Posted in: Disc Reviews by Archive Authors on June 15th, 2005
In the unnecessary sequel department comes Miss Congeniality 2: Armed and Fabulous. Why make this movie? Because Sandra Bullock needs a hit? It doesn't come here. Bullock, once again (and hopefully for the last time), plays Gracie Hart. Her involvement in a well known beauty pageant has made it impossible for Gracie to maintain a low FBI profile. So she has become the PR person for the bureau. But Gracie is "called back" into the line of duty (against the FBI's wishes) when two of her friends (played by ...illiam Shatner and Heather Burns) are kidnapped. This uncomfortable blend of action and comedy does not work. It's a waste of almost two hours of your life.
Audio
Posted in: Disc Reviews by Archive Authors on June 14th, 2005
The Godfather Part II is, quite simply, one of the best films of all time. Personally, I would actually place it above it's predecessor, the original Godfather film, though both won Academy Awards for Best Picture. Part II, however, gave us not only Al Pacino in a genre-defining role, but also the young days of the original Godfather, played brilliantly by Robert De Niro, who impressively treads the line between believability and farce that is so fine with an actor like Marlin Brando.
In fact, i... is not only Al Pacino's acting that defines the gangster genre, but just about everything about this film, from the cinematography to the dialog. After the original film was released, every classic period piece for the next 35 years had to have that same golden look. The acting, the romantic storylines, and the cinematography re all first-rate. This is a classic film that deserves to be on every film fan's top 5 list and DVD shelf.
Posted in: Disc Reviews by Archive Authors on June 13th, 2005
This Showtime version of John Knowles' A Separate Peace will bring joy to high school teachers everywhere. Finally, there is a quality movie version to show in English class. Peace is usually mandatory reading in high school (I know I read it), and follows the story of Gene and Finny. Their prep school relationship is ambiguous, and character motivations are a little more complex in the novel (dare I say...a little more provocative?). But, at its core, the novel and this adaptation is a coming of ag... tale. On the brink of World War II, prep school boys are coming to terms with growing adulthood. The private school "feel" is just right, and the director (Peter Yates) is an old vet. He directed Steve McQueen in Bullitt for crying out loud. Yates also directed the masterful film The Dresser, guiding great peformances by Albert Finney and Tom Courtney. Yates direction here is graceful. He gets excellent performances from his cast.
Audio
Posted in: Disc Reviews by David Annandale on June 13th, 2005
Synopsis
The degree to which any of these films is or was “controversial” varies quite a bit, but the claim can certainly be made that all seven of these films dealt with pertinent social issues of their times. Some are still quite relevant today, and all are well worth watching.
Posted in: Disc Reviews by Gino Sassani on June 12th, 2005
Synopsis
One of the unique parts of the Western film genre is the lore behind Buffalo Bill. And while the western has faded as a favored film genre through the years, it’s still the subject of various films, stage plays and other adaptations. This particular film tells the story of a white man living in the West who was sympathetic to and friends with the Native Americans, Bill Cody, who later became a scout for the Army and was the head of a sideshow in the later years of his life.
Posted in: Disc Reviews by David Annandale on June 12th, 2005
Synopsis
Michael Sheen (so good as the sweet, big-hearted protagonist of Heartlands) is on the verge of losing his job as an architect, and he and his wife have just separated. His obsessive compulsive disorders, which led to these problems in the first place, are enormously exacerbated by the resultant stress, and Tourette’s Syndrome becomes a problem now too. He is desperate to win his wife back, an in an attempt to get his life together, he joins an OCD self-help group led by Shirley Hender...on, the woman he should really open his eyes and hear to see.
Posted in: Disc Reviews by Archive Authors on June 9th, 2005
Lindsay Lohan plays sassy Nancy Drew wanna be Lexy Gold. When one of her teachers goes missing (played by Ian Gomez), Lexy enlists her "hip" friends to help her crack the case. Another vehicle for Lohan. It's a little boring, and the mystery plays out on the level of a Saved By the Bell episode. The point of the movie is to point out they sassiness of Lohan. She's sooo hip. Like...totally.
Audio
Posted in: Disc Reviews by Archive Authors on June 9th, 2005
Swimming Upstream is one of those "small" sports underdog films. It's a true story about Aussie Tony Fingleton, a swimmer who vies to be National champion. Is he racing against all odds? Well...the odds are in the form of family. Geoffrey Rush plays Fingleton's father, an abusive alcholic. So...not only is Fingleton trying to achieve athletic glory, but also trying to win the heart of his father. This is a paint by numbers sports story. The performances are the saving grace, however. Rush, Jesse Spencer ...playing the swimmer), and the always wonderful Judy Davis are all excellent.
Audio
Posted in: Disc Reviews by David Annandale on June 9th, 2005
Synopsis
Christian Bale plays Patrick Bateman, Wall Street dealer and psychotic. He, like his peers, is completely obsessed with surfaces, narcissistic beyond all measure, and about as deep as a sheet of mylar (and his extended exegesis on the music of Huey Lewis and the News doesn’t help make him seem smarter, despite what he thinks). He rapes and murders with impunity, but after all, isn’t that the 80s ethic in a nutshell?
Posted in: Disc Reviews by David Annandale on June 7th, 2005
Synopsis
Inspired by the Grant Wood painting, “American Gothic” is a 24-minute experimental horror short. Director Carlos Batts explains in his intro that the idea is that the farmer in the Wood painting killed his wife, and is now consumed by guilt. This is conveyed through a collage of surreal images, mixing Magritte, Goth and splatter, with a soundtrack that mixes portentous poetry and death metal/industrial rock. The latter isn’t a completely successful fit, partly because of audio limitations (s...e below), but also because some of those scenes begin to resemble a fairly conventional rock video. Intriguing work all the same.
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