I think it would be safe to say that ever since Edward Stratemeyer penned The Hardy Boys he has garnered a legion of loyal fans of the popular young adult book series.  For many young readers these books are what planted the seeds for them to later become private investigators or join some form of law enforcement.  Then there were the casual readers like myself who became obsessed with the crime genre and would later move on to edgier writers.  Whatever direction readers may have taken, it’s safe to say that the Hardy Boys and Nancy Drew deserve the same respect as other classic characters in fiction like Sherlock Holmes.

I believe a title change is in order for this movie. For starters, it’s generic and has no appeal; a title should grab you, entice you, and intrigue you. 24 Hour Love does none of that; I understand the title, supposedly time-lining and emphasizing how a single day can alter or destroy the love that exists between two individuals, but after watching the movie, the premise and the title appear to be contradictory. Better titles would have been Love Trials, Unconditional, or my favorite, Commitment

The Real Vikings is a DVD collection put out by the History channel and is comprised of three separately-produced programs about the reign of the Vikings.

The last one is the best and is part of the Warriors series hosted by Green Beret Terry Schappert.  Schappert delves into some of the key battles of the early Viking invasions and the methods that made them such effective warriors. In the late 8th century A.D. the Viking state is disorganized, and the easiest route to fame and glory is through conquest. Conquests then would lead to a rallying behind a leader. In 793 A.D.

“The border between the United States and Mexico spans 2,000 miles. It’s also the most frequently crossed land border in the entire world. And that just refers to legal crossings…”

Hundreds of thousands of people — we’re told at the start of Border Run — try to cross that boundary every year, and each of them has a unique story. Unfortunately, the filmmakers botched a great opportunity to explore the thorny issue of illegal immigration in a thoughtful and stimulating way by choosing to tell the most ridiculous and off-putting story they could possibly think of.

“Don’t let other cars distract you. Take control of your car. Focus on your own lane. 8000rpm, 2km/h. Give it all you got. Steer now. Thinking will only slow you down…If you lose your drive; you are worse off than a broken car.”

Of course none of that quote is spoken in a lick of English in the film. Thank goodness for subtitles; they allow us to enjoy a film despite not knowing the film’s original language, and Motorway is precisely that: an enjoyment.

“I don’t know if I’m an alcoholic, really, I just drink. I drink a lot.”

Movies that deal with alcoholism tend to either be relentless downers (Leaving Las Vegas, When a Man Loves a Woman) or use drunkenness as a catalyst for Hangover-style shenanigans and tipsy laughs (Arthur; Dean Martin’s entire act). In other words, drunks on film don’t usually look like Mary Elizabeth Winstead in Smashed, the brisk, well-acted dramedy from writer-director James Ponsoldt.

“I am steel. I am doom. I march for Macragge, and I know no fear!”

The above quote is the motto of Ultramarines, the best of the best of the Space Marines from the Warhammer 40,000 universe. The popular miniatures star in their first movie, a CGI action/adventure tale from Anchor Bay films. I admit — as nerdy as I am — I’ve never had any interest in the Warhammer figurines. Because of that, I wasn’t sure if I’d enjoy this movie. I was pleasantly surprised, then, when the story of the Warhammer universe and the Space Marines’ place in it was succinctly presented in the opening voiceover.

On paper, pro wrestlers are the perfect action movie stars. Their beefy frames and larger-than-life personalities should make them naturals at kicking butt on the big screen, plus the performers are certainly familiar with choreographed combat. (This is the part where I planned to mention that wrestling is fake, but I don’t want to make anybody cry.) Even though Arnold, Sly and their brawny brethren have struggled at the box office recently — and are about 20 years past their heyday — WWE Studios has a sneakily clever thing going with its Marine franchise.

"You're capable of more than you know."

Perhaps it's been a long time coming. The MGM version of The Wizard Of Oz has been captivating audiences for over 80 years, introduced to new generations of admirers, first through frequent re-releases in movie houses. Then it was annual showings on television, where I first encountered the classic film. Finally, the many phases of home video have made it a popular choice and a staple of any truly complete film library. The film is memorable for so many reasons.

Revenge has rarely looked as tedious or absurd as it does in Dead Man Down. (Unless you count the current, underwhelming second season of, well, Revenge.) Despite the fact that it boasts a title straight out of Steven Seagal’s IMDb page, Dead Man Down features a talented cast and is the American theatrical debut of Danish director Niels Arden Oplev, best known for making the Swedish adaptation of The Girl with the Dragon Tattoo. It’s a shame everyone came out to play for a project that doesn’t even achieve “Enjoyably Preposterous Thriller” status.