Posted in: Disc Reviews by Gino Sassani on September 16th, 2009
“A hero lives but a few seconds. Ma master holds on to his life. It is more important to forgive than to fight.”
But they don’t know Jackie Chan. When Popeye gets into a jam, he rolls out a can of spinach and down the hatch it goes. Next thing you know that old sailor pipsqueak is kicking butt and taking names. When Jackie’s Wong Fei-hung gets into a jam, he looks for a bottle of sake or maybe a 5th of Jack Daniels. When Jackie drinks, his enemies get the hangover. That’s the art of drunken boxing. The idea is that the alcohol loosens up your body and allows you to fight because you are limber and flexible.
Posted in: Disc Reviews by Gino Sassani on September 15th, 2009
Claire (Judd) and Tom (Caviezel) appear to have it made. Claire is a successful attorney and Tom is ex-Army. They are happy and very much in love, trying to have their first child. Suddenly while out on the town an FBI SWAT team surrounds them on the street at Union Square. Tom is taken into custody. Claire soon discovers that Tom wasn’t the man she thought he was. In fact, his name isn’t even Tom. He is Sergeant Ron Chapman, and he’s been a fugitive for 12 years, wanted by the Army for murder. Now the military court is seeking the death penalty. He is accused of killing civilians in a raid gone wrong. He insists that he is innocent and that the guilty party is actually a prominent and influential general. All but two of the event’s witnesses are dead, many by mysterious accidents. Claire takes his case and turns to attorney Charles Grimes (Freeman) who has had experience with these kinds of cases. Unfortunately, he’s an alcoholic and a bit of a wild cannon. Still, he knows his stuff when he’s sober, and he’s the best chance she has of uncovering the truth. To win they will have to prove a government cover-up and risk their lives in the process. It appears a lot of folks don’t want this case to be solved. It’s an uphill battle, and everyone has something to hide. It’s a “trust no one situation” as Claire and Grimes get to the bottom of the case.
The film is based on a moderately successful novel by Joseph Finder. While the film has an impressive cast and a pretty good story, it suffers from a lack of imagination by director Carl Franklin. You may know the name. He was a busy television actor in the 80’s and 90’s and appeared relative failures like Fantastic Journey and well known shows like The A-Team. While he was a fair actor, I’m afraid his directorial skills haven’t translated. The film never really shows any imagination. It reminds me of those tubes on Star Trek that were marked GNDN (Goes Nowhere, Does Nothing). He fails to utilize the full extent of his widescreen picture, and all of the action falls too often inside that cramped relative center square that used to represent the difference with television. In spite of some tremendous chemistry with Morgan Freeman and Ashley Judd, the film appears to meander too long in one place. Pacing is awkward and uneven, to be kind. In the end the film boils down to a very clichéd procedural that never comes close to breaking new ground. Audiences seemed to agree in 2002 when the film opened. It had a rather sweet opening weekend but soon was dropping like an anchor in deep water as word of mouth appeared to include a resounding thumbs down. It finished its run pulling in $41 million on a $42 million budget with 34% of its gross the first week.
Posted in: Disc Reviews by Gino Sassani on September 15th, 2009
“Attention: Tonight’s movie has been M*A*S*H. Follow the zany antics of our combat surgeons as they stitch their way along the front lines operating as bombs and bullets burst around them, snatching laughs and love between amputations and penicillin, as they put our boys back together again.”
M*A*S*H began life as a novel written by an actual Korean War Army surgeon under the pen name Richard Hooker. He based the character of Hawkeye on himself and most of the other characters on actual personnel that were stationed with him at a real M*A*S*H unit. The book was written for the screen by longtime blacklisted screenwriter Ring Lardner, Jr. Lardner was intrigued by the anti-authority message the book had, likely due to his own experiences with the government. He was one of a group of Hollywood talent that refused to testify before the Senate Committee on Un-American Activities. They were thrown in prison and blacklisted in the industry. This particular group became known as The Hollywood Ten. Whatever Lardner’s ideas might have been for the movie, they were enough to get a select group of producers excited about the property and got the ball rolling. We won’t ever really know what those concepts might have been exactly. In the hands of, at that time, new director Robert Altman, the script was practically discarded almost in its entirety. Altman had his own views which were inspired more by the still raging Vietnam War than what he considered an obscure historical event he believed most Americans didn’t even remember. All mention of Korea was deliberately left out of the film. When the studio caught on they forced him into providing a scroll at the film’s beginning that set the location. To Altman and pretty much everyone working on the film they were making a movie about Vietnam, not Korea. He incorporated his own anti-establishment, some might call subversive, ideas and made a film that Lardner would exclaim was nothing like his script. He encouraged rampant improvisation from the cast and little of Lardner’s dialog actually remained.
