The greatest game I ever bowled was probably around 180. A far cry from the perfect 300 but a decent game nevertheless. Most bowling video games are extremely simple in scope. Pick up a ball, roll it down the lane and see what pins drop. Sometimes you get to choose the curve of your ball and even the weight. But that is honestly about it. So when I saw that there was a new bowling game on Xbox Live Arcade, I didn’t think anything of it. However, once I tried the demo I realized this was something different. A game that blended bowling with miniature golf and created something kinda unique. I was so intrigued by the demo, I ended up coughing up the 800 points to make a review.

Graphics
Rocketbowl was originally a very simple PC game and had huge aspirations going into the Xbox Live Arcade format. The graphics are decent with major emphasis on the large variety of bowling balls that you can purchase. The balls look great with my favorite looking ball has to be the classic Fireball. The courses are okay, but most of them feel quite bland. If you are looking for a Hot Shots Golf or Tennis feel here with goofy players to play with, look elsewhere as your character or anybody you play against is merely a scoresheet and a small picture.

The Dark Knight movie did big business this year and most people were quite surprised there was no official video game for the movie. Anybody who was looking for a Batman fix after the movie either paid $8 to see the movie again or tried to re-enact scenes with their best friends in their basement. However, there was a little relief to be had. The wonderful teams behind Lego Star Wars and Lego Indiana Jones decided to go to market with a Lego Batman game. But instead of focusing on the recent movies such as Batman Begins & The Dark Knight they moved their focus to the past. Their inspiration seemed to come from the first 2 Batman films with Michael Keaton and a strong dash of the awesome animated series that ran during the same time period. Would Lego’s humor and strong gameplay succeed or would the jokes go as sour as any thought of Robin in a future Batman movie (especially one with Christian Bale)?

Graphics
If you’ve seen either of the previous Lego-themed games, you kinda know what to expect. Little block pieces in bright and vibrant colors come together to form your favorite Batman hero or villain. The graphics despite the expected kid’s appeal hit very close to home. Everybody on the roster (outside of a few generics) looks good and move in well across the screen. Seeing Joker fight along side Batman or Robin is a hoot (in Free Play mode) to watch. Special attacks like Batarangs or Mr Freeze’s Ice Gun also look equally pleasing. The buildings and basic Lego Build-it’s also look fantastic and fun. Too bad you have to destroy most of them (but at least you will have a blast doing it).

And now, another bit of musing on Mario Bava, brought on by a recent screening of Lisa and the Devil.

Coming in 1972, this was late in Bava’s career, and from a period when seeing his films the way he intended became very difficult. Until recently, when the original print resurfaced, this has been most commonly seen under the title The House of Exorcism, an exercise in butchery by producer Alfred Leone, which not only removed much of Bava’s footage, but replaced it with a ridiculous Exorcist rip-off. Fortunately, Bava’s original film has been restored to us. It is a prime example of that moment in European cinema where the distinction between horror film and art-house production vanished.

Damon Runyon’s stories would most famously make it into musical form in 1955 with Guys and Dolls. But in the meantime, this 1952 effort featured many of the same sorts of characters – wise-cracking-but-harmless gangsters and their glamorous molls. Here, Numbers Foster (Scott Brady) hightails it out of town to avoid a Congressional hearing, and on the way back, he picks up country songbird Emily Ann Stackerlee (Mitzi Gaynor), much to the displeasure of New York girlfriend Yvonne (Marguerite Chapman). Heavier on plot and lighter on numbers than some other musicals of the period, this is a jovial effort, but understandably in the shadow of its more famous cousin.

