Small town Connecticut. A beloved priest is gunned down in the middle of a busy street, and the pressure is on for the police to find the killer. The new regime at city hall needs a conviction, and doesn't care too much about the niceties. When a suspect (Arthur Kennedy) is at last found, police chief Lee J. Cobb isn't entirely happy with the case, but he passes it on to DA Dana Andrews, who is under even more political pressure. At first pleased with the case, Andrews becomes uncertain the more he looks into it, and startles everyone (not least the defence attorney) by entering a plea of innocent at the beginning of the trial. Politicians and lynch mobs are soon baying at his door.

Rob Zombie’s enthusiastic but terminally misguided remake scores yet another DVD release. This one is identical to the previous unrated edition, apart from the fact that there’s an extra disc. More on that later. But in the meantime, as everything else is the same, that will also be true for this review. What follows is what I said about the last version.

I’ve spent more than a few hours in the company of Ray Harryhausen over the years. I’ve handled many of the original armatures and have seen the original hand drawn storyboards and conceptual drawings he had created for most of his films. Maybe that’s why I love his films so much. I doubt it. They do speak for themselves and you owe it to yourself to see three of his best pictures, which have been collected here in one set.

On the surface it would seem that Linewatch is going to tackle the controversial illegal immigration debate that is going on in the United States these days. At first it seems that’s exactly what’s going on. We meet border patrol officer “Mad Dog” Dixon (Gooding, Jr.) doing patrol in the hotbed of illegal immigration the Southwest. He comes across a group of illegals dead and has a run in with a citizen patrol which acts much like the Minutemen in the media today.

A few weeks ago, I sung the praises of Forrest J. Ackerman and the childhood joys his Famous Monsters of Filmland gave me. Now comes sad word, already up on numerous websites, that he is ailing, and the end is very soon. (I have seen some statements that, in fact, he passed on yesterday, but nothing, fortunately, that strikes me as authoritative, as of yet.)

James West (Conrad) was a Union Army vet. He’s the kind of act first think about it later kind of guy. Artemus Gordon (Ross) was a typical con man. He could create the most convincing disguises and was also a master of sleight of hand. Together they worked for the Secret Service in the days of the western frontier. The two of them were the prototype of the future spy. They would use incredible inventions and Bond-like gadgets, along with their own skills at trickery, to investigate major Federal crimes, often plots against the United States. Think of James Bond in the Wild West.

What can I say about Showtime’s huge hit, The L Word? If you don’t already know what this show is about, and I was surprised at the number of people I talked to who didn’t, then I’m pretty sure this isn’t the show for you. Remember the old days when you used to watch Sesame Street and each day the show would be brought to you by a letter and number of the day? Today this review is brought to you by the letter L and the number 5.

After 7 years JAG had pretty much settled in. It’s usually at this time that a show has to shake things up a bit or become somewhat stagnant. I think that JAG took the latter course. I have to believe that much of the creative talent was already working on the NCIS spin-off that was now 2 years away. The characters don’t appear to be taking any risks, and there is a little more of a return to the soap opera elements that began to fade away, making it a better show for some time.

Episodic Gaming, Circuit City closings, & Wii RPGs? - Welcome to the column that would get out and vote if only there was a candidate that supported more hot women in gaming known as Dare to Play the Game.

Yesterday was Election Day in the grand ole United States of America. While I could go on a nice rant about the person who got elected, this is not a politics column and I tend to steer far far away from such discussions.

A combination of controversial subject matter and the physical transformation of Jared Leto garnered this film considerable attention (positive and negative). Leto here morphs into an uncannily accurate physical recreation of Mark David Chapman. The film follows Chapman on his fateful trip to New York City. Over the course of three days, he hangs around outside John Lennon's home, becomes friendly with fellow fan Lindsay Lohan, and endlessly ruminates about how the events in his life are paralleling The Catcher in the Rye, and (rather less explicitly) why he's going to kill Lennon.