Posted in: Disc Reviews by David Annandale on June 28th, 2005
Synopsis
Hilary Duff plays a good-hearted by scatterbrained teenager. Her happy existence in NYC is disrupted (how many Disney teens has this happened to?) when her stepfather starts his new job as head of a military academy, and she is enrolled, willy-nilly. She has trouble fitting in, initially having as nemesis her Captain Christy Carlson Romano, but eventually both she and the institution adapt to each other.
Posted in: Disc Reviews by Archive Authors on June 27th, 2005
Gone in 60 Seconds is a guilty pleasure - its vacuous and superficial, full of typical Hollywood produced "guy-movie" cues. Cars, guns, explosions, anti-heros, and Angelina Jolie abound, as well as comically evil villains, comically thin plot devices, and comically honourable car thieves. All that being said, though, the movie is great for what it is - a typical Bruckheimer celebration of over-the-top action. Its fun to get lost in the action, and director Dominic Sena imparts a great sense of ...ace (which he failed to carry over into 2001's Swordfish), keeping the tension level-high, the action front & centre, and the cars at full throttle. There's also some real funny moments too - the "Brick House" rendition at the police impound lot makes me cackle like a hyena every time.
Synopsis
Posted in: Disc Reviews by David Annandale on June 27th, 2005
Synopsis
Back in the early 1980s, HBO ran this anthology series, wherein the denim-clad Page Fletcher does the Rod Serling thing, introducing and concluding each dark morality tale. Though the stories varied (in content as well as quality), certain factors remained the same: you could always count on at least one sex scene, plus some dollops of gore. This was, in sum, The Twilight Zone with extra violence and cable-friendly T&A. As far as horror goes, there is nothing very groundbreaking here,...but these are amusing enough in half-hour chunks. Some of the stars to parade through these episodes include Kirstie Alley, Harry Hamlin, Virginia Madsen, Jerry Orbach and Gene Simmons.
Posted in: Disc Reviews by Archive Authors on June 27th, 2005
Staying Together is one of those small town family stories. Growing up is hard, especially when you own a chicken restaurant. Dad, unfortunately, gives in to "big business", and sells his restaurant to a chain franchise. This sale puts the family into turmoil and makes the family members reevaluate their relationships with each other. The brothers of the McDermott family are featured most prominently. The three brothers, in typical movie fashion, are distinctly different. Dermot Mulroney plays Kit, the ro...antic brother, Tim Quill plays Brian, the hot-tempered one, and Sean Astin (Sam from Lord of the Rings) plays Duncan, the goofball. The film is rounded out by some good character actresses like Stockard Channing and Melinda Dillon. Unfortunately, the script by Monte Merrick is riddled with cliches and gives us everything we expect. The film is directed by Oscar winning actress Lee Grant, but her tone is dead serious. She plays the material without a hint of irony. Staying Together is like Mystic Pizza without the charm.
Audio
Posted in: Disc Reviews by Gino Sassani on June 26th, 2005
Synopsis
After making such internationally renowned samurai period films such as Rashomon and The Seven Samurai, Akira Kurosawa did make another film Yojimbo, with a decidedly different tone, bordering on dark comedy. The opening shot is of Sanjuro (Toshiro Mifune, Throne of Blood), a samurai without a master, who looks at a mountain, and suddenly scratches his head, as if his hair is on too tight. It’s almost the breaking down of a facade, helping to show you that the film will ...e bit different from other Kurosawa samurai films. The introductory cards say that the film is set in the 1860s, and the samurai comes into a town ruled by rival gangs. He doesn’t know this when he comes in, but the first thing he sees in town is a dog carrying a human hand. People have said that the way that this film was told reminds them a lot of the Clint Eastwood/spaghetti westerns that came out several years later, and it’s easy to understand why, with the quiet main character whom you can never really tell he’s a hero or villain. He deals with some situations with a toothpick in his mouth, reminding me of Chou-Yun Fat in Hard Boiled. Kurosawa does action flicks? That’s probably the best way to characterize it, but he does it well, without a lot of one-liners or lack of common sense seen within a lot of today’s action films.
Posted in: Disc Reviews by Archive Authors on June 26th, 2005
Synopsis
If anything, the third part of the Godfather series of films is symbolic of when too many sequels are greenlighted, and consequently, the film is doomed to fail. More often than not, the reason why these films crash and burn are because of major studios acting like Adelphia executives and wanting more money, and in using the previous films’ successes as leverage, they lose sight of things like quality. It’s happened to other trilogies.
Posted in: Disc Reviews by Archive Authors on June 25th, 2005
The First Amendment Project is a collection of 3 short documentary films which deal with the theme of “freedom of speech”. The first film, and the best one, is “Fox vs. Franken”. Comedy writer, left wing activist, and Stuart Smalley himself (you know…“You’re good enough, you’re smart enough, and doggone it, people like you”), Al Franken, is the target of a lawsuit filed by Fox News. The documentary follows the lawsuit, and it reveals two important things: Franken is still a funny guy and Fox is an idiotic ...rganization. “Poetic License”, directed by Mario Van Peebles, is a short documentary about the Poet Laureate Amiri Baraka. Interviews include the pros and cons on the work of this controversial artist. “Some Assembly Required” follows the story of a group of protesters at the 2004 Republican National Convention. An interesting premise, but the documentary doesn’t really deliver on the dramatic potential.
Audio
Posted in: Disc Reviews by Gino Sassani on June 24th, 2005
Las Vegas has a credo of sorts: What happens in Vegas stays in Vegas. Well... not anymore. Las Vegas tells all in a new smart and often sexy NBC series. Most of the cast was chosen for their more physical attributes; however, the performances are not bad either. James Caan takes a surprising journey to TV land. The part of an ex-CIA boss fits Caan like one of Sonny Corleone’s tailored suits.
The series always features special guest stars, often playing themselves. The lineup of guests includee Vegas names like Penn&Teller as well as box office champions that include Dennis Hopper and Sean Astin. The show’s Montecito Hotel and Casino is as much a character of the show as anyone in the cast. The sets have been an added bonanza for Universal, as the hotel has shown up in other studio run shows like Monk (sans the cast). Perhaps the most endearing aspect of the series is how easily the plots develop without ever really taking themselves too seriously. Even the dire straits Caan’s Big Ed often finds himself in never seem to venture too far from the shtick. While the stories are easily forgotten just minutes after watching, it is nonetheless a fun ride while it lasts.
Posted in: Disc Reviews by Gino Sassani on June 24th, 2005
Who doesn’t have a soft spot in their heart, if not their DVD collection, for The Andy Griffith Show? The denizens of Mayberry have been with many of us our entire lives. For most of America, The Andy Griffith Show has become the template for any small rural town. The characters stand as prerequisite citizens in any said town. The town drunk, the local barber, the motherly little old lady, and the corner mechanic all look like Otis, Floyd, Aunt Bee, and Goober to most of us now. Griffith himself brought fine qualities to his role of Sheriff Andy Taylor, but it was Don Knotts as the incompetent but lovable deputy Barney Fife who stole the show. And who was that sweet little boy? He grew up to be a first class filmmaker with plenty of Oscars on the shelf. No question that The Andy Griffith Show started something back in 1960.
Synopsis
Posted in: Disc Reviews by David Annandale on June 24th, 2005
Synopsis
After the suicide of his wife, psychologist De Niro takes his traumatized daughter Dakota Fanning off to a house in the woods to recover. Fanning begins to exhibit strange, hostile behaviour associated with her imaginary friend, Charlie. Then, as the violence escalates, De Niro realizes that Charlie might well be real after all.
