"On the night of March 8th, 1916, a large mounted force of Mexican rebels under Pancho Villa crossed the American border and attacked the town of Columbus, New Mexico, killing and wounding both American civilians and soldiers. As a result of this action, the United States Army sent an expedition into Mexico with orders to capture Villa and disperse his forces. It was during this campaign that one man, a United States Army officer, was forced to come face to face with two of the great fundamental questions that affect mankind: What is courage? What is cowardice? This is the story of his search for an answer."

John Wayne accused the film of a lack of patriotism and condemned his pal Gary Cooper for taking the role of a coward who is charged with collecting names of heroes for the Congressional Medal of Honor. He claimed the film made a mockery of the coveted award and was quite outspoken about the film's impact on our own servicemen. Was he right? That's a call you'll get to make for yourself, because KL Studio Classics has just released They Came To Cordura on Blu-ray, and you'll have the opportunity of seeing the film and drawing your own conclusions. I have my own thoughts on the film, and I'm happy to share them with you here.

I would be remiss in my duties if I didn’t address the elephant in the room first. For the first time in the nearly 50-year history of this franchise, Sylvester Stallone was not featured in the film as Rocky Balboa. We could delve into the reasons behind why he elected not to take part in this installment, but that would be a review in itself and take away from this film. I mention it off the bat, so we can all process it and view the film with clarity. Long story short, I will say that his absence was noticed, and he was missed. I think his absence is notable due to the lack of an explanation as to his absence. I suppose the film being set in Los Angeles instead of Rocky’s native Philadelphia is meant to serve as a workaround, but still, I’d hope for some kind of explanation or at least a casual mentioning of the character. The lack thereof is what really drew attention to it. To be fair, the case can be made that that the previous film provided a pretty good conclusion for the Rocky chapters of the franchise. His finally making the trip to meet his grandchild was good catharsis for the character. What this means for the future of the franchise now I will not speculate; only to say that there is nothing saying that we’ve seen the last of Rocky. Now that we’ve gotten that out of the way, we can concentrate on fairly assessing Creed III.

Of significance, this film signifies Michael B. Jordan, our titular character, stepping behind the camera to make his directorial debut. But who better to take the helm than the man who brought the character to life. This in my opinion was a solid debut for Jordan and showcased his abilities both in front of the camera and behind it. Returning to back Jordan up on the screen are Tessa Thompson, Phylicia Rashad, and Wood Harris. However, if there was one person who outshone this cast of Creed veterans, it was the man who was making a debut of his own via his introduction into the Rocky franchise. A man who has been making quite the name for himself. Creed III introduced us to Adonis’ rival, Damian “Dame” Anderson, known as Mr. Jonathan Majors.

The 1978 Superman film set the standard for what a quality comic hero film should be. The tagline promise: “You will believe a man can fly” was kept. All future comic films would be judged by this standard. Superman II had its faults. Certainly it was not the modern classic like the first film. The plot was bogged down with a rather silly love story that broke down the barriers of the Kent/Superman identity for Lois Lane. Luthor, while played again with style by Gene Hackman, is reduced to a comedic backseat to the real villains. Plot contrivances abound, along with plenty of corny lines. Yet, even with these limitations, this has always been a rather enjoyable film, particularly when compared to the dreadful sequels that followed.

"You will believe that a man can fly."

I’ll admit it; when it comes to Netflix, I’m a fan of the shows that they put out, but their movies rarely impress me.  I kind of look at Netflix films as the modern version of direct-to-video releases. They have big stars, but the quality just isn’t up to par with the big releases you’ll see in the theater. Even big name stuff like The Irishman -- it was good,  but not the masterpiece I was expecting. Honestly, my favorite films on Netflix are The Babysitter films with Samara Weaving, just a fun little film, that is basically the kind of expectations I have for a Netflix film, and even the more recent release of We Have a Ghost I thought was charming and may have done well on the big screen. As for Knives Out 2, fun but forgettable. So when I see films from the streaming service get Oscar nominations and even win, I can’t but feel the need to pull the wax out of my ears and make sure I heard that right. This is also why we’re in May and I’m just now watching the adaption of the film All Quiet on the Western Front.  This is the third time the film has been made, but this is the only version I have seen, and, well, I have to admit not only is this a good film, but it is a great film, and I feel it deserves every bit of recognition it has received.

