Posted in: Disc Reviews by Jeremy Butler on December 17th, 2024
I saw this film as an opportunity to gauge whether a movie could hold my two-year-old son’s attention. This is something I am particularly interested in, because it would demonstrate that my baby boy is finally ready for a theatrical experience. Unfortunately, he is not quite there yet. He watched for a bit, but then he eventually wandered off. Ironically, I didn’t notice his absence at first, as I was too focused on the movie. Based on the New York Times bestselling novel of the same name, The Wild Robot stars Lupita Nyong’o as Roz, a ROZZUM unit 7134 robot that becomes shipwrecked on an uninhabited island and must learn to adapt to the harsh surroundings, gradually building relationships with the animals on the island and becoming the adoptive parent of an orphaned gosling. Joining Nyong’o is Pedro Pascal in his animated movie debut, Bill Nighy, Stephanie Hsu, Ving Rhames, and Catherine O’Hara as the wildlife that Roz finds herself surrounded by. With How to Train Your Dragon’s Chris Sanders at the helm, The Wild Robot is a very entertaining tale that somehow, I ended up more interested in than my kids.
“The Wild Robot is a story that is not afraid to pull on your heartstrings.”
Posted in: Disc Reviews by Jeremy Butler on December 14th, 2024
“There’s an ounce of truth in every myth.”
Why am I not surprised? It is true to form that the sixth and final film in the Sony Spiderman Universe (SSU) would be my favorite. I’m sure that will be a unpopular opinion, as Venom has the popular vote, and while I did enjoy Venom, it is tainted by the sequels, which in the end left me with the opinion that the franchise should have just been the a one-and-done like the other installments in the SSU are fated to become. Ironic, as Kraven The Hunter served as a very good origin story, and the story set up what could have been a very interesting future confrontation in a sequel. However, Sony’s decision to pivot away from the SSU essentially means that this Aaron Taylor-Johnson-led film will be the only film to follow the character. Pity, as Taylor-Johnson gave a great performance, and the story quality was well executed. As I said, I expect my opinion is an unpopular one as Kraven The Hunter falls victim of the fruit of the poisonous-tree stigma. Because of the disappointing execution of the films set in the same universe, Kraven The Hunter is fated to be painted with the same brush. So my advice to anyone interested in seeing this film is that you have to put the others out of your mind and see this as it was intended to be: a standalone film.
Posted in: The Reel World by Brent Lorentson on December 13th, 2024
I always found it a bit funny when Hollywood churns out movies that have similar plots to compete against each other. Back in the 90s Armageddon dueled the same year with Deep Impact, when disaster films were all the rage. 2024 had the same situation, though not in the form of big blockbusters, but this time in the form of two horror films about nuns and strange pregnancies taking place within the confines of the convent. The prequel to The Omen was better than I had anticipated, and when Immaculate was released, I just never got around to seeing it … at least until now. While The First Omen is a slow burn that actually pairs well with the first film, Immaculate I feel is the more bloody and popcorn-friendly romp that I feel fits into the sub-genre of nunsploitation (something I wouldn’t object to seeing more of). So is this film worth congregating in front of the television for 90 minutes, or is this a hard pass in a year that seems to flourish with quality horror films, but not much of anything else?
Cecilia (Sweeney) is travelling from the States to live in Italy, where she is going to take her vows to the church. She’s been devout to her faith ever since she survived falling through the ice and nearly drowning. We don’t really get much more about her life back in the States, and that’s fine. The film does a good job of quickly establishing who Cecilia is. She’s sweet but naïve; you know, basically catnip for those with bad intentions in a horror film. The first friend Cecilia makes at the convent is ironically a nun with a bad-girl streak who joined the church more out of convenience than out of faith. Of course there are other members of the church. Most are just used to be ominous figures, but mostly the focus is on Cecilia and the main priest at the convent, Father Sal Tedeschi (Alvaro Morte).
Posted in: The Reel World by Brent Lorentson on December 13th, 2024
With it being December this is when all the critics and groups start to announce their picks for best films of the year. This year has been a bit of a lackluster year in my opinion, but there have been a few gems that have managed to surprise me. A Real Pain, the directorial and writing debut for Jesse Eisenberg, is one of those few gems that crackles with great dialog and impressive cinematography, but most importantly is anchored by the performances of its two leads, played by Jesse Eisenberg and Kieran Culkin. On a surface level, this is a story about two cousins going on vacation together, but really it’s about two young men struggling with their own pain. You’d think a film like this would be a drag or even a chore to sit through, but instead it is engaging and heartfelt throughout and has moments that will have you laughing and crying.
