Posted in: Disc Reviews by David Annandale on June 6th, 2003
A history and a meditation on the American Congress, both at the institutional and at the architectural level -- there are many beautiful shots of the Capitol, and the building becomes as much a character as any of the politicians who strode the stage within its walls. A fascinating documentary, enlivened not only with Burns’ usual fine use of period paintings and photographs,but also with film clips from Mr. Smith Goes to Washington and Advise and Consent.
Posted in: Disc Reviews by David Annandale on June 6th, 2003
The topic for this documentary are the Shakers, more properly the “United Society of Believers in Christ’s Second Appearing.” The Shakers weren’t around that long: they were celibate, which meant no offspring. However, as the film explores, that didn’t stop them from having a profound impact on American life (they were, for instance, feminist and anti-slavery well ahead of the game).
Audio
A mono soundtrack. Though it might have been nice to hear the Shaker songs in stereo, the sound is still very clean, and without distortion.
Posted in: Disc Reviews by David Annandale on June 6th, 2003
Synopsis
Fans of blue-collar/redneck humour are in for a treat here. Comics Ron White, Larry theCable Guy, Bill Engvall and Jeff Foxworthy (in that order) perform their routines to a largeconcert hall audience, then team up for a comedy jam. Whether the humour works for you willdepend on your personal taste, of course, but there is some pretty funny material here.
Audio
Dolby 5.1 Surround is arguably overkill for a stand-up routine. Hell, mono would get the jo...
Posted in: Disc Reviews by David Annandale on June 4th, 2003
We first meet Holly and Michelle in the 70s, when they are 13 and already inseparable friends. They are very different already, though. Holly is bookish and shy. Michelle is beautiful and wild. Over the years, their relationship is tested as they clash, support and sabotage each other. The significant male characters are Kyle Maclachlan as a professor they both have an affair with, and Michelle’s brother, for whom Holly carries a torch through the years.
Posted in: Disc Reviews by David Annandale on June 4th, 2003
In 2176, the world is a grey, sterile place. All history has been lost. Four scientists (led by David Cassidy of Partridge Family infamy) travel back in time to recover the American Constitution, and revive history. Unfortunately, their time machine malfunctions, and they windup in 1976. Cue the stupidity. Unfortunately, the laughs are very few and far between. We already know that this period had many risible qualities. Just showing them to us isn’t enough.
Posted in: Disc Reviews by David Annandale on June 4th, 2003
Synopsis
It is 1907. Musicology professor Lily Penleric (Janet McTeer), unjustly passed over forpromotion, leaves the city to stay with her schoolteacher sister in the Appalachians. There sheexperiences revelations of various kinds. She discovers traditional Irish and Scottish ballads,altered but recognizable, still living vibrant folk lives. She also finds her superior, urban anduptight attitudes slowly but surely demolished by the people around her. The most importantperson she me...
Posted in: Disc Reviews by David Annandale on June 4th, 2003
Synopsis
The film is set during American Thanksgiving, and follows the holiday experience of fourseparate families. The effect is not unlike Robert Altman Lite, as all four families live in thesame neighbourhood, and sometimes cross paths, though these interfamily connections remaintangential. This is a vision of melting pot LA, with our families being Latino, Vietnamese,African-American and Jewish, each re-interpreting the WASP holiday through the prism of theirown experiences.
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Posted in: Disc Reviews by David Annandale on June 3rd, 2003
Spanning a good thirty years, Giant tells the tale of the Benedicts, a Texas family on an immense cattle range. The patriarch is Rock Hudson, whom we first meet as a young man visiting Maryland to buy a horse. There he meets Elizabeth Taylor and falls in love. His new bride initially finds Texas difficult to adjust to, and Texas has difficulty adjusting to her, as she does not hold with the local attitudes towards women and, most especially, Mexicans. The third major player is James Dean, a rather sullen ranch hand who winds up changing everybody’s lives when he strikes oil on his small parcel of land.
Posted in: Disc Reviews by Gino Sassani on June 1st, 2003
As Al Pacino constantly reminds us in The Recruit, nothing is ever as it seems. This film, while not a great effort, is vintage Pacino. Strong performances are also to be found from Colin Farrell and Bridget Moynahan, but as usual it is Pacino who steals the show. The Recruit is actually two different films in one. The first half is an intruding look at CIA training at the fabled “farm”. Once the training ends, an effective spy/counterspy plot takes over that won’t lose momentum. You’ll find enough surprises to keep even the most irritating “I knew it” viewers quiet for much of the film.
Posted in: Disc Reviews by David Annandale on June 1st, 2003
The film opens with the assassination of Jesse James (Kristofferson) and then flashes back tothe last years of the lives of the James brothers. Ostensibly retired from their outlaw ways, they can’t quite settle down. Jesse is the wilder of the two brothers, while Frank is much more of a homebody, and is frequently seeing cursing his stubborn animals. Imagine the kind of western you’d expect to catch on cable in the late 80s, and you’ve imagined this movie. Kristofferson is notably more convincing in his role than is Cash.
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