Posted in: No Huddle Reviews by Gino Sassani on October 5th, 2023
"Here comes Gordy."
In the 1950's Gordon McLendon owned a series of radio stations throughout Texas along with a string of drive-in movie locations. Those drive-ins needed films to draw crowds, and Gordy wasn't happy with the cost of some of the distribution deals that came to him. So he decided to team up with a couple of guys and try his hand at making his own movies. The first guy he teamed with would become well known to television audiences, but not for the movies he helped produce with Gordy. Ken Curtis would become the beloved Gunsmoke character Festus, a deputy who had more in common with Don Knotts than Marshal Dillon. He may not have been the sharpest point on a tin star, but America loved him. They might have thought twice if they knew about this partnership. The third leg of this tripod was Gordy’s father, B.R. McLendon. Together they would make Hollywood history, or is that Hollywood infamy? That's for you to decide. They made three movies in total, but the first two are where that history was made.
Posted in: No Huddle Reviews by Gino Sassani on October 3rd, 2023
"That's the most important thing. Just have fun."
You shouldn't need a primer on the NCIS franchise by now. Unless you've been living under a rock for the last decade or longer, you're up to speed on these guys. If not, you still could have some fun and enjoy the CBS DVD release of NCIS: L.A., but NCIS has been around for over 20 years, and this particular version has been around for 14 seasons now. That's a lot of characterizations under the bridge and a ton of character evolution and stories that can't help but give you maximum mileage out of the release. If you aren't up to speed, you can check out over 30 seasons of various NCIS reviews by just banging it here: NCIS Reviews. That should keep you busy long enough to get you to the point that we're here talking about Season 13. So hopefully you are up to speed, and we can get on with it. Shall we?
Posted in: Disc Reviews by Gino Sassani on October 2nd, 2023
"Have you ever heard of exorcism? It's a stylized ritual in which rabbis or priests try to drive out the so-called invading spirit. It's pretty much discarded these days, except by the Catholics who keep it in the closet as a sort of embarrassment. It has worked, in fact, although not for the reason they think, of course. It was purely the force of suggestion. The victim's belief in possession helped cause it. And just in the same way, this belief in the power of exorcism can make it disappear."
By now we've all heard of The Exorcist. The film was based on a best-selling novel by William Peter Blatty. Blatty himself based the story on a real exorcism of a young boy many years earlier. And that's where the true power of the film begins. The monsters of horror movies often allow us a sense of unreality that protects our inner selves from being truly terrified. Yes, they may frighten us, but it's fun to be frightened, isn't it? It's rare that a horror film touches on something inside of us and delivers an experience that is truly terrifying. It's arguable that The Exorcist has done this in a way that has rarely, if ever, been repeated in horror movie history. Whatever your religious beliefs might be, there is that little voice deep in our minds that fears what we call evil and can't deal with the possibility that we can be taken over by such evil. Devil. Demon. Mental illness. It doesn't matter. We're all afraid of losing control of who we are to some invading force within our minds. Within our very souls.
Posted in: The Reel World by Gino Sassani on September 30th, 2023
The first Paw Patrol movie opened up in August of 2021 during the pandemic era where barely anyone wanted to go anywhere that wasn't a grocery store (because somehow that was safe). It still managed to pull in forty million domestic and another hundred million internationally. With the built in audience from the television series, a sequel was almost a no-brainer. I remember taking my family to go see the first Paw Patrol (the theater was quite bare) and actually enjoying it quite a bit. It certainly helped to bring all of the key elements from the television series and produce something that wasn't nauseating and over-the-top. However, sequels of movies based on popular properties often go the wrong direction. Let's see what the Mighty Pups have in store for us in their second outing.
As is the case with many Nickelodeon films, we get a cartoon short to start off the show. This one has Dora the Explorer, who is apparently getting a new CGI series in 2024. This short is entitled Dora and the Fantastical Creatures. Dora (voiced by Diana Zermeno) and her companion, Boots (voiced by Asher Spence) the monkey are going on an adventure to the land of Alebrijes, where they have the most colorful and magical creatures in the rain forest. It appears that someone has taken the glowey. We later find out that it was Swiper (voiced by Marc Weiner). Swiper is taken down by making him realize that he did a bad thing, and he gives back the glowey. So it's a totally realistic cartoon. Much eye-rolling did occur, and I realized that I'm glad that my son never picked up on this show. However, he might have momentarily picked up the phrase, "Swiper, no swiping." Curses! Let's get on to the feature presentation.