After the passing of their grandmother, Benji (Culkin) and David (Eisenberg) are cousins who decide to take a trip to Poland not just to reconnect, but to see their grandmother’s homeland and get a glimpse into what her life was like during the Holocaust. Right from the get-go we see that Benji and David are a bit of an odd couple, Benji is prone to emotional outbursts and a bit of a free spirit, while David is more timid and serious. As for the tour the boys have signed up for, it’s with a group of four other travelers who have made the pilgrimage, each with their own personal reasons. What I wasn’t expecting is how the other travelers integrate into the story and are more than just background characters, but are there for the journey and help the cousins in their own way.
Posted in: No Huddle Reviews by Gino Sassani on December 7th, 2024
"Bless me, father, for I have sinned. It has been 40 years since my last confession. I had a drinking problem, and that became a drug problem, and I ruined my life ... There's this thing that has come up. It's a job, and it's coming to me off the back of someone else's tragedy. But maybe work will be good for me, you know? Give me a sense of purpose. Make me stronger. Maybe make my daughter proud of me."
It's the confession of a desperate man, and that's the center of The Exorcism. This year there's a new Gladiator film out, but Russell Crowe isn't going to be fighting again in the arenas of ancient Rome any time soon. Instead he has been spending some time lately doing battle with Satan himself and some of his minions. The Exorcism was actually his first tour of duty in the genre. That film actually wrapped in 2019 but took nearly five years to make it to the box office, were it came and went with little more than a whimper. Later Crowe also starred in The Pope's Exorcist, where he played the top exorcism man in the Vatican. The crazy thing is that film came first, so to most people it looked like The Exorcism was just a cheap redo. That doesn't mean, of course, that this isn't a kind of redo. It is, and no one is really hiding the fact. You'll understand in a minute.
Posted in: The Reel World by Brent Lorentson on December 5th, 2024
It’s that time of the year again when critics start to makes their lists of the top films they’ve seen since January. Personally, this year has been a bit lackluster when it comes to “great” films, but there have been a lot of fun films to come out this year. To be even more specific, the horror genre has kind of taken off the year in my opinion. Now, while Sting may not be the best horror film of the year, it is a lot of fun. Every year there’s that fun movie that comes along that flies under the radar, but I feel is great. Cocaine Bear and Violent Night immediately come to mind. Sting, at least in my humble opinion, is what going to the cinema is all about. It’s not high art, but instead it’s pure escapism, and it’s just a fun way to shut your brain off for 90 minutes while a giant alien spider wreaks havoc on a New York apartment. Is it the most original concept? No, but it has just enough scares and blood to make arachnophobes squirm in their seats.
Sting is a film that I feel could have been made in the heyday of Amblin films, when Spielberg was behind films like Poltergeist and Gremlins, and I’d almost put it on that level if the plot wasn’t so familiar. The film takes place within an apartment complex in Brooklyn after an alien spider egg crashes through a window and Charlotte (Alyla Browne), a young girl with a rebellious streak as well as a talent for comic book art, finds the baby spider and calls it Sting. The film spends a good portion with her family: Ethan (Ryan Corr), her stepdad who happens to be a comic book artist while also working as a part-time super in the complex; then there is her mom, Heather (Penelope Mitchell) and her newborn brother. A good portion of the film revolves around Ethan struggling to juggle his work life as well as adjust to becoming a family man, and we see the stress that he is going through. As for Charlotte, she finds sanctuary in her room and enjoys spending time with her new pet and slowly starts to realize that Sting is no typical spider.
Posted in: The Reel World by Brent Lorentson on December 5th, 2024
As a horror fan, 2024 has easily been one of the best years for horror releases in a long time. It’s not just that we’ve gotten several horror releases this year, but the quality and the diversity of the genre has kept the year fresh. Cuckoo is one of the better horror films of the year. It sadly got overlooked at the box office, but it’s one of those films that for those who have seen it, I feel it leaves an impression, because aside from taking familiar tropes, it manages to feel fresh but also has a WTF factor that seems harder to come by these days. In my opinion, Cuckoo is a film that works better knowing as little as you can about it. Going in blind definitely puts you firmly in place to enjoy the film’s ambiguity, and when it starts to go into some strange directions, just go with it. The film may seem a bit odd and confusing as it progresses, but that’s the fun of it.