Posted in: Disc Reviews by Michael Durr on September 14th, 2009
My senior year in high school was just the same as my junior year: stranger in a strange land. When looking back at the time that was spent, I spent more time with my nose in books and running from jocks. The reason why the jocks were upset at me more often than not? I was looking at their girls. In an attempt to find myself, I would pretend to be solving a Calculus problem (which eventually explained why I had to retake it in college) and instead fantasize about what it would be like to be with Miss Popular. I would eventually stop caring, the bruises would heal but I often thought what would have happened? Perhaps in a fantasy land, something like the film The Girl Next Door would have happened. Nah, probably not.
Matthew Kidman (played by Emile Hirsch) is everything a successful high school senior should be. He’s the class president, he’s been accepted to Georgetown, and he is eligible for a prestigious scholarship. But he wants to be like the popular guys and be able to hang out at the beach, skipping school and have a hot girl to be by his side. One day, he meets the girl of his dreams. Her name is Danielle (played by Elisha Cuthbert) and she is house sitting next door.
Posted in: Disc Reviews by Gino Sassani on September 11th, 2009
“Happy 200th, everybody. Only 75 shows in the history of television have reached 200 episodes. Only 4 other shows currently on the air have produced 200 episodes, and of those only 2 feature live actors. And, it’s worth noting that both of those shows were in the top of the Nielsen ratings before CSI came along and knocked them off of that perch.”
And, after 9 years and over 200 episodes, CSI has enjoyed an almost unprecedented near decade as the number one show in the country. It’s a rare thing to go so long and keep the core of your team intact. Up until now CSI has added characters, but has not lost a major character. But things are about to change. If you’re a fan of the original idea, this is an important season set to own. It’s all going to change quite significantly in season 9. William Petersen leaves mid-season. Dourdan is also already gone. The actor found himself in a considerable legal jam and was forced from the show. His character gets killed off in the beginning of the 9th season. Finally Jorja Fox, who had been playing a several year game of I quit/no I don’t with the series, finally opted out at the end of season 8. Petersen will remain as an executive producer.
Posted in: Disc Reviews by Gino Sassani on August 25th, 2009
“Ride into this world all alone. God takes your soul. You're on your own.
The crow flies straight, a perfect line on the devil's back until you die.
Gotta look this life in the eye”.
When these guys send a message, they don’t use Western Union. Not only will they blow up your warehouse, but they’ll catch one of your guys and plant a stick of dynamite in his butt cheeks to set off the explosion. That’s the world of the motorcycle club, The Sons Of Anarchy. In the wake of The Shield, FX stays true to form with the latest from that show’s alumni Kurt Sutter. Sons Of Anarchy has a familiar tone and quality to it for fans of that now gone cop drama. There’s a lot of handheld camera stuff, and you have very similar themes.
Posted in: Disc Reviews by Gino Sassani on August 24th, 2009
Dexter Morgan (Hall) is a forensic lab rat for the Miami-Dade Police. He really knows blood splatter. He should, because he moonlights as a killer. It seems that poor old Dex just can’t help himself. His parents were criminals, and he witnessed his mother’s brutal slashing by a chainsaw gang when he was just a young boy. He was adopted by Harry Morgan (Remar), a police officer. Harry saw the killer instinct in Dexter and taught him how to channel the urges for the sake of good. Dexter adopted Harry’s Code, which means he only kills others that he’s able to prove were killers themselves. Working for the police with his officer sister, Debra (Carpenter), Dexter is constantly just on the verge of getting caught.He has to adapt and evolve to avoid capture. Dexter’s also trying to have a relationship, mostly because he knows it helps him blend in. Buffy and Angel’s Darla, Julie Benz, plays Rita. Dexter doesn’t really feel anything, but he’s trying to act the way he sees others act in the same environment.
“Most actors toil in obscurity, never stepping into the spotlight. But, if you hone your craft, work diligently you might just find yourself cast in the role of a lifetime.”
Posted in: Disc Reviews by Gino Sassani on August 19th, 2009
You know, I was watching this episode of the popular Showtime series Dexter the other night. There was this murder victim who had taken off work early to go and see a romantic comedy with his girlfriend. He ended up getting his head bashed in and dead. Is it saying something about my own bias that the first thing that came to my mind was that it was a lucky thing he got his skull caved in before he had to go to the romantic comedy? Romantic comedies. Chick flicks. Date movies. Whatever it is that you want to call them, ladies, they are the stuff of nightmares for your significant others. It might appear to be harmless enough fun for you girls out there, but for your guy? I guarantee he’s squirming in his seat the entire time. You do know that he doesn’t really have a bladder problem, don’t you? There’s a reason he has to go to the bathroom 20 times in those 2 hours. It’s even worse when we’re watching them at home. Here’s a helpful dating tip: Don’t ask him if he wants you to put it on pause on one of those 20 bathroom breaks. It might also be advisable to keep any sharp objects, firearms, or prescription drugs out of reach of your guy during date movie nights. There isn’t a guy out there who wouldn’t opt for a painful visit to the emergency room over another hour watching a romantic comedy. We’ll do it; after all a guy’s gotta do what a guy’s gotta do. Just don’t forget the poor sap deserves to be amply rewarded when the film’s over. Now if you’re a guy and you find yourself, like me, watching this one by yourself…. not that there’s anything wrong with that… I hope you have a good reason. Mine is to write this here review. Just another bullet I take for you, my gentle readers.
