Posted in: Disc Reviews by Archive Authors on March 29th, 2004
The 100 Mile Rule, as a corny salesman puts it, means that when you are more than 100 miles from your wife, cheating doesn’t count. It is some kind of moral loophole used by salesmen who travel frequently, allowing them to be unfaithful to their wives. While the phrase is quite original, the film is made up of parts belonging to other movies, a kind of Frankenstein if you will. Not to say that 100 Mile Rule resembles that monster, because it is actually quite enjoyable. However, you will need to get past the m...ny references and duplications of other movies to enjoy it.
Bobby (Jake Weber) is a married salesman who is attending a sales convention in Los Angeles with colleagues Jerry (David Thornton) and Howard (Michael McKean). Jerry and Howard are oversexed and desperate older men while Bobby loves his wife and kids and misses them while he is away. However, when Monica (Maria Bello), a beautiful cocktail waitress and struggling actress starts pursuing him, Bobby can’t fight the attraction. After a one night stand, Bobby finds himself in a blackmail plot, needing to come up with 60,000 dollars to prevent a tape of the affair from being sent home to his wife.
Posted in: Disc Reviews by Gino Sassani on March 29th, 2004
Hot on the heels of The Great Race, Those Magnificent Men In Their Flying Machines was a bit of silliness and fun for 20th Century Fox. The Monty Python-styled opening credits set the tone for this British humor film, also known as How I Flew From London To Paris in 25 Hours and 11 Minutes. If the film suffers at all, it is the length. At almost 2 1/2 hours, it takes quite a while to get to the race. It’s almost 2 hours before the meat of the film begins. While there are many clever and memorable...scenes, mostly involving a certain sewer farm, the joke gets stale and begins to wear thin. The highlight of the film is of course the vintage planes built with the same materials as the originals they were modeled from.
Audio
Posted in: Disc Reviews by Archive Authors on March 28th, 2004
Often, the success of one film in theaters will bring on a wave of classics on DVD with a similar theme. In this case, the new films are Pirates of the Caribbean and Master and Commander. These modern box office successes have prompted 20th Century Fox to release some classic films about the high seas onto DVD. One such film is A High Wind in Jamaica.
There are quite a few problems with this film, but most of them lie within the narrative. The technical aspects are all handled well, wit... good lighting, and some pretty inventive camera work from time to time. Unfortunately, no matter how well a film is made, if the script is dull, so shall the film be. That seems to be the case here, as it appears that the director felt that the exotic peoples, places and locations would be interesting enough to cover for the fact that there really isn’t that much to do at sea. Well, they aren’t, and I was bored.
Posted in: Disc Reviews by Gino Sassani on March 28th, 2004
Gothika starts out with tremendous promise. The story appears that it will be more original and rewarding than most horror/thrillers. Halle Berry certainly rises above the usual B-list acting. Even Downey, Jr. seems suspiciously at home in the film’s prison setting. The trouble begins for the audience shortly after it does for Berry. Soon the film begins to get predictable and ordinary. Only the terrific cinematography and convincing atmosphere save the film from sinking to the depths of the many who have gone before...
Synopsis
Posted in: Disc Reviews by David Annandale on March 28th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on March 28th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on March 26th, 2004
It’s funny how little film subgenres evolve over time. For instance, slasher flicks have become a specific part of the realm of horror films. Likewise, teen gross-out movies have evolved within the comedy genre. In the case of Lady Jayne - Killer, the subgenre is the fraternity favorite, girls with guns.
There have been quite a few films that fit into this subgenre (the wonderful La Femme Nikita and the horrid To The Limit, just to name a few), and this film follows in that same shamele...s tradition. The point of these films is to show guys everything they like; scantily-clad women, firepower, hot cars and action. They are mindless on purpose. The storylines are not as important as filling the film with as much violence and as many half-naked women as possible.
Posted in: Disc Reviews by David Annandale on March 26th, 2004
Hayden Christensen is the very incarnation of smarm as Stephen Glass, hot-shot writer for The New Republic. His stories are all fabulous, seemingly too good to be true. Which is, in fact, the problem. His tissue of lies begins to unravel when Steve Zahn, reporter for Forbes Digital, tries to follow up one of Christensen’s articles, and can’t find a single legitimate fact. Peter Sarsgaard is Chuck Lane, Christensen’s editor, and he begins to smell a very big rat.
Utterly absorbing stuff. The fall from grace has the structure of a tragedy, but Christensen’s Glass is such a skin-crawling phony that his destruction carries the deep satisfaction of black comedy. Christensen’s oil is perfectly foiled by Sarsgaard, who has the dead-eyed, exhausted integrity of the honest man who has already seen it all far too many times. This is a film is small details and quiet conversations, and it flies by with the pace of an action thriller.
Posted in: Disc Reviews by David Annandale on March 24th, 2004
No surprise that in Master and Commander and Pirates of the Caribbeanwould trigger the re-release of older pirate movies. And oh look: those two hits are the firstthings mentioned on the blurb!
Posted in: Disc Reviews by David Annandale on March 24th, 2004
Synopsis