One of the most impressive moments in this film comes early on in a brief battle sequence, but it is the aftermath of the battle that matters here. We get to see the journey of a uniform as it is stripped off the corpse of a soldier and then is shipped away to be washed up, sewn up, and prepared for the next soldier to call it their own. It’s an effective moment early on to remind us that not only is war unkind, but that it is a machine that is always working and churning out the next shooter and inevitably the next unfortunate soul to watch a bullet, a stab wound, or a random bit of shrapnel, and then the cycle starts all over again.  Then for an added touch of inhumanity to it all, when a name tag on a uniform is ripped away and discarded with many other discarded name tags on the floor, that visual reminder that these boys are nothing more than bodies of flesh, and who they really are doesn’t even matter.

Most of you have never heard of Irene Dunne. You all have heard of Lucille Ball, of course. What if I told you that if there hadn't been an Irene Dunne, there would not have been a Lucy, at least not the actress/character who we all remember today. It was by Dunne's performance as her co-star in in a film called Joy Of Living that Lucille Ball was inspired to create the character that would be Lucy. You see, Irene Dunne was the original master of the ditzy screwball comedic character that we all associate with Lucy. KL Studio Classics have brought us two of Irene Dunne's films. When Dunne left acting, she devoted herself to international causes and was selected by President Dwight D. Eisenhower as an official delegate to the United Nations. Her acting career included three films, each with Cary Grant and Charles Boyer. She's an actress who never quite held up over the years, but she should have. She was nominated five times for an Oscar but never ended up taking one home. Thanks to these two releases from KL Classics, you get to see a couple of her lesser-known works.

"I'm sorry to see that the tune of this here gathering ain't as high as we like to keep it in our sociables around here."

“Never accept death when suffering is owed.”

So I think it safe to say that when it comes to the Fast and Furious franchise, it is no longer about cars or street racing anymore. In the beginning it felt like we were getting a window into a secret underground world that spanned multiple continents. However, I would say that is no longer the case. Dom and his family have gone legit. Not only have they gone legit, but they now unofficially work for the government in some capacity. No, it is no longer about the cars and street racing anymore. In fact, I would go as far as to say that we aren’t tuning in to see them use their skills on the behalf of the government either. There is one thing that keeps us coming back for more. We want to see what over-the-top, outrageous, death-defying, impossible stuff they are going to do next. At least that is what got me in the seat. In the last couple years, we’ve watched Dom and his family do things that may be theoretically possible, but that we know to be ridiculous. I mean, we watched them go to space in a Pontiac Fiero just a movie ago. Needless to say, this franchise has pushed the boundaries of what we know to be possible, and they’ve done it in a fashion that keeps us coming back for more.

"Where there's life ... there's hope. Bob Hope, that is."

Few American entertainers have had a career to match that of Bob Hope. He lived 100 years and spent over 80 of those years in the entertainment industry. He appeared in over 70 films, wrote various books, and has over 300 appearance credits to his name on television and radio. He cut out a niche for himself during World War II that carried him through the Korean War and the war in Vietnam. He conducted literally hundreds of appearances for GIs out in the field, performing sometimes for audiences at the front. He brought a ton of his celebrity friends and was Mr. USO for decades. An honest look at his career is impossible here. Thanks to the folks over at Kino, we have the opportunity to explore a couple of his films from the 1930's. You can pick up each of them on Blu-ray now, and we'll give you an idea of what you're going to get for your money.

I kind of felt like I was brought in at the middle of the story. The story is intriguing nevertheless. I’m a sucker for a good fashion heist movie or con movie. In some respects, Righteous Thieves is both. However, I would have appreciated greater context before being dropped in the middle of things. As the film opens up, we are brought into a flashback featuring a younger version of our main character, Annabel, as she attempts to steal a valuable painting. She is discovered by the painting’s owner, who instead of turning her in, takes her in. Based on this introduction, I was expecting the owner, Josef, to be a prominent member of the film. I suppose in spirit he is, but this is the only interaction we get with him, which to my mind was not enough to make the needed lasting impression. In my opinion, we could have benefited from more inclusion of this character, even if it was simply in flashback form. It would have gone miles towards connecting more with the Annabel character played by Lisa Vidal. Vidal isn’t the only familiar face, as the film also features Twilight’s Cam Gigandet, as well as Station 19’s Jaina Lee Ortiz and Carlos Miranda.

