Posted in: Disc Reviews by Gino Sassani on June 24th, 2005
Las Vegas has a credo of sorts: What happens in Vegas stays in Vegas. Well... not anymore. Las Vegas tells all in a new smart and often sexy NBC series. Most of the cast was chosen for their more physical attributes; however, the performances are not bad either. James Caan takes a surprising journey to TV land. The part of an ex-CIA boss fits Caan like one of Sonny Corleone’s tailored suits.
The series always features special guest stars, often playing themselves. The lineup of guests includee Vegas names like Penn&Teller as well as box office champions that include Dennis Hopper and Sean Astin. The show’s Montecito Hotel and Casino is as much a character of the show as anyone in the cast. The sets have been an added bonanza for Universal, as the hotel has shown up in other studio run shows like Monk (sans the cast). Perhaps the most endearing aspect of the series is how easily the plots develop without ever really taking themselves too seriously. Even the dire straits Caan’s Big Ed often finds himself in never seem to venture too far from the shtick. While the stories are easily forgotten just minutes after watching, it is nonetheless a fun ride while it lasts.
Posted in: Disc Reviews by David Annandale on June 23rd, 2005
Synopsis
The setting is a prestigious black college, and the set-up is along the lines of what you would expect in a college-set musical: conflicts between the black-uniformed frat brothers and the political activists (of which the leader is a young Laurence Fishburne), gender wars and misunderstandings right, left and centre, and plenty of music. It’s all very lively, but not nearly as funny as Lee clearly thinks it is (see notes on commentary below). The bigger question is whether the satire and po...nted politics are able to survive the knockabout gags, and whether the movie actual works as a cohesive whole.
Posted in: Disc Reviews by David Annandale on June 22nd, 2005
Synopsis
Two girls meet on the beech, and a lifelong friendship is formed. Hilary is the shy rich girl (horse riding and the whole thing, don’t you know) and she grows up to be Barbara Hershey. CC is the working class extrovert, and becomes Bette Midler. As adults, they become roommates, and we follow the entire arc of their friendship through their lives, with conflicting romances, plenty of ups and downs, and then, in the last act, the inevitable Hollywood Fatal Illness.
Posted in: Disc Reviews by Archive Authors on June 21st, 2005
Only could Matt Stone and Trey Parker, the (gulp) geniuses behind South Park, could come up such a wildly crazy (and funny) film such as Team America: World Police. What is so wild about this film you ask? Well, the actors are marionette puppets, every other word is an f-sharp, and almost every big Hollywood actor is portrayed negatively. And what is wrong with this? Absolutely nothing. This film will not be for everyone, but for the loyal fans of South Park, this film is pure bliss. Not o...ly do you get the vulgarity that Parker & Stone are known for, you get it stepped up 10 notches. Who would have thought that puppets could be so entertaining?
There are so many funny, off-the-wall elements/scenes that are brought to light in this film, but here my favorites…
Posted in: Disc Reviews by David Annandale on June 21st, 2005
Synopsis
Diabolik (John Phillip Law) is a master criminal, pulling off one spectacular robbery after another to the endless frustration of the police. Ruthless and amoral, he nonetheless deeply loves Eva (Marisa Mell), and will risk everything to protect her. As his crimes become ever more spectacular, and the government teeters on the brink of chaos, even organized crime is pressed into service in order to capture the man.
Posted in: Disc Reviews by Archive Authors on June 21st, 2005
Only could Matt Stone and Trey Parker, the (gulp) geniuses behind South Park, could come up such a wildly crazy (and funny) film such as Team America: World Police. What is so wild about this film you ask? Well, the actors are marionette puppets, every other word is an f-sharp, and almost every big Hollywood actor is portrayed negatively. And what is wrong with this? Absolutely nothing. This film will not be for everyone, but for the loyal fans of South Park, this film is pure bliss. Not o...ly do you get the vulgarity that Parker & Stone are known for, you get it stepped up 10 notches. Who would have thought that puppets could be so entertaining?
There are so many funny, off-the-wall elements/scenes that are brought to light in this film, but here my favorites…
Posted in: Disc Reviews by David Annandale on June 20th, 2005
Synopsis
Troy Duffy, bartender, writes a script and suddenly is given a lucrative deal by Miramax to make this film, and his band is promised a recording contract. The script is for The Boondock Saints, that stunning little word-of-mouth success that has found quite a life of its own on DVD. But this is what happened before the film became a cult hit, as filmed by two of Duffy’s then-friends who were hired to do a making-of documentary. What we see is a man whose talent, though (on the basis o... the film) real, is hugely exceeded by his arrogance and general disregard for anyone other than himself. A fascinating character study, all the more so because I guarantee you KNOW someone just like this jerk.
Posted in: Disc Reviews by Gino Sassani on June 20th, 2005
Ten years ago Chuck Norris took his movie tough guy routine to television. It is there that he has enjoyed far greater success than in his films. For nine years Norris brought us the ultimate Texas Ranger in a formula cops and robbers show. The show often became a parody of itself, but maintained a solid viewership throughout. Hell, Norris even sings the theme song. Truthfully, what started as a one man show had become a good working ensemble that probably kept the train going for so long.
Walker (Norris) is a tough guy Texas Ranger. He is partnered with Sydney Cooke (Peebles) and Jimmy Trivetti (Gilyard) who’s an ex-jock with a brain. Together they fight the evils that come to the high plains of Texas armed with their fists, six-shooters, and Stetsons.
Posted in: Disc Reviews by Gino Sassani on June 20th, 2005
Stargate SG-1 is about to enter its ninth year. There was speculation that after season 8 the series would bow out gracefully with the anticipated exit of Richard Dean Anderson. With that plan in mind the folks at Stargate Command decided it was time to spin off the franchise, and so was born Atlantis. Stargate Atlantis boasts pretty much the same team as SG-1. The quality of the production and tight storytelling have translated well to this sister series. The only flaw in this plan is that fans don’t want to let go of the original. With a cast shake-up that brings us a newer look, SG-1 Atlantis will find it harder to learn to stand on its own.
Synopsis
Posted in: Disc Reviews by David Annandale on June 20th, 2005
Synopsis
In a perpetually gray, rainy, decrepit Bucharest, a series of strange murders is taking place. Brutal street-cop in search of redemption Sean Pertwee is paired up with enigmatic Interpol agent John Light. Light is not, of course, what he seems. Angels and demons are at war, as ever, and the demarkation lines of the battle are very blurry. Are there any good guys at all? Hard to sasy, but Kari Wuhrer had better hope so, as she is being used and stalked, respectively, by the different sides, a... she has in her possession a prophetic book that is continuing to write itself. Whoever gets hold of the book will have a huge edge in the war.
