Welcome to the first of what I hope to be many hardware reviews. When I first heard that Oppo Digital was breaking into the Blu-ray player market with their new model BDP-83 I was immediately intrigued. The company had almost singlehandedly set the standard for upconvert DVD players just a short time ago. To say I was eager to get my hands on one of these units was an understatement.

Blu-ray-BDP-83_leftangle

Cult Epics continues its love affair with director Tinto Brass, and here once again delves into one of his early works. For my money, for all that his later erotica is handsomely shot and produced, what I'm seeing of his 1960s output (so far Deadly Sweet and this) is far more interesting. If 1967's Deadly Sweet was demented, it at least followed a semi-recognizable mystery plot. The Howl (1969), on the other hand, defies description. It is basically a surreal picaresque, as a young woman (Tina Aumont) flees her wedding with a stranger (Luigi Proietti) who gives her a come-hither look. Already, this sounds far more sensible than the film really is. The couple race from one lunatic encounter to the next: a resort hotel apparently designed by Sade; a naked, cannibalistic philosopher and his family, and on we go.

Who doesn’t remember the original Witch Mountain films from Disney back in the 1970’s. They were clever family films. They were camp, to be sure. But, most of us remember them fondly, if not as particularly outstanding films. While Disney’s reimagining of the franchise doesn’t have a great deal in common with those earlier films, you can pretty much describe the reaction as being spot on. Race To Witch Mountain isn’t going to be breaking any box office records, but it is the kind of film you get a pretty warm feeling for, and like its predecessors, you’ll end up remembering it with fondness.

A flying saucer crashes in the Nevada desert near Las Vegas. The crash just so happens to coincide with the arrival of a huge UFO convention in Sin City. The Defense Department has secured the crash site. They quickly discover that the ship’s passengers have slipped through their perimeter. Now it’s a race to find the extraterrestrials before they can hatch whatever nefarious plan has brought them to our planet. The investigation is spearheaded by Henry Burke (Hinds). Meanwhile Vegas cabdriver Jack Bruno (Johnson) is busy ferrying the “nut jobs” to the UFO convention. Bruno was once a gifted race car driver as well as excelling in demotion derby driving. He had once worked a stint as a mob driver and has gotten out of the business. But, as we all know by now, you don’t just retire from the mob. So, there are some goons after him to “persuade” him to return to the job. All of a sudden a pair of teens appears in his car loaded with a huge wad of cash and a mysterious electronic device. The teens request to be taken to a remote location that appears to be being directed by the unknown gizmo. When his cab is assaulted by a convoy of black SUV’s, Bruno thinks it’s his old mob heavies, but it’s Burke and his ET hunters after the kids, who happen to be the escaped aliens. For the rest of the film Bruno and his unusual passengers, Sara (Robb) and Seth (Ludwig) try to locate a device that contains information that will stop an impending attack on the Earth. The kids must find the device, get their ship out of Burke’s hands, and return to their own planet before an all out invasion is launched at our planet. All the while the group is being pursued by the mob, Burke’s boys, and an alien bounty hunter with a ton of weapons at its disposal. They have two weapons of their own. First, the kids have some remarkable powers. Sara can move objects with her mind and talk to animals, and Seth can manipulate the density of his molecular structure, thus enabling him to pass through solid objects or withstand a head-on collision by an oil tanker. The second weapon is Dr. Alex Friedman (Gugino), an attractive scientist who speaks at these UFO conventions for a living, who happened to be one of Bruno’s earlier “nut jobs”. Together they race against time to save the planet, interacting with some peculiar characters along the way.

An ancient facility beneath Antarctica becomes the launching platform to the lost city of Atlantis. Atlantis is buried beneath an ocean in another galaxy and can only be reached with an additional symbol on the Stargate. Because of power limitations this trip, at least for the time being, is a one-way adventure. A crew of scientists and military officers from many countries assemble to explore the Pegasus Galaxy from the Atlantis gate. Led by scientist Dr. Weir (Higginson) and Maj. John Sheppard (Flanigan) they take over the Atlantian command center and begin to explore. In their initial investigations they accidentally awaken the area’s top bad guys, The Wraith. These vampire-like beings suck the life-force out of humans.

