Posted in: Disc Reviews by Gino Sassani on February 6th, 2010
"One year ago, the MOD test system at Eskmeals confirmed radioactivity of above normal background levels at the Corry Reservoir, Craigmills, Yorkshire. The usual emergency procedurals were activated under NAIR arrangements, and the reservoir was shut down. An independent inquiry was set up under the chairmanship of Dr. Anthony Marsh."
Posted in: Disc Reviews by Archive Authors on February 4th, 2010
Muhammad Ali could be the greatest athlete of all time. Facing Ali is a documentary that interviews ten of Ali’s former opponents throughout his career. All of the retired fighters offer some brilliant insight into Ali’s career, personality and break down their memories of their individual bouts with him. The fights that are being recounted mark the pinnacle of personal achievement for these fighters and each fight is equally as significant to each fighter. The idea and execution of this documentary are exceptional and this film provides substantial entertainment for the duration.
Posted in: Disc Reviews by Gino Sassani on February 3rd, 2010
I grew up on the Peanuts creations of Charles M. Schulz. Most of us have, in one way or another. His newspaper comic strip is one of the longest running and most successful strips of all time. The work has been translated into every language currently spoken on the planet. The images of Charlie Brown, Snoopy, Linus, and the rest of the Peanuts gang have appeared on just about any kind of product imaginable. Our pop culture contains too many references to the strip to mention briefly. For me, it was the television specials starting in the mid 1960’s that brought the gang into my life. The classics are running annually, still after nearly 50 years. A Charlie Brown Christmas and It’s The Great Pumpkin, Charlie Brown are the most mentioned and certainly beloved by generations of children and adults. I thought I never missed an airing.
I'd like to be able to say that I'm a fan of all of the cartoons, but that wouldn't exactly be very honest. At some point they lost their innocence and eventually lost their charm. I never did see the live musical production of You're A Good Man Charlie Brown. This is actually the first time that I saw the animated version. I'm going to go out on a limb here and say that this animated cartoon is nothing like the production, at least I hope so. The play appears to be universally beloved. I often hear only the fondest recollections from those who have seen it. That's not the case with this particular version of the material. In cartoon form it plays out quite awkwardly. None of the numbers really combine into anything resembling a plot or story. They are all basically short vignettes with each of the major characters getting at least one moment to themselves. I can see this having far more impact on a stage with actors and sets. The traditional cartoon characters just aren't animated enough, excuse the pun, to pull this kind of thing off.
Posted in: Disc Reviews by David Annandale on February 1st, 2010
Before SpongeBob SquarePants, before The Family Guy, before South Park, before even The Simpsons, there was Mighty Mouse. This revival of the Terrytoons character was a short-lived, but creatively vital series that ran in 1987-88. It wasn't an adult show, like many of its spiritual successors would be, but it was something that hadn't been seen in the world of television animation in a long, long time: it was witty, smart, and expected its audience to be smart, too (and that includes smart kids, at whom the series was ostensibly aimed). However G-rated the show was, it also featured just the kind of manic humour and inventiveness you might expect from a collaboration between the man who brought Fritz the Cat to the screen (Ralph Bakshi) and (among others) the man who would shortly give us Ren and Stimpy (John Kricfalusi). If some of the look of the series is by now familiar (half of the offerings on Nickelodeon share its background design), this is, as Kricfalusi points out on one of the commentary tracks, where that look begins. The show might not have survived long, but creatively it cast a long shadow indeed, and having the entire wonderful series in one spot is a terrific treat. As far as the creative possibilities for TV animation are concerned, Mighty Mouse surely did save the day.
The menu features some pretty ferocious aliasing, which had me worried about the cartoons themselves. Fortunately, that concern was misplaced. The shows looks great, with only the occasional, very minor grain to deal with. The image is very sharp, and the colours equally strong. The series looks as good as, if not better than, it did on the day of its broadcast.
Posted in: Disc Reviews by Michael Durr on February 1st, 2010
As the resident video game expert for the site, certain movies will always fall into my lap. Any movie that includes something about video games, good or bad I will get the chance to review. Sometimes, I'm not so thrilled and sometimes I'm simply elated to take on the task. But then every once in a while, I get a movie where I'm not sure what to expect. The movie Gamer seems to take that tone. But perhaps the journey will lead to some rather unexpected but pleasant surprises.
