"I like it when people underestimate me. It gives me an edge."

Much like the current thinking about our universe, it all started with The Big Bang Theory. The breakout character there was Sheldon Cooper, played by Jim Parsons. For 279 episodes, television fans just couldn't get enough. That was until Parsons asked for a huge boatload of cash and the show ended. The character was not finished. A spin-off called Young Sheldon debuted with Ian Armitage starring as a very young Sheldon, as the name implies. It's pretty much an origin story. Parsons returned, but only to provide the show's narration in a The Wonder Years kind of presentation. But it would add another 140 episodes to the story. In Young Sheldon we also were introduced to his family growing up. One of those family members was his older brother Georgie, played by Montana Jordan. He was very much the polar opposite of Sheldon. He wasn't very bright, but had a bit more of what you might call street smarts, and his character's charm would win over the show's audience. So now the Sheldon story continues, without Sheldon, in the first season of Georgie & Mandy's First Marriage, now out on DVD from Warner Brothers.

"Good evening, Ethan. This is your president. Since you won't reply to anyone else, I thought I'd reach out directly. First, I want to thank you for a lifetime of devoted and unrelenting service; were it not for the tireless dedication of you and your team, the Earth would be a very different place. It might not even be here at all. Every risk you've taken, every comrade you've lost in the field, every personal sacrifice you made, has brought this world another sunrise. It's been 35 years since circumstances brought you to us and you were given the choice -- since the IMF saved you from a life in prison. And though you never followed orders, you never let us down. You were always the best of men in the worst of times. I need you to be that man now."

I imagine this is how it happened. It's January of 2019, and Tom Cruise has just popped into the bathroom to shave. He opens up that can of Barbasol just to make sure there isn't any dinosaur DNA left in the can, but as he takes off the cap, an authoritative voice begins to speak: “Good morning, Mr. Cruise. Your mission, should you decide to accept it, is to make a two-part film of the Mission Impossible franchise. It won't be easy. That's why only the IMF team can be counted on to complete this task. There are agents out to stop you before you even get started. In China there is a virus code-name COVID, and this virus will spread to pandemic levels just as you're starting to get your production crew together. Elements within our own government will take measures to shut you down.  Delays will cost an extra $100 million and necessitate crucial cast changes. They'll be serious injuries, and your release date will be July of 2021 ... I mean November of 2021 ... Would you believe May of 2022? ... Let's shoot for July 14, 2023. You will have to deal with nefarious crew members who will attempt to sabotage the project by standing closer than two meters apart. You may use over-the-top rants to attempt to intimidate these factions into compliance. Beware that said rants don't end up released by the press to the world. Somehow through all of these challenges you must create a pair of Mission Impossible films that will be bigger and better than anything that came before. And remember, Tom, if your film fails to bring in a billion or more, the studio will disavow your team, and your movie will go straight to streaming ... or worse, get shelved as a tax write-off. Good luck, Tom. This message will self-destruct in five seconds.” There's a swoosh of fog, and Tom Cruise is sitting in his bathroom with no shaving cream to complete his original task. I figure that's how it must have gone. And that was just for the first movie.

"One … two … Freddy’s coming for you, three …  four … better lock the door, five … six … grab your crucifix ..."

Freddy might have been born in the mind of Wes Craven, but he grew and developed in the knife-wielding hands of Robert Englund. Granted, not all of these films are equal in quality, but the first was everything you could ask for in a horror/slasher film of the era. Freddy himself is by far the most colorful and animated of the slashers. His burned face, fedora, striped sweater, and knife-blade glove were all integral parts of the wise-cracking maniac. Now Warner Brothers has released the original seven films on UHD Blu-ray in Ultra High Definition. It's a dream come true ... well ... at least a nightmare come true.

"It wasn't a dream; at least that's what I believe. The thing is I felt hurt and plenty sad, and there were times when I thought I couldn't go on. But I know I'm not the only one suffering. I want to protect everyone's future. I need to keep pushing forward. I feel that more every day."

Ultraman is a huge part of Japanese culture and pretty much has been since the original live-action show in 1966. Perhaps Godzilla started the ball rolling, but Ultraman brought us these monsters on a regular basis. In Japan, Ultraman is like our Superman. He’s an iconic hero and a huge part of the pop culture. Since the 60’s he has appeared in many forms, most of them animated. But it is this 1966 series that made a ton of us kids fall in love with him and an entire genre. Yes, there were many from the era: Space Giants featured a giant fighting robot who fought monsters and sometimes converted into a spaceship (yes, before transformers were ever thought of); Johnny Socko had his giant robot; and the list goes on. But it was Ultraman who started it. Eiji Tsuburaya, who created the original Godzilla, formed a new company outside of Toho Pictures. Ultraman was pretty much the first thing out of the new shop.

"I'm not a bad guy. I just made bad choices. I have a plan." 

Derek Cianfrance doesn't have a lot of movies in the director's chair, but his 2012 The Place Beyond The Pines was a pretty solid film. Since then he's been pretty quiet, and he's finally surfaced once again with the rather off-kilter "based on a true story" crime comic drama Roofman. he's brought Channing Tatum, Kirsten Dunst, and Peter Dinklage along for the ride. It's been something of a sleeper, coming with little advanced buzz and flying under the radar. There's not a lot of competition out there right now, so there's a small sweet spot here where the movie can make an impact, and it's worth a look while you wait for your favorite horror film to haunt your Halloween movie-going.