When Stargate SG-1 was about to enter its ninth year, there was speculation that after season 8 the series would bow out gracefully with the anticipated exit of Richard Dean Anderson. With that plan in mind, the folks at Stargate Command decided it was time to spin off the franchise, and so was born Atlantis. Stargate Atlantis boasts pretty much the same production team as SG-1. The quality of the production and tight storytelling have translated well to this sister series. Stargate Atlantis took a little getting used to. I wasn’t sure the characters had enough chemistry or were even dynamic enough to carry the high expectations for a Stargate series. Those concerns eventually evaporated by the time Atlantis began to live without the SG-1 companion series. These characters really took off, and they’ve developed into nearly as strong a group as SG-1 ever was. Now with the very first Atlantis content available on high definition Blu-ray, you’ll have the chance to explore where the show began and ended. This single disc contains the first and last episodes of the 5 year journey that was Atlantis.

This film is rooted in the activism of the Poor People's Economic Human Rights Campaign. Within the film are the stories of several Philadelphia residents, told in sporadic vignettes that are loosely tied together by a mysterious flier that is being handed out in the neighbourhood. While some characters cross into other's stories they mainly stay separated until the very final scene which reveals that the flier was out promote a rally on behalf of the aforementioned Campaign.

“Now this might be the room of any small boy, but it happens to belong to a boy named Christopher Robin, and like most small boys, Christopher Robin had toy animals to play with. And together they had many remarkable adventures in an enchanted place called The Hundred Acre Wood. But out of all of his animal friends, Christopher Robin’s very best friend was a bear called Winnie The Pooh.”

“Oh Bother”A.A. Milne was quite an eclectic writer. He wrote murder mysteries that even appeared on Alfred Hitchcock Presents. From that fertile mind would also come a place known as the Hundred Acre Wood. In that select place some of literature’s finest characters had the greatest adventures any boy could imagine. And adventures are certainly no fun on your own. Young Christopher Robin was joined by Piglet, Tigger, Owl, Rabbit, Eeyore, and, of course, Winnie-The-Pooh. Who didn’t fall in love with that silly old bear… Winnie-The-Pooh. OK, so maybe Dahmer or Bundy might have been exceptions. Still, anyone growing up in the last 30-40 years who isn’t a psychopath has had a love affair with Winnie-The-Pooh, all stuffed with fluff.

“In a time before many can remember, our planet faced its greatest challenge. A warlord named Piccolo came from beyond the stars, bringing darkness and chaos to our once peaceful world. Aided by his disciple Oozaru, the evil pair brought the human race to the brink of annihilation. Cities and countries crumbled beneath them. Countless lives were lost, but finally a group of brave warriors created the Ma Fu Ba, a powerful enchantment that imprisoned Piccolo deep with in the Earth. With his master captured, Oozaru disappeared and balance was slowly restored to our world. And so it has remained for thousands of years…until now.”

Let me begin by stating that I have not had more than a passing exposure to the hugely popular Dragonball anime works. I suspect that this film bears little resemblance to that material, again from what little I had seen of it. That likely means there are more than a few angry fans out there. I won’t be offering any comparisons. I will merely review this film as a standalone production, as it was apparently intended to be, which in itself might have been a mistake.

Daisato (director/co-writer Hitosi Matumoto) is having his daily life filmed by a TV crew. This life is pretty depressing. He doesn't make much money, his wife has left him, and his neighbours hate him. His job isn't exactly low-stress, either: he is Big Man Japan, a hereditary job that involves defending Japan against monster attacks. So whenever he gets the call, he has to run to the nearest power plant, get himself zapped until he grows into a 50-foot giant, and do battle with various bizarre creatures (one looks like a plucked chicken with a huge eyeball/penis appendage). But though he does his best, his ratings are down, his show is broadcast in the dead hours of the morning, his agent appears to be taking advantage of him, and there's a new monster in town that mops the floor with him on their first encounter.

On July 28th, I was lucky enough to be invited to participate in a conference call with Monk's Tony Shalhoub. Below is the transcript of that interview. I'll be posting the audio portion of my question shortly:

Final Transcript

This is a 6-part series presented by the Discovery Channel, documenting the different devices created so that America could reach the moon by a deadline that then US president Kennedy had promised the nation.