Liability Crisis tells the tale of Paul, a man obsessed with Hitler and the Holocaust. This obsession threatens relationships with the women in his life. Sounds like an interesting premise. But art is all in the execution.

The leads in the film are played by Jim Helsinger and Mirjana Jokovic. Helsinger has the potential to look good on screen, but the bad lighting gives off an unnatural brown pallor to his skin. His performance fluctuates between veracious and just plain awkward. Jokovic, an ac...or from Yugoslavia, still looks beautiful despite the poor cinematography. Her moments are much better. The rest of the acting, unfortunately, is just a step up from soft core porn.

Film

Sin suffers from a severe case of identity crisis. The film opens with a wide western vista and a lone grave in the wilderness. The music is soft and the atmosphere Unforgivenesque. The peace is rudely crashed with a quick cut to an urban techno-dance club. Ving Rhames plays a one-armed vigilante, but if you watch close enough you can see him cheat and use the “useless” arm. Gary Oldman is the only bright performance in the film. Be warned the central theme of the film involves a brutal gang-rap... that is not only disturbing in its depiction, but forced on us several times throughout the film. I really didn’t need to be hit that hard on the head with it. I got it already.

If you’re passing through the video store and see a movie on a shelf that looks like the cover of Motley Crue’s album “Too Fast for Love”…you’ll be disappointed…or relieved (depending on how you feel about the Crue). The movie is James Cox’s Wonderland. Wonderland is a film about the porn star John C. Holmes (Val Kilmer) at the end of his tether. Towards the end of his life, Holmes, famously, got involved in a series of crimes known as the Wonderland Murders, which are dramatized in this movie. I wo...’t spoil how it turns out. But the movie is part love story, part biography, and part murder mystery. Sounds like there’s a lot of meat here (pardon the pun), but that’s what’s most problematic about the film. It tries to be too many things, and like Holmes’ life, spins out of control.

The director James Cox throws a lot of “style” into the soup. We got your split screens, freeze frames, fast motion, long takes, jump cuts, animation, and even a little bit of Steadicam tracking. Pretty much all the “modern” innovations in shot technique are tossed in here. Is it all for show? I don’t really think so. In a way…all the pizzazz puts the audience in the mind of the strung out John C. Holmes. Cox does a commendable job of juggling a lot of balls in air (no pun intended)…but has trouble maintaining focus.

Star Trek Voyager was the third spin-off from the original Star Trek following the Superior Next Generation and the inferior Deep Space Nine. While the idea was quite an original premise, the cast never seemed to gel. The obvious attempt at political correctness gives us the most diverse cast yet on Star Trek, including the first female captain. Kate Mulgrew is the weakest captain to date on Star Trek. (I know I’ll catch heat for this.) The reason is not her gender but such a lack of strength. She never walks but see...s to glide across the bridge when she moves. The strongest characters come in Tom Paris, the Federation inmate, and Torres, the half klingon half human hybrid. There is real passion in those characters that keep the cast interesting enough. The combination of Federation and Marquis (a rebel Federation group) members was a great setup that too quickly gets tossed aside in later years. There’s plenty of Star Trek eye candy and a whole new quadrant of aliens to meet here. It had been quite some time for me since I had seen Voyager. It was refreshing to watch this first season, perhaps the best before the late addition of 7 of 9.

Synopsis