Synopsis

Satisfaction is a transitional project in so many ways. This was one of the first American films of Liam Neeson, who would go on to mildly excite the world as Henry Ducard in Batman Begins. Before Mystic Pizza came out, the world was exposed to Julia Roberts as Daryle.

Synopsis

Dana Andrews is the tough cop who takes too much pleasure in roughing up the bad guys. When he hits a suspect too hard, he accidentally kills him. He covers up his crime and carries on the investigation into the murder the man was suspected of. But as if his life weren’t complicated enough, he starts to fall for his victim’s ex-wife, and then her father looks like he’s going to hang for Andrews’ crime.

John and Jane Smith are a seemingly happy couple. They live a pretty normal but almost mundane existence of shared meals, kissed farewells and chats about the color of their curtains. They even go to therapy together, purportedly to iron out their differences. It turns out, however, that they have a lot more in common than they both realize. You see, they both have secret lives—they are both assassins. We're not talking some street-punks you might hire in a bar, or leather coat wearing mafia hit-men, they are the bes... at their game. Armed to the teeth with the latest military equipment, they swoop into high risk situations, execute their targets with professionalism and glide out using gadgets that would make Bond jealous. Of course they don't know what each other truly do for a living, lying and pretending on a daily basis and always staying one step ahead of being caught until one day they meet on an operation and suddenly—understandably—everything changes. Cue lots of matrimonial gunplay, fisticuffs and general banter as the fight their way to a stalemate before deciding what they are going to do from then on. Needless to say the respective agencies that employ them are none too happy about the situation that they are in and require each one to kill the other. Will they be able to survive and—more importantly—save their marriage?

Mr. and Mrs. Smith is a romantic comedy action vehicle which weighs heavily on the final element to keep audiences gripped. Many of movies over the years have adopted a similarly strange mix to lighten an otherwise potentially serious subject and make the proceedings more appealing for a wider audience, but with debatable results. The trouble is, if you go for a Last Action Hero-style near-spoof, you risk losing all sense of dramatic tension and potentially all interest that the audiences might have in the film.

John and Jane Smith are a seemingly happy couple. They live a pretty normal but almost mundane existence of shared meals, kissed farewells and chats about the color of their curtains. They even go to therapy together, purportedly to iron out their differences. It turns out, however, that they have a lot more in common than they both realize. You see, they both have secret lives—they are both assassins. We're not talking some street-punks you might hire in a bar, or leather coat wearing mafia hit-men, they are the bes... at their game. Armed to the teeth with the latest military equipment, they swoop into high risk situations, execute their targets with professionalism and glide out using gadgets that would make Bond jealous. Of course they don't know what each other truly do for a living, lying and pretending on a daily basis and always staying one step ahead of being caught until one day they meet on an operation and suddenly—understandably—everything changes. Cue lots of matrimonial gunplay, fisticuffs and general banter as the fight their way to a stalemate before deciding what they are going to do from then on. Needless to say the respective agencies that employ them are none too happy about the situation that they are in and require each one to kill the other. Will they be able to survive and—more importantly—save their marriage?

Mr. and Mrs. Smith is a romantic comedy action vehicle which weighs heavily on the final element to keep audiences gripped. Many of movies over the years have adopted a similarly strange mix to lighten an otherwise potentially serious subject and make the proceedings more appealing for a wider audience, but with debatable results. The trouble is, if you go for a Last Action Hero-style near-spoof, you risk losing all sense of dramatic tension and potentially all interest that the audiences might have in the film.

Synopsis

Cedric the Entertainer is Ralph Kramden. Mike Epps is Ed Norton. They have the get-rich-quick schemes that never work. Gabrelle Union and Regina Hall are Alice and Trixie, the long-suffering and very sensible wives who are increasingly exasperated by their numbnuts husbands. The latest scheme involves things like turning a pet greyhound into a competitive racer, all in the hopes of purchasing a duplex.

Paramount Home Entertainment will release the Special Edition of the Sam Neill / Laurence Fishburne sci-fi horror Event Horizon on April 18th. This disc will feature a new anamorphic widescreen transfer along with an English Dolby Digital 5.1 audio track. Extras will include a five-part making-of documentary, deleted/extended scenes, concept art, behind-the-scenes featurettes, and more.

Written by Clayton Self

Alien vs. Predator had mixed reviews upon its initial release in theatres. Fox studios demanded a PG-13 rating (to gain a wider audience) and two weeks before the release, cuts were made to reduce the amount of human blood onscreen, and a few moments of character moments. This new, un-rated edition restores some of those cut scenes, adding just over 8 minutes of previously unseen footage.

Synopsis

Mark Stevens is a PI recently out of jail after having been framed for manslaughter by his former partner. He is trying to make a new start in a new city, and the good news is that something might be developing with his new secretary, Lucille Ball. The bad news is that he’s being followed, and it turns out his treacherous ex-partner, Kurt Kreuger, is in town and making life hell for him. Or is he? In fact, obsessive gallery owner Clifton Webb is setting Stevens up for another frame.

Aliens have sent super machines to Earth. The intent is obvious. They want to remove the human infestation and relocate from their own dying world. Independence Day, right? Wrong. Almost 50 years before Rolland and Emerich pitted mankind against killer aliens, George Pal brought us a wonderful interpretation of the famous H.G. Wells novel, War of the Worlds. Although not as faithful to the source material as a Wells fan might have hoped for, Pal created a classic film with groundbreaking f/x for the 1950’s. It’s a bit of a shame that this edition is hitting stores primarily because of the Spielberg version, also soon out on DVD. I like Steven Spielberg. I really do. I have to say, however, that I was disappointed in the “remained” version of the film. Purists will say there are moments that are closer to the Wells story, but they are wrong. How can you have War of the Worlds without Martians? George Pal gave us a wonderful milestone in science fiction history; it should be truly admired with this newly mastered DVD.

Synopsis

Burn! stars Marlon Brando as a British warmonger named William Walker, who’s a master manipulator and politician, as well as an excellent military strategist. While not one of the master’s best films, his presence really elevates the material and carries the other performers. Funny thing about Brando… he could play a Brit, an Irishman, and a mafia godfather and make you believe he was the nationality he was portraying.

Through the controversies of Brando’s later career (in which he also made ...imself scarce in the eyes of the public), it might be easy to forget about him, but all you need to do is revisit a fine performance such as the one in this film, and you’ll quickly remember why he’s one of the greats.