Posted in: Disc Reviews by Archive Authors on July 28th, 2005
I remember a couple of years ago when MTV produced The Real World Movie: The Lost Season. I was sitting at home on a Saturday, and didn't know exactly what I had tuned in to. At first, I was just watching the show as if it were any other first-episode of a season of The Real World. It wasn't long, however, before I realized that something strange was going on. Once I realized that the “documentary” was an elaborate hoax, I promptly changed the channel. Let's be honest... reality shows are manipulated en...ugh on their own, why would producers intentionally make it worse?
This documentary falls somewhere between and actual episode of The Real World and Fahrenheit 451. The film follows the members of three couples after their respective break-ups, and chronicles what it is like to move on and find someone new. Just when the documentary starts to get sincere, viewers are treated to a scene with one of the actors arguing with the producers or the camera crew about who they should ask out or what they should do next. Like I said before, I am certain that kind of thing happens, I just don't want to see it blatantly portrayed on camera.
Posted in: News and Opinions by Archive Authors on July 27th, 2005
Warner Bros. will release the Complete 10th and final season of Friends on November 15th. This four-disc set will include all 18 season 10 episodes presented in 1.33:1 full frame, along with Dolby Digital 5.0 audio. Extras will include multiple audio commentaries, deleted/additional scenes, documentaries, a featurette, interviews, a music video & a gag reel.
Posted in: Disc Reviews by David Annandale on July 27th, 2005
Synopsis
Anna Sophia Robb is a little girl named Opal, who has just arrived in the small town of Naomis with her single-parent father (Jeff Daniels), a preacher. Opal finds it hard to fit in and make new friends, until she adopts a rambunctious dog she finds in the Winn-Dixie supermarket. The dog’s extroverted nature helps make connections not only between Opal and the town, but between the townspeople as well.
Posted in: Disc Reviews by Gino Sassani on July 27th, 2005
The Naked Truth is a 1958 British farce that benefits most from an excellent performance by Peter Sellers. Sellers plays Sonny Boy MacGregor as a comedic Lon Chaney. Each of Sonny’s characters is a complete package from the makeup to the accents. Moments of the inspired genius that would be better displayed in The Pink Panther films make this average production something more. The comedy is decidedly European in flavor and probably not for everyone. Most of the film slows when Sellers is not on the scene
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 27th, 2005
It’s another case of mistaken identity that gets our boys (Abbott and Costello) in trouble, this time with a couple of gangsters. I’ve always been an Abbott and Costello fan but somehow missed this 1948 film over the years. It’s possible that because it was one of only a few pictures the duo did outside of Universal it did not enjoy the wide release their other works had. A few gems from the boys’ routines can be found. Look for the “horse eating his fodder” and “I’ll bet you you’re not here”. There is none of the Big Band Era song and dance routine to slow this film’s pace. It will certainly fly by you. If you like the boys, you’ll find this a pretty routine outing.
Synopsis
Posted in: Disc Reviews by David Annandale on July 26th, 2005
Synopsis
Guarding a treasure of what looks like a few novelty store swords and chocolate dollar coins in a cave that could almost be the fabled Bronson Caverns of many a 50s B-movie is a monster that sometimes looks like a bad CGI centipede, but most of the time is a guy in a baggy rubber suit. The treasure, we are told, was left by Viking Conquistadors, and yes, you read that correctly. Why the alien monster is guarding the treasure is never explained. Anyway, the beast slaughters a bunch of people ...ho stumble on the cave, and the authorities put together a raggedy-ass group of preposterous mercenaries (goth girl in high-heeled boots???) and unbelievable government agents to find out what’s going on. Roped in as a woman who survived the attacks, and for some reason has a psychic link to the monster now. Everything goes wrong with their plan.
Posted in: Disc Reviews by David Annandale on July 26th, 2005
Synopsis
The premise should be familiar to anyone interested in the third season: Jerry O’Connell and friends continue sliding from one universe to another, encountering a different alternate earth in each episode, always trying to find the way back home. The range of possibilities is naturally pretty wide, so our heroes wind up in a deadly war game show (granted not the most original idea), in a world devastated by electric tornadoes, and so on. It’s all done with engaging humour and energy, though ...he FX have aged noticeably (the opening scene of the first episode, where a plane goes down, boasts process work worthy of the original Star Trek). And the presence of John Rhys-Davies is, of course, always welcome.
Posted in: Disc Reviews by David Annandale on July 26th, 2005
Synopsis
In the year 2525, humanity has been forced to seek refuge deep in the earth from robots known as “Baileys.” The title character is a stripper from our century, who went in for a breast enhancement and wound up cryogenically frozen until now. Thawed out, a stranger in a dangerously strange land, she winds up joining forces with two other female freedom fighters.
Posted in: Disc Reviews by David Annandale on July 24th, 2005
Synopsis
John Wayne plays Dooley, a transport pilot. He and his crew become lost over the frozen wastes of Labrador, and are forced to land in the middle of nowhere. A concerted search is launched for the missing men, and the film becomes a race against time as the rescuers search for a needle in a haystack, and the downed crew must survive with no food against unforgiving weather.
Posted in: Disc Reviews by David Annandale on July 22nd, 2005
Synopsis
In 1927, young Charlotte Hollis’ married lover (a young Bruce Dern) is hacked apart with a meat cleaver, and Charlotte’s blood-stained dress points to her as the murderer. There is never sufficient evidence, however, and she is never charged, but lives on as the subject of endless gossip, slowly going mad. In 1964, Charlotte (Bette Davis) is decaying as much as her house, which is about to be torn down to make way for a highway. She refuses to give up the house or her past, and, convinced th...t her lover’s widow is trying to driver her out of home and mind, calls cousin Miriam (Olivia de Havilland) to her aid, much to the displeasure of eccentric housekeeper Agnes Moorehead (in the role Una O’Connor would have played had the film been made in the 30s). Soon after Miriam arrives, all sorts of mysterious and terrifying events take place.
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