I must admit, I came at The Storm Warriors with very little knowledge of its creators, the Pang brothers, but as someone who appreciates Asian cinema, I felt that I had the sensibilities to enjoy the film.

"Good morning, young Prince."

The forest is alive with the news. It travels from tree to tree, from animal to animal. A new prince has been born, and the creatures of the woods gather to welcome the young fawn. His name is Bambi, and he soon wins the hearts of the entire population of the forest.

"Detroit ain't so bad, in fact it's kind of charming."

Director Benny Boom decided to move the S.W.A.T. franchise away from L.A. and bring it to Detroit. But he's not going to be winning any accolades from the Detroit Chamber of Commerce anytime soon. He openly admits that he picked the city because he was attempting to create an environment with a lot of decay.

It's my great pleasure to welcome the latest addition to the Upcomingdiscs family.

Bob Ross was the Tampa Tribune's film critic from 1985 to 2007. Before that, he worked as a proofreader, reporter and pop music critic. He also helped manage the first video store in Tampa in the early 1980s. A Florida resident since 1956, he graduated from Ocala High School and Eckerd College, where he majored in political science. A lifelong movie buff, he has published more than 4,000 reviews for the Tribune in addition to writing two weekly video columns and hundreds of entertainment-related feature stories. Now semi-retired, Bob is still a member of the Florida Film Critics Circle. He's also a Facebook addict, easily reached at www.facebook.com/bob.ross1.

There are two ways to address a familiar film plot. The easy route, of course, is to dismiss it as recycled fluff, reciting the similarities to its predecessors. The more discerning course is to give the newcomer a chance to prove itself as a creative variation on the theme. That’s how you can give Due Date its due. In the first few minutes, you’ll notice the script verges on carbon-copying Trains, Planes and Automobiles, the 1987 John Hughes hit

William S Burroughs was the third hit of the 1-2-3 combo of Alan Ginsberg's Howl, Jack Kerouac's On the Road, and Burroughs' Naked Lunch which closed out the 50s and defined the so-called “beat generation.” This film documents the significance of Burroughs work as a part of this scene, and the influence he had on artists, musicians, filmmakers, and countless others.

Dwayne "The Rock" Johnson has made a career out of redefining himself. Of course, we all know that he started as a rather flamboyant wrestling personality. He had a pretty good run, but it was never going to be enough to really satisfy Johnson's own drive to perform. He made the natural transition into movies, faring far better than most of his fellow wrestlers have been able to do. He naturally gravitated toward the action films where his bulk and toughness more than made up for his inexperience.

Scooby Doo has spanned generations and over 40 years. Since the 1960’s the name and conventions have become a part of the pop culture. The original cartoon series had a series of conventions. The Scooby Gang would drive around in their green Mystery Machine van and solve ghostly mysteries. Fans of the show quickly grew to learn that these spirits and goblins were usually just normal people using scare tactics to get revenge or make a profit

In the 1930’s and 40’s MGM was trying to get in on the lucrative animation game. The field was dominated at the time by Warner Brothers with their Loony Tunes shorts, and of course, the iconic cast of animated characters coming out of the Walt Disney Studio. For years they had failed to find the right property to take advantage of the market.

Paula (Carmen Montes), a dancer at a strip club, is arrested for the murder of Paula (Paula Davis), a fellow dancer. The arresting officer (Lina Romay) questions the near-catatonic Paula, and the rest of the film is a slow-motion, flashback of the dead Paula dancing, the two women making love, and the murder. Once the slow-mo begins, there is no further dialogue, except for a cryptic fable that Paula tells to the camera.