A young man wants to stimulate the economy of his tiny community, mostly for the sake of his parents struggling motel, and inadvertently welcomes what would become the original Woodstock festival into his back yard (literally).

Not quite a concert film, not quite a drama. This film follows a young man named Bruno, who sleeps with his life long crush, the night before she moves from Toronto to Paris. On this final night, Broken Social Scene are playing a free show and Bruno uses a connection to get backstage passes as a last ditch effort to win over his crush. All the while, we are treated to a multi camera view of that very same concert, running the duration of the entire film.

If one were to look at my media collection, one would probably assume in advance that I have a lot of stand-up comedians. On the contrary, I have only a few stand-up discs because I tend to be critical of their replay value. I have the classics such as Richard Pryor, Robin Williams, George Carlin as well as a couple of more recent acts such as Joe Rogan and Lewis Black. However, my curiosity was peaked when I heard about Louis C.K. He has been called the George Carlin of today, a very tall order. Well here is hoping that he lives up to most recent special: Hilarious.

A young Cambodian boy, named Sokvannara “Sy” Sar, is spotted performing a traditional dance by the film's director and American Dance patron Anne Bass. She immediately takes note of his smooth talent and figures he has massive potential as a classical ballet dancer. Sy is given a rare chance to audition at the School of American Ballet in New York and then proceeds on a unique and fast-paced journey through a new world of dance, in a nation that is completely alien to his homeland.

Allen Ginsberg is often regarded as one of the most important poets of the 20th century. He is seen as a symbol of the Beat Generation and contributed to the San Francisco Renaissance. His most important work, Howl has created both worldwide controversy and praise. It escalated into a 1957 obscenity trial of the poet and Lawrence Ferlinghetti who had published Howl along with other selections from Ginsberg. The film is a celebration of Ginsberg’s life as well as the results of this trial.

The Freebie is a festival friendly drama-comedy about Darren (Dax Shepard) and Annie (Katie Aselton) ailing sexual relationship.  The film is interested with relationships after they pass the lust stage.  How do couples maintain a healthy romantic relationship? Darren and Annie strive for ways to spice up their situation and the idea eventually becomes one night of freedom from each other to explore other options. 

"Give me a stage where this here bull can rage."

Under normal circumstances and certainly under less skillful hands the story of Jake La Motta would not be one worth telling. His life is a story without heroes. It's a life of abusive behavior and an almost unredeemable personality. The only way he was ever capable of expressing himself was in the boxing ring. Even there he was doomed to feel inadequate most of his life.

"Dear Screenwriter,

"Here’s your writing prompt: You are to write a feature-length screenplay with only one on-screen character. This character is to remain in only one location for the entire duration of the film, and that one location must be a 2' x 7' wooden box. You cannot use flashbacks, cut-aways, or any other narrative device that would take the action outside that box. Sound impossible? It’s not. In fact, all this exactly describes the film BURIED."

Or how about this one.

Denis Leary and Friends presents: Douchebags and Donuts includes stand up sets from Adam Ferrara, Lenny Clarke, Whitney Cummings and Denis Leary. Also, there are musical performances by The Enablers featuring the Rehab Horns.  All proceeds from this event (as well as portions of the DVD sales) went/go to Denis Leary’s charity, The Leary Firefighters Foundation.

An ex-con trying to pull one last heist is sucked into a booby trapped house and must face against a madman who is torturing the family within. The makers of 3 SAW films (and not the first three) have ventured into familiar territory of nonsense gore, whisper thin plot, and then even more nonsense gore.