Audio

Shonda Rhimes had a big hit on her hands with Grey’s Anatomy, so after five years she did what comes naturally in her situation. You spin the success off in the hope that the fans just can’t get enough in just one night. At first it appeared to me she had chosen the wrong character to put out on her own. I mean, I never considered Kate Walsh as Addison to be one of the show’s more compelling characters. The show was presented as what the business calls an imbedded episode on Grey’s. What that means is that the situation is set up during one of the original show’s episodes. In this case a two parter called The Other Side Of Life. The idea is that you want to be sure that your existing show’s fans at least watch the pilot in the hope that they will consider it a part of their beloved series. I got to watch that episode when I was called upon to review the fifth season of Grey’s. I was new to the whole universe, so I believe I was able to approach the spin-off more objectively. To tell the truth, I didn’t like it at all. And so I considered Private Practice to be doomed even before I saw the first stand alone episode. That wasn’t boding well when I received this truncated season one set to review recently. True, I had warmed up to Grey’s by then, but I was still a bit put off by the new show. I watched it anyway.

 

If you come to this DVD set in the hopes of discovering something to do with Jason or even his machete wielding momma, you will be very disappointed. There is no Camp Crystal Lake, and no one’s wearing a hockey mask. The fact is that this series, syndicated from Canada, had absolutely nothing to do with the film franchise. They have no characters in common. They have no connection to the stories in the film franchise. Basically the name is the only thing they share.

 

It was the best of times. It was the worst of times. No, I’m not having a Charles Dickens flashback or reliving Star Trek II. I’m pondering the release of this new Fan Collective featuring alternate realities. This new 5 disc collection brings together episodes from all 5 live action television Star Trek shows. They all deal with some adventure into a twisted or fabricated reality outside of the Trek universe we already know. Of course, that covers a lot of ground when you’re talking about Star Trek and the over 700 hours of television these shows have combined to produce. The show was always out stretching the boundaries of reality. Still, I guess someone had to pick out a small enough group of episode to fit on a tidy 5 disc set. How did they do? The answer is mixed.

 

To the point, Criminal Minds is very compelling television. Ever since The Silence Of The Lambs and perhaps long before, we have been fascinated by serial killers and the profilers who try to get inside their heads. To see evidence of the continuing trend, one needs only look toward the success of films like Zodiac and shows like Dexter. Of course, serial killers are not the only prey this FBI team pursues, but they are certainly the marquee item on the agenda. To be sure, there are equally disturbing subjects such as arsonists, bombers, kidnappers, and rapists to give the show a touch of variety, but let’s face it, it’s the killers that keep us tuned so attentively to Criminal Minds.

 

The Alvin Collection is another group of episodes of The Chipmunks from their popular Saturday Morning series, Alvin And The Chipmunks. The shorts are not theme related as some of the other recent sets have been. The stories range from the film inspired Romancing Miss Stone to the globe trotting episodes like Maids In Japan or The Curse Of The Lontiki. They aired originally between 1983 and 1987, but many of them have sprung up in syndication up to the present day. There are 14 episodes in all, lasting a little over 20 minutes each.

 

Duckman began life as an underground comic created by Everett Peck. It gathered to itself quite a cult following, and like all such things caught the attention of Hollywood. The USA Network took a chance on the quirky property and cast Seinfeld’s Jason Alexander to voice the crude character. And so Duckman’s wife was killed, and he was forced to rent his own house from his sister-in-law who was left the estate by Duckman’s wife. His life pretty much sucked. Not only was he renting in his own house, but he was also living with his overbearing sister-in-law and his grandma, who basically just sat around and farted all day long. Duckman considered himself an ace private detective and ran an agency with his partner, Cornfed. Cornfed was voiced by Gregg Berger and was a Jack Webb Sgt. Friday clone. He was the actual brains behind the partnership. Crimes either got solved because Cornfed solved them or Duckman literally stumbled into the answer.His conscience would be found in two talking teddy bears he kept at the office, Fluffy and Uranus. Like Kenny on South Park, the bears would often meet grisly demises, only to return again in the next episode as if nothing at all had happened. Women, particularly damsels in distress, were often depicted as large breasted and somewhat dimwitted. Most of the humor was decidedly adult. It was not a cartoon intended for children.