Posted in: Disc Reviews by Gino Sassani on May 16th, 2002
“Among the rugged peaks that frown upon the Borgo Pass are found crumbling castles of a bygone age.” Carla Laemmle read these the first words ever spoken in a horror film that featured sound in the opening moments of Dracula. The film was based more on the Broadway play version of Dracula than the famous Bram Stoker novel. Who better to play the Count than the young Hungarian actor who immortalized him on the stage, Bela Lugosi? Lugosi brought more immortality to Dracula than the blood of his victims. Even today over 70 years later the flowing cape, the hypnotic gaze, and the accented “Good Evening” of Lugosi is the image most of us draw upon when we think of Dracula specifically or vampires in general. Tod Browning’s ingenious use of lighting combined with the maniacal laugh of Dwight Frye’s Renfield still manage to be effective.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 15th, 2002
The Films
Guilty as charged. Yes, it is true… until now, I had never seen any of the Rambo films. Sure, these films are all now somewhat dated, but they sure are fun to watch.
Posted in: Disc Reviews by Gino Sassani on May 14th, 2002
Bela Lugosi had become the heir apparent to Lon Chaney, Sr. as Universal’s horror king with the extraordinary success of Dracula. When the studio decided that Mary Shelley’s Frankenstein would be its next vehicle, Lugosi adamantly turned down the role of the monster. He felt that the role was doomed to failure, mainly because there was no dialogue and that audiences would not relate to the character. Enter a little known character actor from England to fill the monster’s shoes, and the name Boris Karloff would eventually eclipse Universal’s reigning king of horror. The role would lead to the rivalry often blown out of proportion between the two greats. Let’s not forget Colin Clive’s obsessed Dr. Frankenstein and Dwight Frye’s brain-switching Karl.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 12th, 2002
Synopsis
Randolph Scott is a young man who refuses to live up to his potential. Though very skilled, and possessing every attribute necessary to excel as a marine, he refuses to do so. When not training, he does one of two things: engage in a battle of wills with the crusty sergeant (John Payne) who knows what Scott should be capable of; or court sensible nurse Maureen O'Hara (who also expects more of Scott than he does of himself).
Posted in: Disc Reviews by Gino Sassani on May 12th, 2002
Synopsis
1941. Field Marshal Rommel's forces are sweeping across Africa. The only thing blocking him from the Suez Canal is Tobruk. The British and Australian forces are hopelessly outmanned and outgunned, but their orders are to hold out, and hold out they will. Richard Burton is placed in charge of a battalion of green Australians. Though his toughness doesn't endear him to his him, Burton nevertheless whips them into combat and commando troops.
Posted in: Disc Reviews by David Annandale on May 11th, 2002
The film may take place in London, and feature English actors, and be shot in English, but this is definitely French cinema. How do we know? Because the sex scenes hit hardcore explicitness, and none of the characters are particularly happy about any of the proceedings.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 10th, 2002
Film
Here comes another teen movie from Columbia-Tristar… no, not “Not Another Teen Movie”, rather just another teen movie. This time it is Slackers that is getting the DVD treatment. This film was not as bad as I expected. Actually it was somewhat entertaining, especially the role played by Jason Schwartzman (from Rushmore fame) who plays an absolutely insane collage student infatuated with a girl beyond his means. Enough for my rambling, here is the synopsis…
Posted in: Disc Reviews by Gino Sassani on May 9th, 2002
“Danger, Will Robinson.” Attempting to make a serious film out of Irwin Allen’s beloved space family Robinson wasn’t one of Hollywood’s brightest ideas. The filmmakers did a pretty decent job of creating a fun science fiction film, but their obvious attempts at nostalgia never quite gel with the overall vision of the film. Complete with stellar special effects and a much more logical plot than the campy 60’s show, Lost In Space had promise. What New Line failed to understand was the cheese cardboard effects and zipper-toting aliens spun around a totally ridiculous plot was the true charm of Lost In Space. While it was warming to see 4 of the original cast in cameos the two that were missing, Jonathan Harris and Bill Mumy were the true heart of the TV series. The one jewel in this film has to be the performance of Gary Oldman as the indomitable Dr. Smith.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 9th, 2002
Another recent big-budget French production to hit these shores, this, along with Brotherhood of the Wolves, makes for an interesting comparison with American blockbusters.
Synopsis
Posted in: Disc Reviews by Archive Authors on May 8th, 2002
WOW! This is one of the most unique and fascinating films ever made… and this DVD release is equally as amazing. If you have never been introduced to Memento, this is your chance. This film works like no other (not counting “The Following” – Christopher Nolan’s first film), running backwards rather then sequentially. And let me tell you, once you have found the Easter egg that contains the film played sequentially, this film will take on a whole new life.
“In MEMENTO, Guy Pearce ("L.A. Confidential")...plays Leonard Shelby, a man who finds himself without any recollection of recent events - except the knowledge that his wife has been murdered. Using instant photos and a body filled with tattooed reminders, he pursues the man he believes responsible for his wife's death. Or does he?” – CTHE
