Posted in: Disc Reviews by William O'Donnell on May 24th, 2009
Dax Sheppard plays a one-liner filled everyman who loses his job the same day that both his kooky mother and his geeky step-cousin move into his house while he is attempting to lower his sperm count as his wife wants to conceive a child. The setup is their right off the bat, the comic motions not hesitating to begin, and they play out in a traditional comic format that is both familiar and harmless.
Posted in: Disc Reviews by David Annandale on May 23rd, 2009
Yul Brynner is the titular Catlow, a jovial outlaw rounding up maverick cattle, much to the consternation of cattle barons who feel the strays belong to them. Richard Crenna is Ben Cowan, Catlow's best friend but also a federal Marshal, who is tasked with arresting Catlow. Leonard Nimoy is the hired gun whose task is rather more lethal. Catlow and Cowan spar good-naturedly as the former plans to steal a great deal of gold in Mexico, which will have many other people annoyed with him.
Posted in: Disc Reviews by David Annandale on May 23rd, 2009
Some weeks back, I wrote about Splinter, and opined that director Toby Wilkins showed real skill. I also expressed worry over the fact that this follow-up was this, the third entry in a franchise that began with a remake in the first place. So here we are. Was I right to worry? Sadly, yes.
Posted in: Disc Reviews by Gino Sassani on May 22nd, 2009
“Life is a tightrope. You’ve got to learn to dance.”
We’ve all had bad days. Everyone can relate to that. We’ve all had moments when we weren’t at our best, when we’ve said or done something in the heat of the moment that wasn’t exactly our most shining moment. We can only hope that these momentary lapses of reason don’t cause permanent harm to ourselves or to others. We can only plead our case that we aren’t ultimately defined by these brief acts of frustration brought about by mitigating circumstances.
Posted in: Disc Reviews by Gino Sassani on May 22nd, 2009
Director Brad Anderson and writer Scott Kosar were unable to find backing or support from any of the American studios when they were shopping this movie. Apparently there were worries that it wasn’t very commercially viable. It turns out they were correct. The film made just over $1 million in domestic box office. That’s not a mistake. I meant $1 million. Even the foreign market came up short, coughing up only an additional $7 million total. Because of the lack of interest here in the States,
Posted in: Disc Reviews by Gino Sassani on May 22nd, 2009
“3 billion human lives ended on August 29th, 1997. The survivors of the nuclear fire called the war Judgment Day. They lived only to face a new nightmare: the war against the machines. The computer which controlled the machines, Skynet, sent two Terminators back through time. Their mission: to destroy the leader of the human resistance, John Connor, my son. The first Terminator was programmed to strike at me in the year 1984, before John was born. It failed. The second was set to strike at John himself when he was still a child. As before, the resistance was able to send a lone warrior, a protector for John. It was just a question of which one of them would reach him first.”
When Arnie told us that he’d be back, he wasn’t kidding.
Posted in: Disc Reviews by Gino Sassani on May 21st, 2009
It’s hard to imagine that this was only Pixar’s second ever feature length CG animated release. While Toy Story was the first, this was actually Pixar’s first film as an independent company. So, for many of us it feels like their first film. There must have been a tremendous amount of pressure on the young team. Toy Story was a break out smash hit that captured the hearts of audiences of all ages. Now on their own the team led by John Lasseter was determined to prove that Toy Story was no fluke and that they could stand on their own feet
Posted in: Disc Reviews by Gino Sassani on May 21st, 2009
For many, Saving Private Ryan has been the measure of the perfect war film in the modern era. Without question the Steven Spielberg film is a milestone in depicting battle on the screen. But I’m going to make the possibly unpopular statement that Enemy At The Gates is a better film, and the standard by which war films should now be measured. The movie is at least almost as good technically as Private Ryan.
Posted in: Disc Reviews by Gino Sassani on May 21st, 2009
“Don’t expect too many mistakes from this man. After all he does seem rather more interesting than just another reader researcher. For example; has he gone into business for himself? Was he turned around? Does someone operate him? Is he homosexual? Broke? Vulnerable? Could he be a soldier of fortune? Did he arrange the hit? Is that why he’s still in flight? Still, he may be innocent. But why didn’t he come in gently?”
Sydney Pollack might have been channeling the essence of Alfred Hitchcock when he directed 3 Days Of The Condor.
Posted in: Disc Reviews by Gino Sassani on May 21st, 2009
Uncle Walt knew he had an artistic talent early in his life. He was originally determined to become a commercial artist. But one fateful day he saw a newspaper ad in a Kansas City paper for a company then called The Kansas City Slide Company. Walt got the job. The marketing firm was making theater ads that consisted mostly of stop motion films. It was there, at just 18 years old, that Walt Disney heard his true calling.



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