Watching a production as high-caliber as The Conjuring: Last Rites (2025) naturally comes with a lot of hype, with its Hollywood budget and immense popularity. It is refreshing to see a Hollywood horror film treated with real seriousness, the kind that draws both genre diehards and casual viewers, and my theater was packed as evidence of that. Within its shared universe there are nine, debatably ten, entries you can binge, including Annabelle (2014-2019) and The Nun (2018-2023) with their sequels. The debated tenth, The Curse of La Llorona (2019), is only loosely connected through Father Perez from the Annabelle films. As the title suggests, The Conjuring: Last Rites (2025) positions itself as the capstone to this first phase, and it is wrapped with a cathartic finality. I think one of the main reasons for its success is the fact that these movies are based on real events and experiences from the perspective of the Warrens.

"I'm telling you, it's empty nest syndrome. First Jess leaves for California. Then Torres volunteers to go deep under cover. And now McGee is applying for the Deputy Director position. Poor Parker. The man is alone." 

Mark Harmon as Gibbs was the soul of the NCIS franchise. When he finally called it quits after nearly 20 years, I have to admit I wasn't sure how much longer the show could go on. I mean, there has to be a reason for this kind of longevity. All of the spin-offs have now come and gone. NCIS: Hawaii has now ended.  NCIS: New Orleans shuttered its doors three years ago now after a mere seven years. The longest-running of the spin-offs was L.A., but even they have gone now after only 10 years.

"It takes a heavy sack to sign up for this contest. I'm not gonna go through the whole rule book, but it boils down to this. If you fall below the speed of three miles per hour, you get your ticket. Walk until there's only one of you left."

Stephen King has been America's most renowned writer for about 50 years. That's a long time to stay on top. He does it by giving audiences something they want but are not always willing to admit that they want. Of course, he's the master of horror, but he doesn't always write specifically about horror. The reason King is able to scare us so well is because he understands the human condition. He has an innate ability to touch our emotions. The truth is that the best of his film adaptations have tended to be the films less related to horror. The Shawshank Redemption remains the best Stephen King film ever made.

"I can guarantee your safety ... more or less." 

Some things cannot be beat, and they sure as heck can't be repeated. An old vintage cola commercial used to tell us, "Ain't nothing like the real thing, baby." And Jurassic World Rebirth is going to do anything it can for 134 minutes to try and tell you that isn't true, but we know better, don't we? Anyone who has seen the original Jurassic Park has their favorite moments, but one scene has always stood out for me and so many other film fans I've spoken to. When the camera pans to that peaceful swamp pasture and you see tons of dinosaurs walking about without a care in the world. If you didn't know how to react there, Sam Neill as Dr. Grant showed you how. His expression matched ours, and it was a wonderful cinematic moment of magic and wonder. You can never repeat that ever again. No matter how many Jurassic franchise movies or any other dinosaur movies might attempt to bring you that single moment, they never will.

“I read somewhere, thou shalt not steal. I think it was in the Bible, "Thou shalt not steal." That's not complicated, is it? But, if you do have a problem with that, you can always take it up with God, or Karl Marx, or the Kardashians, or anyone.”

Unfortunately, even Anthony Hopkins wasn’t enough to elevate this film beyond just an OK watching experience. A remake of a remake, Locked stars Hopkins as well as Bill Skarsgard, who I am convinced struggles with picking good movies to become attached to. Not saying that this is a shining example of those difficulties, but I doubt it will do anything to further his reputation in the industry. The film is a remake of the Argentine film 4x4 (2019), which was previously remade in Brazil as A Jaula (2022). Despite not being in the same room for the bulk of the film, I will say that the two played off one another quite well, which I attributed to both actors having significant stage presence. That aside, the film drew too many parallels to another psychological thriller franchise starring an enigmatic actor whose character had penchant for entrapping individuals who needed to learn a lesson.

"My dad used to say, wherever you go, there you are. I guess he was right. No matter how hard you try, or in my case, how far you go, you can't leave it all behind. There is no such thing as a clean slate. They're always there. They're always with you, the stories you've told. Hell, even worse, the ones you never could. This is a story I never tell."

Mark Harmon as Gibbs was the soul of the NCIS franchise. When he finally called it quits after nearly 20 years, I have to admit I wasn't sure how much longer the show could go on. I mean, there has to be a reason for this kind of longevity. All of the spin-offs have now come and gone. NCIS: Hawaii has now ended.  NCIS: New Orleans shuttered its doors years ago after a mere seven years. The longest-running of the spin-offs was L.A., but even they have gone now after only 10 years. I say only 10 years. For most shows a 10-year run is rarefied air.

"I can see the future. It's full of pals helping pals, and being a boss. I'm on the edge of life, and the view is gorgeous." 

Andrew DeYoung has actually been around for quite a little while. He's been directing television episodes a short features since around 2008. And so into every working director a feature film must eventually fall. For Andrew DeYoung it turns out to be the self-written feature film for A24, Friendship. He took a pretty safe route, choosing to work with an actor who has shown a pretty similar shade of dark comedy as Tim Robinson, who plays the lead and very tragic figure. If you've seen episodes of The Office, there's a lot of that kind of humor here. Of course it goes off the rails quite beyond anything you might have seen from the show or Tim Robinson.

Ultraman is a huge part of Japanese culture and pretty much has been since the original live-action show in 1966. Perhaps Godzilla started the ball rolling, but Ultraman brought us these monsters on a regular basis. In Japan, Ultraman is like our Superman. He’s an iconic hero and a huge part of the pop culture. Since the 60’s he has appeared in many forms, most of them animated. But it is this 1966 series that made a ton of us kids fall in love with him and an entire genre. Yes, there were many from the era: Space Giants featured a giant fighting robot who fought monsters and sometimes converted into a spaceship (yes, before transformers were ever thought of); Johnny Socko had his giant robot; and the list goes on. But it was Ultraman who started it. Eiji Tsuburaya, who created the original Godzilla, formed a new company outside of Toho Pictures. Ultraman was pretty much the first thing out of the new shop.

"We have sold the last of our herd, keeping only four bulls and 100 heifers. The seeds with which you must rebuild the ranch that trickery and laws drafted by loan sharks have stripped from us. The road to Bozeman is snowed over now, passable only on horseback. Our movement is restricted to the lodge and the pastures around the barn until spring. We dare not kill a beef, so the men hunt. Gone are the great feasts of summer. It is stews and stale bread and bland fuel of substance. Like the bear, we hibernate, impatiently awaiting spring." 

It is the second and likely final season for the Yellowstone prequel 1923. I have heard whispers that there will be more, and we might see Harrison Ford and Helen Miren again in a series likely to take place a little later, hence a new name, and focused more on Brandon Sklenar's character Spencer who will, no doubt, be raising the grandfather of Kevin Costner's patriarch character in Yellowstone.

It would seem that ever since Hereditary came out in 2018, it kind of paved the way for the new sub-genre of horror, “grief-horror”, basically horror films that delve into the emotional horror of losing loved ones and the reckless attempts people may make to reach out to them in the afterlife. This isn’t subject matter most horror fans enjoy; for me I find an odd sense of comfort with these films. When Talk to Me came out, that film especially struck a nerve with me, and I absolutely loved that film from the first-time Australian filmmakers and brothers Danny and Michael Philippou.  Talk To Me managed to bring something new to the supernatural genre, and the grief the main character was going through was very relatable for me, so of course I was going to be a little excited about what this duo would do next (at least before they tackled their sequel to Talk To Me). As it would turn out, I wouldn’t have to wait long for their next film, and Bring Her Back tackles the horror of grief in a manner that has stuck with me.