“In the criminal justice system the people are represented by two separate, yet equally important groups: the police who investigate crime and the district attorneys who prosecute the offenders …” If you haven’t seen Law and Order, this is the set to begin with. Season 3 is most notable as the first year for Jerry Orbach. His 11 years in the role of Briscoe gave this revolving door series the kind of stability it needed. The powers that be at Universal added confusion to the mix when it released season 14 following season 2. I suspect the move was intended to deal with the unfortunate death of Orbach. His final season was obviously a “hot” item. Fortunately it now appears the releases will continue again from the show’s beginning.

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Synopsis

Another cog in the Disney/Winnie the Pooh machine comes to life here, as Pooh’s Heffalump Movie brings back all the characters you love for a story about acceptance, no matter what you look like.

The Parent Trap is a remake of the Hayley Mills classic. It stars none other than Lindsday Lohan. She's actually pretty good here. In a pre-sex appeal role, Lohan plays two twins who have never met, but then do. They concoct a plan to switch identies on their respective divorced parents. Lohan pulls off both twin personalities quite well. The movie also stars the always reliable Dennis Quaid and the extremely talented Natasha Richardson. It might be fun for kids, and Lohan fans, but this is NOT a case of...the remake being better than the original. It's an okay movie, and way too long.

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Synopsis

Without a doubt, Bob Hope was one of (if not) the best comedic actors of his era. During a time after Charlie Chaplin had peaked in silent films, Hope picked up the comedic torch, and during a time where actors consistently appeared in 3-5 films a year, and an early recognizable title was 1940’s Road to Singapore, the first of several Road To films with him and friends Bing Crosby and Dorothy Lamour.

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Aaron Jacob Estes’ film Mean Creek has been favorably compared to films like River’s Edge and in a sense, Lord of the Flies, for obvious reasons, and that’s not a bad thing. Written and directed by Estes, the film begins with Sam (Rory Culkin, Signs), who “borrows” a camcorder owned by George (Josh Peck, Spun), and gets beaten up for it. Sam’s brother Rocky (Trevor Morgan, The Patriot) steps in as the protective, bigger brother and does a little scheming.>

Synopsis

The only thing I really remembered about Murder, She Wrote was that as a young American child, I used to see it being advertised after 60 Minutes and before a TV movie starring Tori Spelling or something. It would bother me even more because these ads were being announced by a semi-drunk pro football announcer, and put a damper on whatever football game I was watching. Enough with the plugs and get back to the action!

National Lampoon was still around? I didn’t think so. But sure enough, there is a staff, they still produce movies occasionally (the cinematic tour de force Van Wilder being among their recent contributions to cinema), and in order to satirize some of the absolute sheet on TV nowadays, came up with the Lost Reality series of discs.

With introduction from (who I’m assuming are) members of the Lampoon staff, the clips are a bit hit or miss. Some of the funnier bits are OK, and could have turned ...nto decent sketches with some polishing. For instance, “Scare Me” is basically a few kids that scare the crap out of people in various locations. The concept is OK, but using actors that see it coming takes the fun out of it. “Payback” is set up a la Punk’d, and at first seeing two parents that terrorize their 8 year old is funny, then it just goes downhill from there. Even some of the bits that you would think be funny just aren’t. Using the American Gladiator TV show from the ‘80s and putting midgets in as Gladiators dragged.

Synopsis

Steve McQueen is Doc McCoy, master thief. Having just been denied parole, he asks wife Ali McGraw to make a bargain with political fixer Ben Johnson to get him out. This she does, but what McQueen doesn’t realize is that the deal not only involved McQueen’s participation in a bank job, but also McGraw sleeping with Johnson. In short order, the robbery goes wrong, and husband and wife are on the run.

I didn’t think that Scarlet Johansson had an active eye or ear for drama films, that she does different stuff and has generally been incredibly lucky. Apparently, she’s got a good knack for appearing in films that have good stories also, as she had been attached to this film for quite some time.

Based on the novel by Ronald Everett Capps, A Love Song for Bobby Long tells the story of Pursy (Johansson), who has recently found out her mother died, so she travels back to New Orleans and meets Bobby Long...(John Travolta, Michael), a former college professor who, along with his teaching assistant Lawson (Gabriel Macht, The Recruit), have left their college lives in Alabama and decided to come to New Orleans, and have stayed for years in the house that Pursy’s mother, Lorraine, owned. In the midst of it all, Pursy is a kid barely out of high school (who actually dropped out in 10th grade) and sees her mother’s former friends as scumbag alcoholics. Lawson has been trying to write a novel for several years, and Bobby seems to be slowly pickling himself to death.

Man on Fire is a stylish thriller with excellent performances at the heart. Denzel Washington plays Creasey, an ex CIA/assassin who is too tired of the killing. Now out of the game, Creasey sticks to drinking in Mexico City. Enter Rayburn, an old buddy (played by the wonderful Christopher Walken). He has a potential job for the down and out Creasey. A string of abductions and kidnappings in the city (Mexico City is the real life kidnap capital of the world) forces a young industrialist (Marc Anthony)and h...s wife (Radha Mitchell)to hire Creasy as a bodyguard for their 10 year old daughter Pita (played by Dakota Fanning). Well...let's just say...the bodyguarding doesn't go too well. And Creasey needs to find Pita before it's too late.

Man on Fire is directed by Tony Scott. Scott is a stylist, and the movie definitely has stylistic excess. But this is the man who invented stylistic excess with Top Gun. But Scott is more successful when he has great actors to inhabit his stylish canvas, True Romance and Crimson Tide are great examples. Scott has become more "modern" with his use of jump cuts and freaky camera angles. It's a dizzying experience, but thankfully this over the top effort is fleshed out by the excellent performances of Denzel and Dakota Fanning (she will be a star one day). The movie is way too long (2 and a half hours for a genre thriller??). But the peformances and the script (by Mystic River's Brian Helgeland) hold Scott's over direction in check.