Live had started to see their stars leave for TV shows, movies, or they were just tir...d of the weekly grind of the show. Their then-new cast members (Will Ferrell, Tracy Morgan and Darrell Hammond, to name a few) were still pretty hit or miss at that time. I’d started to watch Mr. Show during Season 2, and was hooked in Season 3. For my money, they arguably put together some of the funniest sketches in recent memory in Season 3. Every episode comes up with a gem, the Oh, You Men episode being the funniest of the series’ run, in my opinion. The East Coast/West Coast Ventriloquist Feud is required viewing, along with the Sid and Marty Krofft parody Druggachusettes, two of the funniest comedy sketches in awhile. As funny as Christopher Walken demanding a cowbell may be, the sketches on Mr. Show were smarter, more inventive, and yes, didn’t have the restriction of being on network TV. This was the comedy show to watch in the late 90’s. Here’s the listing for Season 3 (with help from the book “Mr. Show, What Happened?!”) with major sketches included:
Posted in: Disc Reviews by Archive Authors on December 23rd, 2005
Synopsis
It did take a little bit of intestinal fortitude to sit down and be willing watch Herbie: Fully Loaded, but I did it dammit, because I care about YOU. Fully Loaded is not a remake, but an extension of The Love Bug films with Buddy Hackett and others. In this new edition, Maggie Peyton (Lindsay Lohan, Mean Girls) is the daughter of racing legend Ray (Michael Keaton, Batman) and brother of Ray Jr. (Breckin Meyer, Road Trip). She is going to work for ESPN now ...hat she’s just graduated college, but she’s still a racer at heart.
Posted in: Disc Reviews by Archive Authors on December 23rd, 2005
Synopsis
Angie Dickinson is a single mother of two teenage girls (whom the film very explicitly characterizes as “ripe” – boy howdy, they don’t make movies like this anymore). Money is tight during the Depression, and after a fiasco of an interrupted wedding, mother and brood hit the road to seek their fortune, and before you know it, they’re robbing banks.
