In 1989 John Woo released The Killer, and it became an instant classic in Hong Kong cinema. The Killer and Hard Boiled were my introduction to John Woo and his Gun Fu cinema. The way he choreographed his shootouts it was like watching this beautiful bullet-fueled ballet and typically always shot in slow motion. When he came to the US, John Woo was able to find some success in the action genre, delivering hits like Broken Arrow and Face/Off. His career has kind of cooled off, and when they announced that Woo was going to be remaking The Killer, I’ll admit I hated the idea. It’s a movie I don’t feel can really be improved, but with Woo involved, I was still willing to give the film a chance. My concerns were pretty much confirmed when I heard about the casting and I saw this was going to be a straight-to-streaming release. Let me be very blunt; the 1989 version of The Killer is top-tier action, and it is a film that I feel just can’t easily be replicated, nor should it be. Unfortunately Hollywood just wants to reboot and remake everything …

Ever since I saw the Demon House documentary in 2018 I’ve kind of been obsessed with this story. It is one of the best documented stories of the paranormal out there with a number of witnesses, many of whom are government officials, and people who you would consider reliable. It was inevitable that a film would be done about this house, and it seems Lee Daniels (Precious and The Butler) is the guy who got the job. This story is one that took a while to bring to the screen, and what kind of blows my mind when it comes to bringing these “true stories” to life is that they find these fascinating stories and then decide to just change things and make them more “Hollywood”, and for the most part that is never a decision that improves the story (like was it necessary to change the location from Indiana to Pennsylvania?). So I’m going to just say that if you want the “true” story, check out the documentary. It is at least a nice companion to the film … As for my review of the film, I’m just going to focus as much as I can on the film and ignore the true story.

"In a very real sense, we are all aliens on a strange planet. We spend most of our lives reaching out and trying to communicate. If during our whole lifetime, we could reach out and really communicate with just two people. We are all indeed very fortunate."

- Gene Roddenberry 

I should confess from the beginning that I am a very dedicated Star Trek fan. I'm not a Trekkie or a Trekker; I'm a fan. I have often allowed my fan status to cause me to embrace the franchise even when it wasn't necessarily so good. As a young 15-year-old kid I attended the first 10:00 AM showing of Star Trek: The Motion Picture with a handful of friends on the opening day. We stayed through six showings and left sometime after midnight the following day, occupying the front row center and subsisting off the day's more limited concession offerings. Basically candy, popcorn and soda.

"I hope he fails miserably. See, my ex-husband truly loved only one thing his entire life: this club. And Ted Lasso is gonna help me burn it to the ground. I want to torture Rupert. I want him to feel like he's being fucked in the ass with a splintered cricket bat, just in and out, over and over in a constant loop.

It likely started with Saturday Night Live. The show was roaring in the 1970's, and along the way some ideas that made great 3-minute skits got appropriated for movies and even television shows. A few of them have become classics. The Blues Brothers is one fine example. Most have retreated into obscurity. I can only think of a two examples where something like that became a dominant force for years to come. In the 1950's, Jackie Gleason was hosting his own variety show called The Jackie Gleason Show. One of the skits was about a bus driver named Ralph Kramden.

Mark Harmon as Gibbs was the soul of the NCIS franchise. When he finally called it quits after nearly 20 years, I have to admit I wasn't sure how much longer the show could go on. I mean, there has to be a reason for this kind of longevity. All of the spin-offs have now come and gone. NCIS: Hawaii has now ended.  NCIS: New Orleans shuttered it's doors three years ago now after a mere seven years. The longest-running of the spin-offs was L.A., but even they have gone now after only 10 years. I say "only" 10 years. For most shows a 10-year run is rarefied air. So how about 21 years? Only Dick Wolf's Law & Order franchise has accomplished more. Yes, Harmon might have been the franchise's soul. But Gary Cole came in and has taken up that slack far better than anyone could have imagined. Now CBS is releasing NCIS The Complete 21st Season on DVD, and that short run of episodes puts the franchise passed the 1000 episode mark. It's an unbelievable run, and it doesn't look like it's close to ending now.