Posted in: The Reel World by Jeremy Butler on September 29th, 2023
“Then we have something in common. You aren’t going to heaven because you aren’t a good person, and I’m not going because I’m not a person.”
So, this film focuses on a interesting viewpoint: what if Skynet weren’t the bad guys? In this Gareth Edwards directed film, John David Washington plays a hardened ex-soldier, grieving the disappearance of his wife, who is recruited to hunt down and assassinate the Creator, an elusive architect responsible for creation of advanced artificial intelligence that humanity has been at war with since a nuclear attack years earlier. Sound familiar? As previously mentioned, while one can draw parallels between the early events of this film and the future that Sarah Connor tried to prevent for her son, in that story, artificial intelligence becoming sentient was the cause; in The Creator, AI appears to be on the losing side of the battle with humanity. Score one for humanity. As a result, they only have one refuge: Asia, or to be more precise, New Asia. I found this to be an interesting viewpoint that was worth exploring with this film. Unfortunately, while the film has moments of intrigue and John David Washington gives an above-average performance as the protagonist (pun intended, given his character’s name in Tenet), things didn’t come fully together in this film.
Posted in: Disc Reviews by Brent Lorentson on September 28th, 2023
Coming up on its 40th anniversary, Staying Alive continues to be one of the most bizarre sequels to be made by a major studio, starring John Travolta and co-written and directed by Sylvester Stallone. The film was intended to be a sequel to the massively popular Saturday Night Fever, but when Staying Alive came out, disco was pretty much dead, and really there isn’t much that connects the films but for the character Tony Manero (John Travolta) and that there is dancing in the film. When the movie came out it was a financial success, but it was pretty well hated by critics of the time to the point that even one of the film’s stars, Finola Hughes, was awarded a Razzie for her performance. Apparently the film has a loyal cult following, but now after 40 years I’m here to give this film a fair shake and decide for myself: is it as bad as people say, or is it a gem from the 80s that will make us all nostalgic for when there were several movies with the cast in leotards, headbands, and over-the-top dance numbers?
It’s been a few years since Tony Manero (John Travolta) was dancing through the disco tournament, and now he is a dance instructor who is trying to make it to the next level of his dancing career to be a part of a Broadway stage production. The biggest change I feel we’ve seen in Tony is that he’s managed to become more arrogant and has coasted by on his good looks and dancing, though he’s pretty far from living the dream. He has a causal relationship with Jackie (Cynthia Rhodes), who is also a dance instructor, and the pair struggle together with auditions for various productions. For the viewers it is easy for us to want Tony to settle down with Jackie. She’s good for him, and in many ways too good for him, but Tony just always has his eyes on something bigger. He expects greatness for himself and will settle for nothing less. His opportunity comes along with the Broadway production of “Satan’s Alley”, where he lands a part and falls for the lead in the performance, Laura (Finola Hughes). She’s out of his league and is only using him for a good time, but Tony is blissfully ignorant, and this only creates drama for the production.
Posted in: No Huddle Reviews by Brent Lorentson on September 28th, 2023
In 1987 when Malone was being released, the peak of Burt Reynolds’ career was behind him. He was still successful and was doing films and TV shows after that, but there was a distinct change in the quality of the films he was putting out. At this time there was a bit of a shift with what an action hero looked like. Guys like Reynolds and Bronson were being nudged aside for Stallone and Schwarzenegger. This was the rise of the action hero who reigned well into the late 90’s. Thankfully the smaller studios understood there was still an audience that wanted to see Burt Reynolds on the big screen, and that’s where Malone fits in. It isn’t a film that is trying to be anything special, and I feel its ultimate fault is that it is so generic, so familiar, that it becomes so forgettable at the same time.
