Ray Ferrier (Tom Cruise) is a middle-aged divorcee with a blue-collar job and a rundown home in the New Jersey suburbs. When his ex-wife unexpectedly drops his estranged kids—ten year old Rachel (Dakota Fanning) and sixteen year old Robbie (Justin Chatwin)—off for the weekend, Ray is less than pleased. He’s always struggled with his parental duties, but now finds it increasingly difficult to communicate with his children. However, events beyond his control are about to force Ray to come to terms with his responsibili...ies. Bizarre lighting storms herald the arrival of alien tripods, which explode from beneath the Earth’s surface and begin dispensing death and destruction on the surrounding countryside. Narrowly avoiding the first attack, Ray returns home, grabs his kids and embarks on a frantic journey across country to find their mother in Boston.

Tom Cruise is likeable in the lead role, and manages to pull off the everyman act fairly convincingly for someone as famous as he is. He’s definitely grown as an actor in recent years—starting with his turn in Paul Thomas Anderson’s Magnolia—and I am becoming increasingly interested in his work. Of the rest of the cast, only Dakota Fanning and Justin Chatwin have any real screen time. In this movie Fanning isn’t really required to do much beyond acting like a terrified ten year old girl, which she does with her usual brilliance. I’m constantly amazed by how self-assured and composed she remains in the presence of superstars such as Cruise and De Niro (not to mention a director like Spielberg). Chatwin also puts in a decent performance as Ray’s moody teenaged son, accurately portraying the kind of sullen resentment that many children of broken marriages harbor towards their ‘unfit’ parents.

Phone director Byeong-ki Ahn admits he wanted to take the premise of Ringu and incorporate cell phones as the primary transmitter of terror instead of VHS tapes. (Just when these vengeful spirits will make the jump to DVD is uncertain -- and when they do, will it be Blu-Ray or… oh, I’ll save it for another time.) Anyway, he puts together an impressive-looking package with this horror tale, but unfortunately, the film itself falls flat on the wings of derivative, copycat storytelling.

Ji-Won H... is a hard-nosed journalist, who, we soon learn, has blown a sex scandal wide open and made a slew of enemies in the process. Does she care? Of course not. But someone has a mind to make her, as a series of harassing phone calls from a deep-voiced male leads her to believe someone wants her real dead, real soon.

Paramount Home Entertainment will release the most recent recent Nicolas Cage film The Weather Man on January 31st. Available in separate anamorphic widescreen and fullscreen versions, each will feature Dolby Digital 5.1 audio, five featurettes ("Extended Outlook: The Script," "Relative Humidity: The Characters," "Forecast: Becoming a Weatherman," "Trade Winds: The Collaboration" & "Atmospheric Pressure: The Style and Palette"), as well as the theatrical trailer.

Synopsis

Operation Market Garden is the most famous Allied defeat in the Second World War. An audacious plan scuppered by bad luck and worse decisions, it is recounted in this visually spectacular film. The goal is to seize a group of bridges across Holland, culminating in the brdge at Arnhem. Everything imaginable goes wrong. Richard Attenborough’s film stars just about every big name actor under the sun, and his re-enactment has so many extras and so much hardware that one feels he could have convi...cingly remounted the entire operation. The stellar cast isn’t required to do very much other than be manly, but the battle staging is undeniably spectacular.

In the poor area of Richmond, California, Ken Carter takes charge as a basketball coach, and fights his way to transform a team of rowdy boys into a team of accomplished men. Based on a true story.

There are way too many problems with COACH CARTER to call it great, but it certainly has its heart in the right place at the right time. The very first immediate problem is the script of the film. A lot of the dialogue feels like it has been overly simplified for its audience. Almost all of the actors play stock...characters, and that includes Jackson. Carter is extremely “in your face” and actually a bit obnoxious at times with all his yelling and screaming. However, with Jackson’s charisma, Jackson is able to pull it off. Unfortunately, I can’t say the same thing for the other actors. Even though most of them try to act in a respectable manner, I felt like I had met the character already each time another new character was introduced. They are fairly good actors (except for the irritating Ashanti), so that helps the process, but they do not make enough of an effort to make the audience feel for them.

The next time you’re at the neighborhood Best Buy, find the packaging for The Grudge. Then, seek out an obscure new release of an old catalog favorite named The House Where Evil Dwells, and line up the boxes. You’ll be struck by how eerily similar the packaging is. Struck enough to turn them over and compare synopses. After doing so, you will notice not only is the packaging similar, but also the plotlines themselves.

Add to the mix the fact House is an early eighties horror film, and...you just might think you’ve discovered yet another rare gem ripped off by today’s horror surge… you could not be more wrong.

Synopsis

Subtitled “The Best of the Tony Awards,” this is a collection of 23 performances from the Awards show broadcasts. The net is cast pretty wide here as far as the years are concerned, so you get to see a young Jerry Orbach (for instance) performing “Promise, Promises” from 42nd Street. Carol Channing, Robert Goulet, Tommy Tune and Harvey Fierstein are the hosts. Fans of musical theatre should expect miracles here, but this is of considerable archival interest.

Viva La Merte (1970) was surrealist playwright and all-around provocateur Fernando Arrabal's feature film debut. Set during the aftermath of the Spanish Civil War, this is the deeply autobiographical (no matter how bizarrely presented) story of the a young boy whose father was betrayed by his mother to the security forces of the Fascist General Franco. Oedipal nightmares, extreme violence and brutal eroticism are present in force.These elements are present in the other two films as well. I Will Walk Like a Crazy Horse (1973) has a man suspected of killing his mother flee into the desert, where he falls in love with a holy man, and when the two return to society, our hero is disgusted by what he finds.

The Guernica Tree (1975) is arguably the most brutal of the three films, which should come as no surprise, given the subject matter. We are back in Spain again, during the Civil War, and the action shifts from a backwards provincial town to the doomed Gernica.

In this, the third Bionicle film, the Toa return to Metru Nui to find their land overrun by the evil dictator Sidorak, his soon to be queen, Roodaka and the Visorak, a spider-like army. Roodaka, who plans to take over Metru Nui for herself, tries to lure Toa leader Vakama over to the dark side to lead the Visorak army when Vakama feels disrespected as the leader of the Toa.

While Vakama is seduced by the forces of evil, the remaining Toa meet up with the friendly Rahaga to find Ketongu, a powerful Buddha li...e figure who can help the Toa bring Vakama back from evil and defeat Sidorak, Roodaka and the Visorak army.

Written by Clayton Self

The cult classic "Office Space" from creator Mike Judge (Bevis and Butthead) found a huge following on its initial release on DVD. The movie stars Ron Livingston as Peter Gibbons, a software analyst for the computer giant Initech. Fed up with his condescending boss (Gary Cole) and the frustrations of his job in general, he visits a hypno therapist who puts him in a state of well being and relaxation. The therapist dies of a heart attack before the procedure is complete, leaving Peter permanately care free. Peter ...ses his new confidence to ask out a local waitress (Jennifer Aniston) and to plot with his co-workers to install a virus that will take fractions of a cent from Initech's money transactions and place them into an account for them. Also of mention is the paranoid nuerotic Milton (Stephen Root).