Gretchen (Hunter Schafer) is the film’s protagonist; she’s a precocious American teenager who is stuck going on vacation with her father, Luis (Martin Csokas), along with his new wife (Jessica Henwick) and their mute daughter, Alma (Mila Lieu). The vacation is to a remote resort in the Bavarian Alps. It’s a beautiful setting, though you’ll have to allow for the slightest bit of suspension of disbelief that a fully equipped hospital is nearby. Now this sort of makes sense as the film plays on, but it’s really just a way to keep the narrative going. The resort is run by Herr Konig (Dan Stevens), and he has invited Luis to the resort with hopes of them working together on creating a new project … though from the moment Gretchen meets Konig, she knows not to trust him, but it takes a bit to find out if she’s right or not.
Posted in: Holiday Gift Guides by Gino Sassani on November 28th, 2024
I think I see your problem. You have this list. It’s a list of people you need/want to buy a Christmas gift for. The trouble is that they’re into home theatre, and you don’t know Star Trek from Star Wars. You couldn’t tell a Wolf Man from a Wolverine. And you always thought that Paranormal Activity was something too kinky to talk about. Fortunately, Upcomingdiscs has come to the rescue every Christmas with our Gift Guide Spotlights. Keep checking back to see more recommendations for your holiday shopping. These gift guides ARE NOT paid advertisements. We take no money to publish them. For Black Friday we turn our attention to Warner Brothers, who are giving us some nice choices on UHD Blu-ray just in time for the holidays.
First up we have two classic films and a second season of House Of The Dragon that are coming UHD for the first time.
Posted in: No Huddle Reviews by Gino Sassani on November 27th, 2024
"Don't hate the player. Hate the game."
When it comes to The Killer's Game, there's a lot to hate and just not enough to love. I happen to like Dave Bautista. He has the physical skills to play incredibly intimidating roles, and he actually has a good bit of comedic timing. The Guardians Of The Galaxy films gave him the perfect place to put all of that on display. He's an entertaining part of an ensemble cast, and he more than pulls his weight in a crowd. He's been showing up in some very important films of late, but up until this point none of these roles required him to step out of the comfortable settings where he can pretty much be him and it works on multiple levels. So we already had a pretty good idea where Dave Bautista's strengths were to be found. It had to happen sooner or later. It's obvious the wrestler-turned-actor has been having a good time in this actor's game, and it was only a matter of time before he might want to see just how far his chops could take him. Could he take on the weight of being a leading man? He chose a pretty safe film, anchored in those things we already knew he could do, with an expanded role that put him at the top of the call sheet for the first time in his career. The evidence has been presented, and the defense has rested its case. The jury is going to be the audience of The Killer's Game, and I think it's safe to say the verdict is in. You might call it a hung jury, but that was because some of decided to take the easy way out and end the misery there. I stuck with it. No suicidal thoughts going through this juror. But I find the defendant Dave Bautista guilty on all counts. Taking on a leading man role is absolutely criminal, and if you have the patience to read on, I'm going to give you my reasons. Just understand this guilt is beyond and reasonable ... forget that. This verdict is beyond a shadow of a doubt. Dave Bautista has been found condemned to going back to making the kinds of films he is good at. Call it community service.
Posted in: The Reel World by Gino Sassani on November 22nd, 2024
"What we do in life echoes in eternity."
What Ridley Scott does often echoes quite nicely at the box office. In 2000 Ridley Scott released Gladiator, starring Russell Crowe as the Roman Legion turned gladiator that ended in a fight to return Rome to the Senate and its citizens. Maximus fought gallantly and fell just short of his goal. But the story that the film wove was truly a masterpiece and stands as one of my top 10 films of all time, up there with Unforgiven and the first two Godfather films. I've often said in these pages that expectations kill, and I was well prepared for that to be the result when I sat down to the press screening for Gladiator II. Scott himself calls this the best film he's ever made. That's a big boast coming from the guy who brought us Alien, Blade Runner, and, of course, the original Gladiator. I disagree. While I found Gladiator II to be an impressive film from every perspective, it didn't quite make me feel the way I did when I left the theater for the first time after seeing Gladiator. But take heart. It's a damn good movie, and it's a can't-miss for any true film fans out there in the arena. The question is pretty simple. Are we not entertained? The answer is, "oh yeah".
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