Andie Anderson (Hudson) writes the “How To…” column for Composure Magazine, the fastest growing women’s magazine in the country. You know the kind of articles I’m talking about here: “How to talk your way out of a ticket”, “How to lose weight in 5 Days And Still Eat All You Want”. It’s those female lifestyle burning questions. But, Andi wants to write about more serious issues like politics and religion. Her editor (Neuwirth) promises her a shot at writing about what she wants if she turns in a killer article. She decides to call it “How To Lose A Guy In 10 Days”. It’s a kind of dating tips in reverse. She’ll get a guy into her and then begin to pull out all of those don’t do’s in a relationship: acting clingy, whining, feminizing his apartment, dragging him to a Celine Dion concert, and one she forgot: taking him to see How To Lose A Guy In 10 Days. Enter Ben Berry (McConaughey). He’s an ad executive who wants to land a hot new diamond account. He’s got to convince his boss and a couple of female coworkers that he understands women enough to lead the campaign. He makes a bet that he could get a woman to fall completely in love with him in just, you guessed it, 10 days. His coworkers will pick out a woman at random, and that’s Ben’s target. You already know where this is going, don’t you? The two hook up and begin their cross purposes campaigns, each without the other knowing. The usual romantic comedy moments ensue, and the two genuinely fall in love with each other. It’s all leading to the big diamond gala 10 days later. Both bosses are in attendance, and the secrets get out with the expected results.
Posted in: Disc Reviews by Gino Sassani on August 13th, 2009
The cast and crew of I Love You, Man constantly refer to the film as a “bromance”. I’m not exactly sure what they mean by that, but I was actually pretty pleased with the clever turn on the typically droll romantic comedy. Maybe someone’s finally come up with a romantic comedy that actually can appeal to men. Whatever you call it, I Love You, Man is a bit of a refreshing take on today’s innuendo comedy. Writer/director John Hamburg has turned a pretty inane idea into a rather funny little comedy that just might be the compromise between a chick flick and something we won’t have to squirm in our seats just to make our dates happy. You know, to make up for all of those Clint Eastwood/Bruce Willis action flicks that have the same effect on most of the women as romantic comedies have on the guys. A hybrid is born. And it kind of works.
Peter Klaven (Rudd) has just proposed to his long time girlfriend, Zooey (Jones). She’s terribly excited and immediately wants to call her best friends to share the news. Peter is quickly uncomfortable with how much intimate information her friends seem to have. It hits home with him that he doesn’t really have any close friends to share the good news with. Apparently, Peter’s always been a better “girlfriend” and buddy friend. With an impending wedding and no one to fill the best man shoes, he sets out to make a close friend. Predictably, the results are some pretty wild and funny moments. One of his prospects mistakes his attention as a gay pass, and he ends up throwing up on another. All the while he’s trying to sell Lou Ferrigno’s house to make enough money to buy his own dream piece of property. At first Zooey encourages the friendship hunt, and Peter finally meets Sydney Fife (Segel) at one of Ferrigno’s open houses. He’s immediately attracted to Sydney’s brutal open honesty and unwillingness to put on pretenses. The two discover they share a few things in common. Both are garage band musicians with a hero worship for the band Rush. Before long they have become inseparable, and suddenly Zooey is getting jealous of Peter’s new best friend. Together they go through the ups and downs of making the many relationships work.
Posted in: Disc Reviews by Gino Sassani on August 11th, 2009
Billy Bob Thornton got himself a well deserved Oscar for the film Sling Blade. If you’ve ever seen the film, or anything else by the man, there’s no surprise that he took home one of the coveted statues. What is a bit surprising is that he took the Oscar home for the screenplay for Sling Blade and not for the masterful performance. Now don’t get me wrong. The screenplay is a brilliant one. He certainly deserved that award, but there hasn’t been a performance as riveting as his portrayal of Karl Childers in a decade or more. It was this performance that made Thornton the household name he became. It’s doubtful many of the other opportunities he did get would have come his way without such a landmark role. The character has become an icon in American pop culture and is imitated frequently in films, television shows, and skits. There have been plenty of imitations, but there’s only one Sling Blade.
It’s almost hard to imagine that this baby is almost singlehandedly the product of Billy Bob Thornton. He wrote the story, directed the film, and played the lead character. It just doesn’t happen this way very often. You’ve seen enough of my reviews here to know what I tend to think of these, often egotistical, one man shows. Most of the time they are self serving crap that passes for high art or entertainment. This is certainly one of those exceptions that, as they say, proves the rule. Of course I never did understand that phrase all that much. Still, it fits about as perfectly as you please here. Every aspect of this film is near perfect. The story is a compelling one to be sure, but I don’t think it would have been nearly as good without such sweet direction and acting. The award might have been deserved; probably was, as Karl would say. But it was the other two elements that really made this film.
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