"There are no industry secrets. We can always meet our life partner out in the wild or swiping on apps, but the happy ending to a first date is not the second date. It's changing each other's diapers and burying each other. You're looking for a nursing home partner and a grave buddy. Who our partner is, it determines our whole life and how we live not for one, two, ten years, but forever." 

Celine Song delivers her second feature film from the director's chair. She returns to basically the same themes of a woman trying to decide her romantic destiny between two men, but this isn't the same film as Past Lives. Materialists is a much more serious film, while still playing in the same gene pool as the rom-com. I don't think you'll find yourself laughing in this one, and it's a rather clever way of presenting those same themes and ideas. In Materialists, we're introduced to romance being distilled down to a mathematical equation. I expect that's not very clever, as computerized dating has been around since the 70's, but Song attempts to put more of a human element into those equations. It's AI without the AI. Marvel fans will appreciate that the three leads here are Chris Evans (Captain America), Pedro Pascal (Reed Richards/Mr. Fantastic) and Dakota Johnson (Madam Web). It wasn't likely intentional, but if it was, it wasn't a terrible idea."One day, for no reason in particular, you two will start to hate each other. You'll resent each other, you'll take each other for granted. You'll stop having sex, somehow manage to make a couple of kids. And then you'll get sick of each other, and one of you will cheat on the other. And then you'll fight. At first, not in front of the kids, but then in front of the kids. And then you resent the kids for seeing you fight. And then you file for divorce, and you fight about who owns what and who gets the kids when until it's all over."

It was only a matter of time before we would see those who found success on platforms like TikTok and YouTube try to make the transition to the big screen. Sam and Colby found moderate success with their fans, but really, to the rest of the world it was barely noticed. Now later this month we’ll get the highly anticipated Shelby Oaks from Chris Stuckmann, who got his start with movie reviews and creating content on his YouTube channel. But now we have House on Eden, a small-budget found-footage film from content creators Kris The Girl and Celina Spooky Boo. I’ll admit I’ve actually been following their content for a few years, and I was a little optimistic about what these two would come up with, but I have to admit this was disappointing and frankly just lazy. To be blunt, it is an insult to those out there who are grinding to create the best film they can on a shoestring budget. The film follows a trio of content creators (they are basically playing exaggerated versions of themselves, not even bothering to change their names) led by Kris Collins.

The group likes to film and investigate potential haunted locations, and Kris has found a location that no one has filmed at before, and she convinces her friends to go to the spot and investigate it. Of course things go wrong once they arrive at the location, and to be honest, I’m surprised I made it that far.

“Since 1970 a rogue group known as UFO Sweden has been investigating unexplained phenomena. This story is inspired by that determination to answer humanity’s ultimate question: Are we alone?” 

So, I don’t want to make this film out to be more than it was intended to be, a movie intended to capitalize on the nostalgia of Pitch Perfect fans by bringing together three of its stars (Rebel Wison and Anna Camp of the original trilogy, as well as Gigi Zumbado appeared in Pitch Perfect 2) in what amounted to a lackluster comedy. In addition, the film was to capitalize on residual popularity of Rebel Wilson, who won over so many with her quick wit and unique brand of humor. However, the film came off as more of a mash-up of already-seen Rebel Wilson movies, specifically Bridesmaids and The Hustle. And while I commend Rebel Wilson’s nunchuck skills as well as most of her own stunts in the film and her commitment to filming despite getting injured on the final day of filming, this wasn’t a movie that really did it for me. There wasn’t enough originality to keep my interest. The plot essentially felt like a rehash of another average wedding flick that shotgunned a hostage situation. Even with the addition of Justin Hartley and Stephen Dorff, this film felt like more like a direct-to-streaming movie than a theatrical release.

Wilson stars as Sam, a secret agent whose job begins to impede her maid of honor duties, much to the chagrin of her best friend, Betsy (Camp), who, as expected, is unaware of Sam’s job. When Sam’s latest assignment prompts her disappearance from the party, this leads Betsy to drunkenly name her fiancé's sister Virginia as maid of honor instead. Ostracized from the bridal party, Sam's attempt to comfort Betsy backfires, and she slips away after Betsy suggests they have grown apart as friends. Things come to a head at the wedding when a mercenary group crashes the party and takes the guests hostage. Sam must jeopardize her cover in order to take down the mercenaries and keep her friends safe.

This episode collection was all right with me, but in the eyes of my son, it could do no wrong, and as he is the one actually in the age demographic, this will be the one time where I defer to the opinion of a three-year-old. In this ten-episode collection, Marshall takes charge and leads the pups from everything from a blaze at a lemonade stand to saving a lost penguin. This disc marks the first time that my son has willingly sat through the watching of something from start to finish. It’s not all that surprising, as he was a fan of the series before this disc, but I still found it significant, because he does remain selective about which episodes he watches. Fortunately, Marshall is among his favorite of the crew, especially now that Rubble is off doing his own thing. Luckily, Rubble also featured in this episode collection, so my son got the best of both worlds.

For those not in the know, though I suspect that is very few, Paw Patrol is a Canadian animated series that focuses on a young boy named Ryder who leads a crew of search and rescue dogs that work together on missions to protect the shoreside community of Adventure Bay and surrounding areas. Each dog has a specific set of skills based on emergency services professions, such as a firefighter, a police officer, and an aviation pilot. They all reside in doghouses that transform into customized vehicles, or "pupmobiles", for their missions. They are also equipped with special hi-tech backpacks called "pup packs" that contain tools relating to the pups' jobs. The series has completed 11 seasons (which many of the episodes in this collection are from) and has spawned at least three feature films along with a spin-off series featuring the popular character Rubble.