Paramount has graciously given us a copy of Tales From The Darkside: The Second Season on DVD to give away.
To enter to win a copy of this Fright fest, just follow these two steps…

Contest is now closed The Winner was David with his Silence Of The Lambs quote. Way to go David.

Our friends at First Look Studios have graciously given us three copies of The Unrated edition of It’s Alive on DVD to help kick off our “31 Nights Of Terror “ celebration.
To enter to win a copy of this brand new horror film, just follow these two steps...

  1. Fill out your name and email address in the comment form below - your email address will remain private and visible only to us.
  2. Do not post your address as an actual comment! Now to win you must tell us who your favorite movie monster of all time is. Only those comments that include a movie monster will be considered for this giveaway.

Contest is now closed. The Winners were: Keith James, Mindee Larson, and Jimmy Hughes. Congratulations!

An E-Mail notification was sent. If you do not get the e-mail, please check your spam filter and contact us ASAP. Any prize unclaimed within 2 weeks will be forfeit and added to our end of year Holiday giveaway.

Wallace and Gromit is the brainchild of animator Nick Park. The British filmmaker tried for years to bring his clay creations alive, but on his own finished a mere 10 minutes in a little over 2 years. When he met up with Aardman Animations, he was teamed up with the creative talents he needed to make his dream come alive, and come alive these two characters did indeed. They’ve become an overnight sensation in the UK and now all over the world. I was introduced to the characters with the full length feature Wallace And Gromit In The Curse Of The Were-Rabbit. Sadly this “complete” collection does not include that longer film.

Written by Adrienne Ambush

Anyone who has tuned into MTV or VH1 in the last 10 years has probably seen at least one music video that is featured in this collection of videos by Brett Ratner, but they probably couldn't place a name or face to the man that is behind the camera--that is, until now.

“There’s always a story. You just have to find it.”

What happens when you’re a popular murder mystery writer and someone starts to use your stories and ideas to kill people in the real world? At first you become the prime suspect, particularly if you’re found to be completely self centered and annoyingly arrogant. That’s where a pretty good alibi might come in handy. Is playing poker with the Mayor and the Chief of Police good enough? So, you’re no longer a suspect. Now what do you do? You sign on as a consultant for the special crimes squad of the police department, and you help catch the real killer.

Written by Alexis Quinn

Despite the outrageous plotlines and mediocre acting, Ugly Betty is one of those shows you can’t help but watch—it’s so bad it’s almost good. And this season is no different. Even with a primetime budget and well-known cast, the show stays true to its telenovela roots as an adaptation of the Colombian telenovela Betty la fea, mimicking the production value of your everyday soap opera.

Few television situational comedies have produced the stable of A-list stars that this one did. Every one of these cast members were relatively unknown at the time that Taxi was taking fares on our television sets each week. Not so today. The cast was so remarkable that it is here that I decided to spend much of my review. The episodes were often funny, even more often hilarious. But after all of these years, it is the characters that are most remembered by the fans. Yeah, we all have our favorite moments. Many of them in this release. And, I’ll get to those moments, but first:

I think it’s safe to say that HBO changed the face of television with the arrival of The Sopranos back in 1999. The show raised the bar for television across the board. Before we knew it, many of the cable networks were scrambling to offer up the next show that would generate the same praise from critics and audiences alike. To this day that show has generated more subscribers to a pay network than any other. So we really can’t blame the network’s rival Showtime for trying to have their own Sopranos. And that’s exactly what The Brotherhood is.

All right, so I'm a bit late to the party on this one, but I wanted to toss in my two-bits anyway.

Quentin Tarantino's films have always been about their dialogue. They are not action-heavy – Kill Bill is the aberration here. When he is at his best, as in Reservoir Dogs, Tarantino's dialogue and active camera work together to generate suspense and give the impression of a plot surging forward even when nothing much is actually happening on the screen. At his worst, as in Death Proof, the film descends into turgid, self-indulgent wankery and the we are painfully aware of the man behind the curtain.

“I’m the best there is at what I do and what I do isn’t very nice.”

So what do you do after three successful, if not critically acclaimed, X-Men feature films that brought in over a billion dollars total when you factor in domestic and foreign box office and home video sales? It was getting a bit expensive to bring back such a large and growing in popularity cast. Even if you wanted to spend the money for such an ensemble, it gets awfully difficult to write effectively for so many characters at once. Someone’s going to get the dark end of the spotlight. Hurt feelings aside, you can’t continue to please such a wide diverse group of fans.