"I can guarantee your safety... more or less." 

Some things can not be beat, and they sure as heck can't be repeated. An old vintage cola commercial used to tell us, "Ain't nothing like the real thing, baby". And Jurassic World Rebirth is going to do anything it can for 134 minutes to try and tell you that isn't true, but we know better, don't we? Anyone who has seen the original Jurassic Park has their favorite moments, but one scene has always stood out for me and so many other film fans I've spoken to. When the camera pans to that peaceful swamp pasture and you see tons of dinosaurs walking about without a care in the world. If you didn't know how to react there, Sam Neill as Dr. Grant showed you how.

 "Everybody deserves a second chance."

In some parts of the country there's a saying. If you don't like the weather wait a few minutes. It'll change. That's exactly how I felt by the time my two hours watching M3GAN 2.0 was through. It was entertaining, to be sure, but I felt like I had been through about five movies before it was finally over. It's hard to imagine that is has been three years since we first met the robot/children's toy gone berserk, but it really has. It was my hope that everyone was just waiting until they had a great new idea before they trotted the killer doll out again. Most of the characters and actors who survived their first encounter with M3GAN returned for the sequel, with at least one of them being somewhat of a surprise appearance, and just like that first movie, you really have to be careful who you trust, because killer dolls aren't the only things that are dangerous here. The humans can actually be a lot worse, and that just might be the point, as M3GAN 2.0 gets a head start in the upcoming heated competition for the coming summer blockbuster season. We're just weeks away from a DC and Marvel one-two combination, but will M3GAN 2.0 survive the punches? Not likely, I'm afraid.

"If you carry a 00 number it means you're licensed to kill ... not get killed."

1961 was a pretty big year for many of us. In the NFL one of the new teams entering the league was one in Minnesota called the Vikings, and they would draft a quarterback named Fran Tarkenton as one of their first acts. I was born that June, and a couple of weeks later one of the most important deals ever made in Hollywood was consummated. EON Productions had just been formed as the partnership between Albert R. "Cubby" Broccoli and Harry Saltzman, and their partnership started off with a bang when they acquired the film rights to Ian Fleming's British secret agent, James Bond. Fleming's first choice to play his spy was Roger Moore, who later did take over the role, but long after Fleming had died. Sean Connery would fill that role nicely, and within a short period of time Fleming was on board with Connery in the title role.

“Memento Mori, it means you must die.”

This movie has been a long time coming and is quite possibly the most anticipated movie of the summer. Fans (myself included) have been waiting almost twenty years for this addition to the franchise to materialize. Since the Rage virus was introduced to the audience back in 2002 with 28 Days Later, we, the audience, have been captivated by Danny Boyle and Alex Garland’s gritty zombie tale that filled a much-needed hole left behind by George Romero’s Night of the Living Dead franchise. To their credit, the duo did follow up 28 Days Later with the aptly-titled 28 Weeks Later, which if I’m honest, was my favorite of the franchise, to include this latest installment. That isn’t to diminish this addition; I’m just very fond of the Weeks’ film because it was the movie that really made me pay attention to Jeremy Renner. True to its predecessors, 28 Years Later features a brand-new cast of characters to include Aaron Taylor-Johnson, Jodie Comer, Jack O’Connell, Ralph Fiennes, and Alfie Williams in his first leading role.

Right on cue Disney’s Pixar is back on the animation scene with its latest and quite possibly one of its most original stories with Elio. True to form, for the last three years, Pixar has delivered and had a film release in the month of June. There was Lightyear in 2022, Elemental in 2023, Inside Out 2 for 2024, and now Elio in 2025. Now that is consistency. Not going to lie, I haven’t been impressed with the latest releases from Pixar, and it felt as though they’d been trading on their reputation in recent years. After all, who would dare speak against the studio that gave us Toy Story, A Bugs Life, The Incredibles, and Finding Nemo? It would be fair to say that the company deserved a little grace. Now we have Elio, and as I mentioned earlier, I rank this among the most original animated stories I’ve seen in recent years and one of the best kid-friendly movies I’ve seen this year thus far.

