DVD

I have been reviewing various discs for plenty of years now. As a rule, I’ve stayed away from most documentaries as I know that unless they involve video games, I will probably use them for a sleep aid. That is not to say I can’t enjoy them, I just know my track record. Then, I received the grand mother of all documentaries, The Civil War by Ken Burns with an anniversary edition to boot. Yep, this is going to be a long and bumpy ride, let’s hold on shall we?

Our Planet is a merging of a large handful of documentaries that originally aired on the History Channel. Here they are packaged together to thematically display the “Past, Present, and Future of Earth.”

There is a place in London of the United Kingdom that is down in the Royal Borough of Kensington and Chelsea that used to be the first Church of Christ. However, throughout the years the populace decreased that flowed into the church and it became a shell of its former self. Still a goregous location, in 2001 it became home to the Royal Philharmonic Orchestra. That building is called Cadogan Hall. Fast forward to 2009, a band called Marillion decided to play there which led to this 2011 release.

The Nazis have been the subject of countless documentaries and films. On this occasion, The History Channel has decided to place the focus on the people of Germany, with a time line that  starts at approximetaly the First World War and leads to the end of the Second World War. With the aid of newly discovered home videos gathered from Germany & Russia, we see a combination of German life during this time, as well as public and private views of Nazi discourse and planning.

Phoenix is having a rough night. Her scumbag ex boyfriend has just shown up in her apartment with a gunshot wound and a sack of stolen cocaine and her psychotic HIV positive prostitute sister has also shown up, having just shot a john in the face. Plus there are gangsters after the cocaine who will stop at nothing to get it back. Plus there’s her lesbian friend downstairs whose brother is involved on multiple levels and wants to drag her into a plot to steal and sell the cocaine. Plus it’s her birthday.

By 1978 the television detective model had been nearly complete and possibly already a cliché. Dan Tanna might have well been the complete model as far as the formula goes. It was almost as if you could go down a checklist and, like Dr. Frankenstein creating a monster, check off the necessary elements. The scripts could then almost write themselves, and you let the show fly on autopilot for three seasons or so until someone decides to look behind the curtain.

"Don't let the love of your life leave you for a damned Gringo. Come and see us, and I guarantee you that we'll save your life. United Parapsychologists Of America. Esoteric jobs, spiritual cleansing, taxes and immigration papers..."

If ever there was a movie that should have fired its marketing department, it's Zombie Farm. If you read any of the descriptions or look at the cover art, you are expecting this to be one of thousands of movies that offer up gritty images,

The more famous a star, the more curious their early, pre-icon efforts become. Thus, we watch agog as Humphrey Bogart plays a murderous, blood-thirsty zombie in The Return of Doctor X (1939). And here, a 16-year-old Nicole Kidman makes her debut as a BMX-obsessed teen who runs afoul of a group of not-very-competent gangsters. Once again, one watches agog.

The Virginian set itself apart from the others in two ways. The first was found in the source material. The series was based on a 1902 novel by Owen Winsler, a man who actually lived in the Wyoming badlands during the time the series was set. The source material helps to add a sense of authenticity that might well have been a slight step ahead of the rest. It wasn't as violent as the others, again reflecting a more realistic sense of direction.

While Scarecrow And Mrs. King first aired in 1983, this show is really one of the last of the 1970's crime dramas. It was an early attempt to bring in more of the female audience that seemed reluctant to join the popular detective shows of the era. While not really a "detective" show (they were spies), it employed a lot of the 1970's conventions. Even the film footage has that distinct style from those days and type of shows. The idea worked, and the series did bring in a sizeable female audience, but it never really caught on with the guy crowd who found it a bit too relationship-heavy. The two leads were chosen less for their character appeal than for their apparent "easy on the eyes" look.