Synopsis

In the midst of all of this Lucas-generated Star Wars hype, why not release an animated film on DVD whose storyline seems to eerily mirror Episode IV’s A New Hope? The story is about a boy named Orin, who works in an underground mine that’s guarded by silver stormtrooper-looking robots. I’m just saying. One day, he finds a sword that has magical powers, and with the help of his friends, he goes on an intergalactic adventure to free his friends from an evil warlord named Zygon. With he...p from the magic sword, of course.

Synopsis

When it comes to 80’s films, you can talk about Spielberg, Lucas, or whomever, but those in the know will always put John Hughes at, or near, the top of influences of that era. Take a look at the 7 year run that he had in the 80’s when it came to writing movies in that era. From 1983 to 1990, the list brings up a flood of kitsch and nostalgia for any movie going kid during that time – Mr. Mom, Vacation, The Breakfast Club, Sixteen Candles, Pretty In Pink, Ferri... Bueller’s Day Off, Some Kind of Wonderful, Planes, Trains and Automobiles, Uncle Buck and Home Alone. Aside from getting a good dose of Anthony Michael Hall, Molly Ringwald and John Candy, one, some or all of those films have a soft spot in anyone’s heart if they’re under 30. So much was experienced from his films, hell, the guy served as a surrogate parent to a lot of people! For good or bad, he had an influence on a lot of lives, and if you take a look at the high school comedies that come out now, there’s no comparison. They just don’t have the same kind of originality. Hughes may not have done the high school comedy first, but very few have come close to achieving the combination of unique characters, quotable lines, touching emotional moments and hilarious scenes that have resulted in the Hughes films of the 1980’s. Universal put out an inexpensive boxed set of 3 of his films; The Breakfast Club, Sixteen Candles, and the "other" movie in the set, Weird Science, which I’m reviewing for your dining and dancing pleasure.

Synopsis

Lauren Ambrose is a Candide-like figure, wide-eyed in her approach to the world, and she really doesn’t want to go to college, so her interviews are disasters. She reads her poems to her mentally handicapped sister and no one else, and when this sister starts spouting the poems (she memorizes very well), her mother (Amy Madigan) thinks something wonderful has happened. Ambrose doesn’t clear things up, and events soon spiral out of control.

Synopsis

Hilary Duff plays a good-hearted by scatterbrained teenager. Her happy existence in NYC is disrupted (how many Disney teens has this happened to?) when her stepfather starts his new job as head of a military academy, and she is enrolled, willy-nilly. She has trouble fitting in, initially having as nemesis her Captain Christy Carlson Romano, but eventually both she and the institution adapt to each other.

Staying Together is one of those small town family stories. Growing up is hard, especially when you own a chicken restaurant. Dad, unfortunately, gives in to "big business", and sells his restaurant to a chain franchise. This sale puts the family into turmoil and makes the family members reevaluate their relationships with each other. The brothers of the McDermott family are featured most prominently. The three brothers, in typical movie fashion, are distinctly different. Dermot Mulroney plays Kit, the ro...antic brother, Tim Quill plays Brian, the hot-tempered one, and Sean Astin (Sam from Lord of the Rings) plays Duncan, the goofball. The film is rounded out by some good character actresses like Stockard Channing and Melinda Dillon. Unfortunately, the script by Monte Merrick is riddled with cliches and gives us everything we expect. The film is directed by Oscar winning actress Lee Grant, but her tone is dead serious. She plays the material without a hint of irony. Staying Together is like Mystic Pizza without the charm.

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Synopsis

Back in the early 1980s, HBO ran this anthology series, wherein the denim-clad Page Fletcher does the Rod Serling thing, introducing and concluding each dark morality tale. Though the stories varied (in content as well as quality), certain factors remained the same: you could always count on at least one sex scene, plus some dollops of gore. This was, in sum, The Twilight Zone with extra violence and cable-friendly T&A. As far as horror goes, there is nothing very groundbreaking here,...but these are amusing enough in half-hour chunks. Some of the stars to parade through these episodes include Kirstie Alley, Harry Hamlin, Virginia Madsen, Jerry Orbach and Gene Simmons.

Gone in 60 Seconds is a guilty pleasure - its vacuous and superficial, full of typical Hollywood produced "guy-movie" cues. Cars, guns, explosions, anti-heros, and Angelina Jolie abound, as well as comically evil villains, comically thin plot devices, and comically honourable car thieves. All that being said, though, the movie is great for what it is - a typical Bruckheimer celebration of over-the-top action. Its fun to get lost in the action, and director Dominic Sena imparts a great sense of ...ace (which he failed to carry over into 2001's Swordfish), keeping the tension level-high, the action front & centre, and the cars at full throttle. There's also some real funny moments too - the "Brick House" rendition at the police impound lot makes me cackle like a hyena every time.

Synopsis

Synopsis

After making such internationally renowned samurai period films such as Rashomon and The Seven Samurai, Akira Kurosawa did make another film Yojimbo, with a decidedly different tone, bordering on dark comedy. The opening shot is of Sanjuro (Toshiro Mifune, Throne of Blood), a samurai without a master, who looks at a mountain, and suddenly scratches his head, as if his hair is on too tight. It’s almost the breaking down of a facade, helping to show you that the film will ...e bit different from other Kurosawa samurai films. The introductory cards say that the film is set in the 1860s, and the samurai comes into a town ruled by rival gangs. He doesn’t know this when he comes in, but the first thing he sees in town is a dog carrying a human hand. People have said that the way that this film was told reminds them a lot of the Clint Eastwood/spaghetti westerns that came out several years later, and it’s easy to understand why, with the quiet main character whom you can never really tell he’s a hero or villain. He deals with some situations with a toothpick in his mouth, reminding me of Chou-Yun Fat in Hard Boiled. Kurosawa does action flicks? That’s probably the best way to characterize it, but he does it well, without a lot of one-liners or lack of common sense seen within a lot of today’s action films.

Synopsis

If anything, the third part of the Godfather series of films is symbolic of when too many sequels are greenlighted, and consequently, the film is doomed to fail. More often than not, the reason why these films crash and burn are because of major studios acting like Adelphia executives and wanting more money, and in using the previous films’ successes as leverage, they lose sight of things like quality. It’s happened to other trilogies.

The First Amendment Project is a collection of 3 short documentary films which deal with the theme of “freedom of speech”. The first film, and the best one, is “Fox vs. Franken”. Comedy writer, left wing activist, and Stuart Smalley himself (you know…“You’re good enough, you’re smart enough, and doggone it, people like you”), Al Franken, is the target of a lawsuit filed by Fox News. The documentary follows the lawsuit, and it reveals two important things: Franken is still a funny guy and Fox is an idiotic ...rganization. “Poetic License”, directed by Mario Van Peebles, is a short documentary about the Poet Laureate Amiri Baraka. Interviews include the pros and cons on the work of this controversial artist. “Some Assembly Required” follows the story of a group of protesters at the 2004 Republican National Convention. An interesting premise, but the documentary doesn’t really deliver on the dramatic potential.

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