“I am large; I contain multitudes.” 

I know it may only be June, and it seems strange to be talking about awards season already, but if The Life of Chuck doesn’t take home an armful of awards this year, it will be a criminal shame. I first read the Stephen King novella when it was released in his collection If It Bleeds (2020), it was a story that you can tell King wrote during the COVID-19 panic. I remember liking the story, but it wasn’t one of my favorites in the collection. What stood out the most was the unique way he wrote the story about the end of the world. It didn’t really surprise me that the story was being adapted into a film considering just how many Stephen King stories are brought to the big screen and streaming every year. It was the fact that Mike Flanagan signed on to write and direct that got me excited about this project.

"In the beginning there was blood."

Dexter Morgan is a forensic lab rat for the Miami-Dade Police. He really knows blood splatter. He should, because he moonlights as a killer. It seems that poor old Dex just can’t help himself. His parents were criminals, and he witnessed his mother’s brutal slashing by a chainsaw gang when he was just a young boy. He was adopted by Harry Morgan, a police officer. Harry saw the killer instinct in Dexter and taught him how to channel the urges for the sake of good. Dexter adopted Harry’s Code, which means he only kills others that he’s able to prove were killers themselves. Working for the police with his officer sister, Debra, Dexter is constantly just on the verge of getting caught.

Wolf Man (2025) is another reimagining of a classic werewolf tale with a recursive twist. The film is centered around a family dealing with unresolved trauma as they return to the father’s childhood farmhouse in hopes of reconnecting—only to be greeted by the very curse that broke their family in the first place.Admittedly, I went into the film fully expecting to fall in love; this is honestly because I can appreciate a wicked creature feature. I was already aware that it was Blumhouse Productions before going into the film, but I also learned—after watching the introductory credits—that it was directed and co-written by Leigh Whannell, whom I recognized from his directorial debut, Insidious 3 (2015), and later The Invisible Man (2020). Christopher Abbott leads as Blake Lovell, a husband and father bringing his family—Charlotte, played by Julia Garner, and their daughter Ginger, played by Matilda Firth—back to his childhood farmhouse in an effort to rebuild strained connections. Sam Jaeger takes on the role of Grady Lovell, Blake’s missing father, whose hidden past gradually unravels at the heart of the story’s horror.

It’s officially summer movie season, and what better time to release a film about a serial killer that feeds his victims to sharks and videotapes it so he can relive the moment over and over again on VHS? That is pretty much the hook for the new thriller being released by Shudder, and I’m all-in for it. I’m a sucker for shark films. Good or bad, I can’t help myself; I have to watch it. But Dangerous Animals is more than just a guilty pleasure; it’s the kind of summer fun I crave to see on the big screen, and this film didn’t disappoint, so grab your snorkel and let’s dive in and discuss the movie I feel audiences are going to sleep on simply because of a crowded box office. First off, the film has one of my favorite openings I’ve seen in a while. It opens up with a pair of friends who are traveling around Australia, and they’ve decided to charter a boat to go diving with sharks. The ship’s captain is Bruce Tucker (Jai Courtney), who is a bit rough around the edges but still manages to be a charming guy. Everything seems innocent enough as we see Bruce take these travelers on this dive of a lifetime

“This is Berk. It snows nine months of the year and hails the other three. Any food that grows here is tough and tasteless. The people that grow here are even more so. The only upsides are the pets. While other places have ponies or parrots ... we have ... dragons.”

It looks like DreamWorks is joining the live-action adaptation competition, as How to Train Your Dragon represents the first official live-action adaptation of a DreamWorks feature. Emphasis on competition, given the inherent rivalry between Disney and DreamWorks founder and former Disney executive, Jeffery Katzenberg. I won’t spend a lot of time rehashing their history, but in summary, tensions between Katzenberg, Eisner, and Disney resulted in Katzenberg leaving Disney upon conclusion of his work contract with the company in October 1994 and going on to co-found DreamWorks with Steven Spielberg and David Geffen.