Delving back into the story, when we next see the Annabel character, she is older and meeting before a secret organization of which she is apparently the head. Once again, this felt like being brought in at the middle of the story. Prior to this there was no mention of this organization. I would have settled for a simple voiceover explaining the origin of this group and their goals. These details are forthcoming, but I think they would’ve been better served being mentioned up front. In a nutshell, the mission of this organization, dubbed the Syndicate, is to recover priceless artworks stolen by the Nazis during World War II. The organization is made up of Jewish survivors of the war. Annabel, who is not Jewish, leads a team willing to recover these artworks by any means necessary, i.e. stealing them back, usually from the hands of the Nazis’ descendants. When Annabel is brought before the counsel, it is after her latest job went sideways and she made the rash decision to destroy a priceless artwork rather than leave it in the hands of Nazis.

What began in 1968 allowed individuals with intellectual disabilities to have the chance to play athletics and be a part of the greatest sporting event on earth, the Olympics. One of the most popular and favorite sports in the Special Olympics is basketball. These extraordinary players learn a lot about sportsmanship and friendship, and also have lots of fun. When Marcus (Woody Harrelson) is kicked out of professional basketball for pushing head coach Phil Perretti (Ernie Hudson) and gets arrested for DUI, he is assigned by the judge to coach a Special Olympics team called the Friends. This group of special needs players who play basketball at the local church are unorganized and not ready to compete against the rest of the teams. When Marcus finally arrives to meet the Friends, a bunch of fun-loving characters like Johnny (Kevin Lannucci), Darius (Joshua Felder), Cody (Ashton Gunning), Cosentino (Madison Tevlin), Craig (Matthew Von Der Ahe), Blair (Tom Sinclair), Benny (James Day Keith), Arthur (Alex Hintz), Marlon (Casey Metcalfe), and Showtime (Bradley Edens), he realizes these guys need a lot of help and instruction to finally win a game. With help from program director, Julio (Cheech Marin), assistant coach and friend Sonny (Matt Cook), and new-found friend Alex (Kaitlin Olson), he finds that these new-found team members will win his heart.

Director Bobby Farrelly puts together a hilariously entertaining story that has these joyful, affectionate characters go from rags to riches. Farrelly ties in a great storyline with the challenges these citizens with special needs endure everyday. He places everyone in a great setting that makes the events believable and develops a heartwarming celebration for these loveable and upbeat citizens. The performances and great personalities of the cast were outstanding and brought this narrative to life. This fun-loving film brings fun and entertaining characters to life along with a tale that includes an event that challenges our new heroes. Showing what trials and tribulations they all endure will bring you on a rollercoaster ride of pure fun.

When you come across a movie that is co-written by Alec Coppel, it is hard to not have a certain expectation from the film. Sure, he may have numerous writing credits, but the one that I feel most film enthusiasts will point out is Alfred Hitchcock’s Vertigo. While many hail Vertigo as Hitchcock’s masterpiece, it is widely considered one of the best films of all time. I somewhat disagree with this ranking; personally I’m more fond of Rear Window and Strangers on a Train, but I do respect the story of Vertigo, and of course its place in film history. At first glance Moment to Moment has all the earmarks of a Hitchcockian thriller, but what makes this film stand out is that it is foremost a romance that happens to have a thriller element, and it is because of that that director Mervyn LeRoy thrives with this film that is equally charming and thrilling to the very end.

The only major fault I find with this film is in the opening sequence.  It is a beautiful crane shot that pushes into the window to reveal a man dead on the kitchen floor, and then the scene continues with the frantic Kay Stanton (Jean Seberg) emerging from her house calling out for help from her neighbor Daphne (Honor Blackman). While it sets a nice tone, I feel the film reveals too much too soon, even if we don’t know who the dead man is. This feels a bit jarring, because the next 45 minutes or so plays out as an illicit romance. The romance is between Kay and Mark (Sean Garrison), a Naval officer who is in port and intends to spend his weekend experiencing art and working on his painting, but instead he comes across Kay and is instantly smitten.  As for Kay, she is the lonely housewife with her husband constantly out of town and giving lectures, and their housemaid is on vacation. It’s Kay’s neighbor Daphne who gives Kay the nudge to show Mark around the French Riviera and is somewhat her “bad angel” on her shoulder to have a little fun while the husband is away.