Kable (played by Gerard Butler) is the most famous Slayer in history. He has survived twenty-seven matches and has only three matches left to his ultimate goal of freedom. The Slayers show is a third-person multiplayer shooter game where the contestants control the shooters. The shooters are death-row inmates who are given the opportunity to gain their freedom. The only catch is that they have to survive thirty matches. The other issue, is that nobody has ever made it; Kable might become the first.
Posted in: Disc Reviews by David Annandale on February 1st, 2010
Sterling Silliphant, in the latter days of his career, gifted the world with the deliriously schlocky screenplays to the likes of The Poseidon Adventure, The Towering Inferno, and that apotheosis of the Expensive Badfilm, The Swarm. So it is sometimes hard to remember that he also penned the script of In the Heat of the Night and some 74 episodes of Route 66. I confess to a being a complete newcomer to the series, and though I was rather baffled at first, I was also struck by the quite beautiful prose being spoken. Anyone who thinks highly literate scripts are impossible (or just about) on network TV should cock an ear (and an eye) in the direction of this series.
Posted in: Disc Reviews by Archive Authors on January 31st, 2010
There’s a quote by author Kent Nerburn that says: “It is much easier to become a father than to be one.” The Boys Are Back, based on a memoir by Simon Carr, is the best example of that sentiment on film that I’ve personally seen in a few years. Clive Owen plays sportswriter Joe Warr. He’s good at becoming a father, but not at being one. His one-the-go job keeps him from spending any real quality time with his family, leaving his wife Katy (Laura Fraser) to raise their son Artie (Nicholas McAnulty). When Katy becomes fatally ill, Joe must step up to the plate to take care of his 6-year-old son. His mother-in-law (Julia Blake) tries to offer her advice, but Joe is determined to do it on his own.
Widower Joe must deal with Artie, a firecracker of a boy he knows nothing about, foreign events like parent-teacher conferences, and keeping on the ball with his deadlines at the newspaper. He adopts a hands-free parenting philosophy that allows Artie to have the run of the house with as few rules as possible. That plan is full of flaws from the start.
Posted in: Disc Reviews by Archive Authors on January 31st, 2010
If there was a recipe book for the modern romantic comedy, it would undoubtedly include a checklist of the following: group of girlfriends in their late twenties/early thirties with neurotic ideologies revolving around dating and clothes, a writer’s quota of at least one catch phrase per scene, product placement, and the charming leading man. Maneater receives checks across the board, and so much more.
Based on the novel of the same name by Gigi Levangie Grazer, Maneater is a two-part Lifetime movie that follows vapid Hollywood socialite Clarissa Alpert (Sarah Chalke) on her search for a wealthy man to secure her future. She’s gone through the ringer of one-night stands—a reaction to, what else, her daddy issues—and decides to plan her own wedding without even having a groom. Never mind that minor technicality, because through a little coercion and scheming, Clarissa manages to woo up-and-coming film producer, Aaron Mason (Philip Winchester) into marrying her within a matter of weeks.
Posted in: Disc Reviews by William O'Donnell on January 30th, 2010
This is the story of two young twins who are living completely different lives, one in a boarding school who is caught up in a child smuggling ring and the other is living with his struggling artist father, but are able to share their physical pain and emotions as if telepathically. Thomas, who is with his father, knows of Tom, the boarding school “orphan,” but everyone believes Tom is just his imaginary friend. Through a chance encounter the two are reunited and both must find a way to escape the smugglers who wish to take them sell them outside of England.
Posted in: Disc Reviews by David Annandale on January 27th, 2010
The time is the 1930s, the setting Africa, as Mussolini attempts to recreate an Empire through the colonization of Abyssinia. An officer and poet Elio (Al Cliver) returns from the campaign with the spoils of conquest, one of which is Abyssinian princess Zerbal (Laura Gemser, of D'Amato's Black Emanuelle films). The erotic heat in his home is already pretty torrid, what with wife Alessandra (Lilli Carati) carrying on with secretary Virma (Annie Belle). Zerbal's arrival upsets the emotional apple cart, passions flare, and the supposed slave starts to exert more and more influence over the putative masters.
