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“Now, I am become Death, the destroyer of worlds.” 

It is hard to ignore the hype around the film Oppenheimer. Any time a Christopher Nolan film has come out, it has become a pretty big deal for cinema fans, whether it was for his The Dark Knight trilogy, Interstellar, Inception, or Tenet, his films carry the same kind of respect alongside the names of Stanley Kubrick and James Cameron, and his films can be just as divisive. But the anticipation for the release of Oppenheimer feels like a different beast entirely. The release coming out the same day as Barbie has created such a stir on the internet that the term Barbenheimer has become a part of the zeitgeist of modern day. Then another aspect is how the film was literally shot on 70mm film, which is unheard of in today’s digital-hungry climate, and the film is being released in certain theaters on 70mm prints that reportedly weigh around 600lbs.

Most people, when asked to provide the best Korean film in modern times, would probably answer Oldboy or Parasite.  Others might respond Memories of Murder or Train to Busan.  Maybe A Tale of Two Sisters or The Wailing.  I, on the other hand, always respond with the same title, The Man from Nowhere, which to this point in the US has only been released on Blu-ray from Well Go.  That Blu-ray was also the victim of a bunch of discs from Well Go that came away with a quick dose of rot, infecting my copy as well as many others.  For the last couple of years, I've been working with a bootleg, which I'm not exactly proud of, but felt necessary because I loved this film so much.  However, that changed, as Well Go has released a 4Kcopy of this sensational film (and also of The Wailing, which I will get to later in the week).  I thankfully received it a little bit earlier than expected and took it for a spin.  Let's see how it does.

"Is that the biggest one you got?"

Remember the old days of the action movie? Those films where someone like Stallone or Schwarzenegger would run around and take out armies of bad guys while barely breaking a sweat. You know the kind of movie I'm talking about. The ones where the hero goes up against a hail of bullets and explosions and manages to pick off the bad guys without catching a single slug himself. Those were the days when a guy like Bruce Willis could fall thirty floors, get a spike impaled in his ribcage, have a ton of concrete wall fall on his head, and get run over by a truck, but still manage to take out the bad guy while muttering some witty little catchphrase that we would all be repeating, because if we could deliver the line just right, that meant we were tough guys too, and we didn't even have to fall out of an airplane to prove it. Well, you won't have to remember. You just have to watch Sly Stallone's love letters to the action movie fans. The franchise is called The Expendables  and along the way we got to relive some glorious moments with our favorite action stars from the 70's to the 90's.

"I don't know about you, but it always makes me sore when I see those war pictures ... all about flying leathernecks and submarine patrols and frogmen and guerillas in the Philippines. What gets me is that there never w-was a movie about POWs - about prisoners of war. Now, my name is Clarence Harvey Cook; they call me Cookie. I was shot down over Magdeburg, Germany, back in '43; that's why I stammer a little once in a while, 'specially when I get excited. I spent two and a half years in Stalag 17. "Stalag" is the German word for prison camp, and Number 17 was somewhere on the Danube. There were about 40,000 POWs there, if you bothered to count the Russians, and the Poles, and the Czechs. In our compound there were about 630 of us, all American airmen: radio operators, gunners, and engineers. All sergeants. Now, you put 630 sergeants together, and, oh mother, you've got yourself a situation. There was more fireworks shooting off around that joint ... take for instance the story about the spy we had in our barracks ..." 

Stop me if you've heard this before. The premise is we're in World War II, but not where all of the action is.

"All right, listen up, ladies and gentlemen; our fugitive has been on the run for ninety minutes. Average foot speed over uneven ground, barring injuries, is four miles per hour. That gives us a radius of six miles. What I want from each and every one of you is a hard-target search of every gas station, residence, warehouse, farmhouse, hen house, outhouse, and doghouse in that area. Checkpoints go up at fifteen miles. Your fugitive's name is Dr. Richard Kimble. Go get him."

The Fugitive, since its’ original release in 1993, has always been seen by a majority of people as the defining thriller of the 1990’s. The film stars Harrison Ford as Dr. Richard Kimble. Kimble, a very well known Chicago doctor, has just been framed for killing his wife. He claims a one-armed man killed her, which prompts nearly everyone to laugh at him.

By JC.

Cinematically speaking, the name Eli Roth has been synonymous with murder and mayhem. The director is best known for his work in the horror genre, bursting on the scene with 2002’s Cabin Fever and upping the ante with Hostel and Hostel: Part II a few years later. So it was a bit surprising to hear he’d be taking on a remake of Death Wish — the iconic 1974 Charles Bronson revenge flick — until I started thinking about the bloody possibilities. If the Hostel films gained notoriety as prime examples of “torture porn”, then it seems like Roth has graduated to “revenge porn” with this slick and (intentionally) silly re-imagining.

“People rely on the police to keep them safe. That’s the problem.”

Paul Kersey (Bruce Willis) has it all. He’s a successful, emergency room trauma surgeon living in Chicago with a loving wife (Elisabeth Shue) and college-bound daughter (Camila Morrone).

Hopefully, most of you reading this review enjoyed my breakdown of the 1st part in this series.  I honestly haven't been this vested in a two part series since Batman's Long Halloween.  That one had the added sting that we had to wait a full year until we got the complete 4K version.  At least in the case of Justice League and RWBY, we get the full 4K splendor from the get-go.  However, as I alluded to in the first review, there was certainly room for improvement.  We shall see if the creators can correct those issues now that the series shifts into the Justice League's world.  Let's take a look.

Hopefully, most of you reading this review enjoyed my breakdown of the 1st part in this series.  I honestly haven't been this vested in a two part series since Batman's Long Halloween.  That one had the added sting that we had to wait a full year until we got the complete 4K version.  At least in the case of Justice League and RWBY, we get the full 4K splendor from the get-go.  However, as I alluded to in the first review, there was certainly room for improvement.  We shall see if the creators can correct those issues now that the series shifts into the Justice League's world.  Let's take a look.

"It's called the Impossible Mission Force for a reason."

I imagine this is how it happened. It's January of 2019, and Tom Cruise has just popped into the bathroom to shave. He opens up that can of Barbasol just to make sure there isn't any dinosaur DNA left in the can, but as he takes off the cap, an authoritative voice begins to speak: “Good morning, Mr. Cruise. Your mission, should you decide to accept it, is to make a two part film of the Mission Impossible franchise. It won't be easy. That's why only the IMF team can be counted on to complete this task. There are agents out to stop you before you even get started. In China there is a virus code-name COVID, and this virus will spread to pandemic levels just as you're starting to get your production crew together. Elements within our own government will take measures to shut you down.  Delays will cost an extra $100 million and necessitate crucial cast changes.

"Batman's a fascist!"

Let's address the elephant in the room, shall we? Hello there, big guy. How ya doing? There now, let's continue. I have to tell you, it was hard to get motivated to watch Blue Beetle. I didn't want to like it, and I wanted to try to watch it without letting myself get too involved in the whole thing. This had nothing to do with the character. I know little about him and have only read a few comics featuring the character, mostly the Ted Kord character along with his buddy Booster Gold. But none of this had anything to do with my reluctance on the part of the film. It's Warner Brothers/DC and James Gunn. All we've been hearing lately is how this new regime is going to change EVERYTHING. It all starts with the upcoming Superman film, and everything we see before then is merely filler, I guess. Yes, the Snyderverse had a ton of issues, and I'm frankly glad to see it go away.