Richard Malone (Burt Reynolds) is a CIA hit man who has hit a crossroads in his career. Basically he’s tired of killing people for the government and decides to call it quits and just live the rest of his days as a drifter. While travelling the Pacific Northwest he has some car trouble, which leads him to a small town that is being bought up one business and home at a time by a local millionaire Delaney (Cliff Robertson). Malone befriends the town’s local mechanic, Paul Barlow (Scott Wilson) and his daughter Jo (Cynthia Gibb). They’ve taken in Malone to give him shelter while they repair his car, and during this time Malone witnesses some of the violent and underhanded tactics Delaney uses to muscle the locals. While this is going on, Malone’s ex-CIA partner and lover, Jamie (Lauren Hutton), is hired to find Malone and to kill him.
Posted in: No Huddle Reviews by Gino Sassani on September 21st, 2023
"You mean to say you don't miss this?"
Season 20 brings us to several milestones in the NCIS run. It has now become the longest running procedural in CBS history. It lags behind only the Law & Order franchise in sheer number of episodes. This season gets us to and beyond the 450th. This is also the first complete season that does not include the man who pretty much started it all. Yes, Mark Harmon has left the building, and Leroy Gibbs does not appear at all in this 20th season. Mark Harmon does indeed remain one of the show's executive producers, but to what extent he is actually still involved I can't speak to. I can tell you that he doesn't show up on any of the production features, nor is he mentioned for any particular contribution or involvement. So this must have been a scary season for the cast and crew of NCIS. I'm not sure how they felt going into the year, but I suspect they were feeling pretty good for themselves and the show by the time it was over. After 20 years of being in production, after 450 stories having been told, somehow the show continues to get better with every year. Don't ask me how they do it. All I can tell you is that you can catch the entire season on DVD with CBS Home Entertainment's release of NCIS The Complete 20th Season on DVD.
Posted in: Disc Reviews by Gino Sassani on September 20th, 2023
“Don’t expect too many mistakes from this man. After all, he does seem rather more interesting than just another reader researcher. For example; has he gone into business for himself? Was he turned around? Does someone operate him? Is he homosexual? Broke? Vulnerable? Could he be a soldier of fortune? Did he arrange the hit? Is that why he’s still in flight? Still, he may be innocent. But why didn’t he come in gently?”
Sydney Pollack might have been channeling the essence of Alfred Hitchcock when he directed 3 Days Of The Condor. It’s hard not to see the similarities to some of Hitch’s work. But he might also have been having a bit of precognition at the same time. The later novels and films about Jason Bourne bear a striking resemblance to this 1975 thriller. Whatever connection Pollack might have been making, he managed to direct a film that was timeless while being very much a product of its time. We are reminded of that long-gone era of the 1970’s with generous shots of the just-built World Trade Center towers. Ads and shots of Eastern Airlines planes bring back some memories. These images securely place the action in a specific time. Still, it works maybe even more today than it did in 1975.
Posted in: Disc Reviews by Gino Sassani on September 20th, 2023
"This is The Batman we're talkin' about here."
In 1992 Batman: The Animated Series hit television sets all over the country. It was perhaps the biggest comeback for the Dark Knight since Adam West went camp with the cowl in the 1960's. Yes, the Tim Burton film and its sequels went a long way to bringing the bat back into the popular culture, but the series is what took the fans by storm. Kevin Conroy became, for many, the definitive Batman when he was hired to voice the series, and Mark Hamill finally got out of the shadow of Luke Skywalker with his voice rendition of the Joker. The show was a hit, and around the early years it was decided to do a direct-to-video movie called Batman: Mask Of The Phantasm. Somewhere in the production Warner Brothers had a change of heart. They decided to roll the dice on a theatrical release of the animated feature, likely assuming the series fans would flock to their multiplexes in droves. That didn't happen, and the film lost money even on a modest budget. But in video release it did become a hit. The studio didn't understand that the generation that loved the show would appreciate it more in that setting. It also doesn't help that the mid-production change meant changes to aspect ratios and other animation work that had already begun production. The end might have been a mess at the box office, but it's a solid film that now enjoys a modest upgrade to UHD/4K. The results are admittedly mixed.
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