Posted in: Disc Reviews by Archive Authors on August 14th, 2007
Written by Evan Braun
I am something of a news junky. For lack of anything better to do, I'll routinely flip my television over to CNN for countless hours of 24/7 up-to-the-minute coverage. Of all the talk shows on the airwaves today, there is no match for the great Larry King. Oprah only wishes she were this good. The ladies on The View should bow down to Mr. King, who is so good at what he does that even his most famous guests seem to open up to him in ways they would normally know better than to do in front of a camera. Whether you're looking for something light and funny, the hardest news story, or the insights into the most intriguing public figures in the world today, this DVD set is your one-stop shop.
Posted in: Disc Reviews by Archive Authors on August 14th, 2007
Written by Evan Braun
If I had to find one single word to completely encapsulate this show, and particularly its first season, it would be: Cute. No, wait ... scratch that. Make it: Nauseauting.
Posted in: Disc Reviews by Archive Authors on August 14th, 2007
Written by Evan Braun
I am both the perfect person to be reviewing Babylon 5 and exactly the wrong person. Being an irrationally devoted fan of the series, it's difficult for me to be objective about it. And it is therefore with this unique perspective that I sat down to watch this newest B5 release.
Posted in: Disc Reviews by David Annandale on August 13th, 2007
Mads Mikkelsen, whom we last saw taking a rope to James Bond’s family jewels, is here up to a far more praiseworthy activity: helping run a school for orphans in an impoverished region of India. The school is struggling to survive, and when a Danish businessman expresses an interest in providing stable funding, but only if Mikkelsen comes to Denmark for a meeting, the latter is reluctantly persuaded to leave India for the encounter. At said meeting, the tycoon (Rolf Lassgard) casually (it seems) invites Mikkelsen to his daughter’s wedding. Mikkelsen accepts, and at that wedding receives quite a shock. Lassgard, it turns out, has a very personal secret agenda at work.
To say more would be to spoil one among the many surprises the film unleashes upon both characters and audience. Most especially on the former, since the story also follows some twists familiar and predictable to any fan of the melodrama. And that is, essentially, what we have here, the modern inheritor of the likes of Stella Dallas and Dark Victory. That isn’t a bad thing. The big emotions are earned honestly, and Lassgard’s performance climaxes in a scene of such intensity that the word “raw” scarcely does it justice.
Posted in: Highly Defined by Archive Authors on August 13th, 2007
So in between the anticipation for Madden 08 and convalescing at home with a big arse fever, there’s not a lot for me to go over in this installment. Really. I’m waiting for my Pioneer Elite to come in in a couple of weeks, but the only other thing to talk about is more disc announcements. Knocked Up is going to come out on HD DVD on 9/25 from Universal (and Evan Almighty comes out two weeks later) while Ratatouille comes to Blu-ray on 11/6. Disc releases this week are fairly blah, as Blu-ray serves up Doctor Strange, The Lookout, Vacancy and Wild Hogs, while HD-DVD buyers get their choices of Dragon’s Lair, Erin Brockovich, Meet the Fockers, Mercury Rising and What Dreams May Come.
That’s it for me this week, and as always high definers, keep the brightness low and the resolution high!
Posted in: Disc Reviews by Michael Durr on August 12th, 2007
There are often stories about burn patients who lose part of their face or leave their other body parts horribly disfigured. It is sad and unfortunate. But what if you had horrible chemical and fire burns and had to take refuge in warehouses and underground? You had the strength of ten men, but could create a mask that you could use to duplicate your enemies or be the man you used to be? However, that face only lasted 99 minutes. This is the story of Darkman. A trilogy of movies that developed a cult following for its subject matter and campy presentation. Part action, part sci-fi, part thriller. But a great time as long as you left your brain at the door.