“Ladies and gentlemen! Start your engines.”

Back in 2015 when Mad Max: Fury Road was released, it was a film that I don’t think anyone expected audiences to respond to as they did. It was 30 years since audiences had last been to the Australian Wasteland when they previously saw Max, then played by Mel Gibson, play the title hero in a dystopian trilogy that has a very loyal fan base. Fury Road managed to exceed expectations as it delivered on having over-the-top chases through the desert wasteland, spectacular stunts, a great score, and then there was the character of Furiosa, played by Charlize Theron, as a one-armed badass who managed to steal the film from Tom Hardy, who was now starring in the title role of Max. While I do love Fury Road, my major gripe was with the over-simplicity of the film. Basically it is nothing more than one large chase where our heroes spend 2/3 heading in one direction and then in the final portion decide to turn around and continue their chase. I have nothing against a great car chase; after all, I still think Vanishing Point is hands down the ultimate car film with the best chases put to celluloid, but considering George Miller had 30 years to brainstorm ideas and come up with a script,

Jeff Nichols is one of those directors who may not be a household name, but he’s one of the few working directors out there who I feel is just one box office hit away from breaking out and becoming one of the modern greats. The 2012 film Mud is hands down my favorite from his filmography. Then there is Take Shelter and Midnight Special that are close behind. While these may not be considered box office hits, these films I feel are each cinematic gems that deserve to be checked out. So of course when I hear he is helming The Bikeriders with a stacked cast of Tom Hardy, Austin Butler, Jodie Comer, Michael Shannon (who was also in Midnight Special and Take Shelter), Boyd Holbrook, and Damon Herriman, this easily became one of the films I was most looking forward to this year. As it turns out, this is one of the most frustrating film experiences I’ve sat through in some time.

"India. Once a faraway and mysterious place of Ghandi and nonviolence. And ancient traditions of spiritual enlightenment. What happens when a young 23-year-old westerner realizes he needs to change, goes there in search of himself, and he finds that The Beatles are there, too? Four of the most loved and famous people in the world, and they're there to meditate and to write music. They also want to find out who they are on a new and deeper level."

The Beatles. As a musician I fully appreciate the fact that the band literally changed rock music as much as any other act before or since. The music was truly transcending, which is a great place to start when talking about Meeting The Beatles In India. Just as the Fab Four were nearing the end of their time together, they took six weeks to travel to India, where they met Maharishi Mahesh Yogi.

For horror fans, the past couple of years have been pretty great with the amount of quality films we’ve been getting. Now, for the amount of good films we’ve gotten, there should be no surprise that there have been some duds along the way. This year I’m feeling like Night Swim is the worst of the bunch. As for Tarot, I have to admit I went into this one with pretty low expectations, but the trailer had enough in it for me to want to still give it a try. While I missed it in theaters, this weekend I caught it on Netflix, and I’ve got to say, it’s better than I expected, but still it left me wanting more. The film opens up with a group of friends renting a mansion in the middle of nowhere to celebrate their friend’s birthday. When they run out of beer, they search the home looking for more to drink but end up finding more than they bargained for when they find a door telling them to Keep Out … but this is a horror movie, so of course they open the door that leads to a creepy basement filled with creepy artifacts. When they find a deck of tarot cards, Haley (Harriet Slater), the tarot expert of the group, volunteers to give everyone a reading, and of course curses them all in the process.

"Welcome to the MCU. You're joining at a bit of a low point."

When Disney acquired 20th Century Fox, the Marvel fanbase was instantly overflowing with questions. Of course, Fox held the film rights to a ton of Marvel characters and stories. So we were immediately trying to figure out how The MCU (Marvel Cinematic Universe) was going to integrate these characters into the one big beautiful world.  The first bit of news concerned The Fantastic Four. We had a couple of pretty good films, but the last one was absolutely horrible. Now we have a cast and release date, so we're all eager to see how that's going to come together. What other Marvel staples will be included? The same is true of The X-Men and to a lesser extent characters like Blade, which so far looks like a huge mess in the making. For me the biggest question was, what about Deadpool?