The first film directed by Sam Raimi (Spiderman, Evil Dead) features Liam Neeson as Dr. Peyton Westlake, a brilliant scientist on the verge of finding the solution to liquid skin cells or synthetic skin. This in time would help burn patients or disfigurements replace unwanted and dead skin tissue. The problem is he can only make it last for 99 minutes. One day his lab gets ransacked by a group of thugs led by Robert G. Durant (played by Larry Drake) who are in search of a memorandum. Peyton is horribly burned in the fire and presumed dead when his body can't be found in the explosion. He later resurfaces as a John Doe burn victim who is given a radical new treatment that cuts off his nerve impulses. He breaks out of the hospital and retreats to a condemned warehouse. He then goes back to the wreckage of his lab and tries to salvage his work. Using what is left of his work and vigilante money that is collected from thieves and bad guys that he fights he attempts to recreate faces of his enemies so that he may take revenge on the Durant crime syndicate. He also attempts to get back in touch with his girlfriend (played by Frances McDormand) by putting on his face and spending time with her. However, he realizes he can only put on the charade for so long and continually he descends back to the darkness as Darkman. He prevails over Durant, but the pain and suffering he endures from day to day stays with him.
Posted in: Disc Reviews by Archive Authors on August 12th, 2007
Erin Brockovich tells a story based on a true series of event. Erin (Julie Roberts in her Oscar winning role) has a tough life. She’s a single mother of three kids, her two ex-husbands left her not supporting her or her children, she can’t seem to find any work due to her lack of education, and she has $16 in her bank account. Life seems to be continuing on a downward spiral for Erin. Things start looking up when she is practically handed a job by her defense lawyer Ed Marsy (Albert Finney). It’s here that Erin stumbles upon a case involving PG&E, a $28 billion company that had been disposing a chemical into the local water supply of a nearby town called Hinkley, California.
Erin and Ed soon find themselves in a lot more than they ever probably bargained for when this case turns more ugly as each minute passes.
![Erin Brockovich [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/erin-brockovich-hd-dvd-large.jpg)
Posted in: Brain Blasters, Regular Columns by David Annandale on August 10th, 2007
All right, some musings on basics now. I have spilled a fair bit of verbiage over the course of this column about films that are so bad they’re good. But there are questions going unanswered, and, dare I say it, unasked: how exactly does this come to pass. How does a bad movie achieve a certain form of perverse greatness? Why do we enjoy watching these things? I could go on.
A look at the patterns that emerge from consistent viewing of Mystery Science Theater 3000 is helpful here. Wonderful as that series was (and equally wonderful its continued preservation on DVD), not every episode hit comedy gold. The shows where Joel, Mike and the ‘bots had more trouble with the material they were working with confirms, for me, a long-held theorem: that any type of film, if bad enough, turns into a comedy, with one exception: comedy. The sad fact of the matter is that no comedy, no matter how bad it is, becomes another form of comedy. It might almost approach the status of a horror film, but it remains a resolutely dismal experience, as I’m sure anyone foolish enough to line up this week for Daddy Day Camp has learned.
Posted in: Disc Reviews by Gino Sassani on August 9th, 2007
Wild Hogs is a pretty simple film for the most part. You have four guys who, for their own reasons, are finding their daily lives have gotten away from them. Their mid-life crises lead them to venture together on a cross country motorbike journey filled with enough peril to make them forget their ordinary lives and live the adventure of their dreams. The film has the standard sight gags that pretty much carry the first half of the film. Macy's character has a rather amusing computer glitch in a Wi-Fi cafe. A lot of these jokes, often dealing with a gay cop who thinks the four are a pretty hot and tempting, get carried too far and get stale rather quickly. I could certainly do without the naked butt shots myself. The film actually starts to get interesting once the Hogs begin to interact with a real bike gang led by Ray Liotta. The ending reaches quite a bit to deliver the standard feel-good climax that usually requires a pretty hefty shot of insulin to bring the sweetness down to a tolerable level.
Posted in: Disc Reviews by David Annandale on August 9th, 2007
Logan (Malcolm Stumpf) is a lonely 13-year-old whose experience of junior high, already hellish, is made exponentially worse by his emerging homosexual identity. Smitten with Rodeo, an older rebel who is one of the only other students to spend time with him, Logan adopts the female identity of “Leah†which he uses to seduce Rodeo over the phone, hoping to make his daydream a reality. Meanwhile, he identifies strongly with the mountain lions that have begun straying onto the campus and being shot.
The film is exec-produced by Gus Van Sant, and writer/editor/producer/director Cam Archer wears the influence of his mentor on his sleeve. There is too much precious cinematographical poetry and too many preposterously literal metaphors here, getting in the way of moments that, at other times, offer the possibility of an acutely sensitive look into the torment of early adolescence. As a result, the film is merely acutely sensitive – in way that invites an atomic wedgie.
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