Posted in: Disc Reviews by David Annandale on January 8th, 2007
Sven Garrett plays the Photographer, who, when not exercising his profession of photographing beautiful women, is busy torturing and killing them. His girlfriend’s little sister (Jade Risser) thinks there’s something creepy about him, but isn’t listened to. Meanwhile, the bodies pile up.
There’s not a heck of a lot more to the plot than that. The title is an apt description of the film: it is basically a collection of set pieces. References to Nazi Germany and footage of 9/11 are tossed in to no very compelling purpose. The acting is painful, as is the dialogue (what one can make out of it – more on this below). This is a film that has stirred up quite a fuss among the critics, horror or otherwise, but viewers wanting to see what all the fuss is about won’t be enlightened by this release. The film originally ran 105 minutes, according to IMDB. This version runs 83. So when I said this is a collection of set pieces, I should have said “truncated” set pieces, and all the really nasty stuff is completely absent. The result is akin to a hardcore porn film with the sex removed. The actual technical aspects of the film are quite slick, but that doesn’t make it watchable.
Posted in: Disc Reviews by Archive Authors on January 8th, 2007
After seeing Casino Royale it's hard to look at a Bond film the same way, and when Roger Moore inhabited the guy who likes martinis, fast cars and dangerous situations, it may have been a little cheesy. Granted, Moore did appear in a couple of notable Bond misses, but in the tenth release of the James Bond franchise, The Spy Who Loved Me stands as one of his best, if not the best Moore film.
From a screenplay by Richard Maibaum (his 7th Bond film) and Christopher Wood (his first) and directed by Lewis Gilbert (his 2nd Bond film), this new situation finds James at first in Austria, being chased by assassins, with everyone on skis. The end of the chase, whether you like it or not, is one of the better (maybe the best) in Bond film history. Once he gets settled, he is sent to find out why nuclear submarines are going missing. Complicating things is that James has to work with a Russian agent, a striking female named Major Anya Amasova (Barbara Bach, Caveman). Together, they find out the cause of the disappearances, a reclusive businessman named Stromberg (Curt Jurgens, The Longest Day, The Enemy Below) and his henchman, the ginormous guy with metal teeth, lovingly nicknamed Jaws (Richard Kiel, The Longest Yard).
Posted in: Disc Reviews by Archive Authors on January 7th, 2007
If you haven't heard of The Simple Life, the reality series starring celebrity debutantes Paris Hilton and Nicole Ritchie, you must not own a TV. If you just haven't ever watched the show, you're one lucky person. I used to be lucky, too, but now I've seen the show's fourth season on DVD.
The Simple Life features Hilton and Ritchie, spoiled rich and absolutely clueless, experiencing everyday American life. You know, like doing chores on a farm. What's new for this season? The girls have had a falling out, which I'm sure was covered in great detail in all of the tabloids and on all of the entertainment "news" programs. So this time Paris and Nicole are alternating days, so as not to cross paths and get in a catfight.
Posted in: Disc Reviews by Archive Authors on January 7th, 2007
For the longest time I avoided Field of Dreams. This is simply because I�ve never really liked Kevin Costner as an actor, and mainly because I figured a film about baseball starring him would be boring. Boy was I wrong on this one. Sure Field of Dreams isn�t the best film ever made, but damn if it�s not a film that one can�t help but enjoy slowly falling for the story, characters and surroundings.
Ray Kinsella (Costner) is a simple man who has a lovely wife named Annie (Amy Madigan). Ray decides to move to Iowa soon buying a farm. One night, while in the crops, Ray beings to hear a calm, subdued voice that repeats, �if you build it, he will come�. Ray begins to think it�s a sound truck or a bunch of kids playing a joke. Soon the chant happens again only this time Ray sees a vision of a baseball field. (Remember the scandal surrounding the 1918 White Sox where 8 of them were suspended over apparently being paid to throw the World Series). Once the field is built, Ray�s young daughter Karin (Gaby Hoffmann) tells her daddy that a strange man is walking in the field. Ray goes out and sees none other than Shoeless Joe Jackson (the always fabulous Ray Liotta). The rest of the film follows Ray receiving more clues that lead him to meeting more players including one particularly important player.
![Field of Dreams [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/field-of-dreams-hd-dvd-large.jpg)
Posted in: Disc Reviews by Archive Authors on January 7th, 2007
Truth be told ladies and gentlemen, before receiving The Breakfast Club in for review, I couldn�t even begin to fathom the fan base this film has had since its 1985 release. After all how interesting does a film where 5 students are put in detention sound? After seeing the film, I believe the interest lies not necessarily in the basic premise of the film, but the overall impact the five students have on themselves and, more importantly, the viewer.
Crammed inside their school library, 5 different students all of different social status, intelligence and build must spend their Saturday serving detention. We have the Jock (Emilio Estevez), the Brian (Anthony Michael Hall), the Criminal (Judd Nelson), the Princess (Molly Ringwald) and the Kook (Ally Sheedy), most of who have never spoken a word or even glanced at one another. Even though these 5 different students never got along with each other before this day, by the end of the film they all develop a bond none of them figured they ever would. Each open themselves up revealing sides about themselves never heard before. As the tagline tells us, to the outside world these 5 students were the Jock, the Brian, the Criminal, the Princess and the Kook, but to each other they will always be The Breakfast Club.
![The Breakfast Club [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-breakfast-club-hd-dvd-large.jpg)
Posted in: Disc Reviews by Archive Authors on January 7th, 2007
Some of you might know the book Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream, then others of you might known the movie simply called Fear and Loathing in Las Vegas, but one way or another you know about the crazy days Hunter S. Thompson had in Vegas. Hunter Thompson along with his buddy Oscar Zeta Acosta are the credited creators of Gonzo Journalism (Journalism with indistinct lines between fact and fiction), so the book and movie are partially based on their accounts, except replace Thompson with Raoul Duke (Johnny Depp) and Acosta with Dr. Gonzo (Benicio del Toro). The movie is very similar to the book, and Thompson had a large role in the production of the film, even lending Depp clothes and accessories for authenticity.
Raoul Duke and lawyer buddy Dr. Gonzo are sent to Las Vegas to cover a motorcycle race for a magazine, to prepare for the trip the two have come armed with two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a saltshaker half-full of cocaine, and a whole multi colored collection of uppers, downers, laughers, screamers... Also, a quart of tequila, a quart of rum, a case of beer, a pint of raw ether, and two dozen amyls. It goes without saying that the rest of the movie consists of these two and there adventures around Las Vegas while taking copious amounts of narcotics, and I can assure there is very minimal journalism done.
Posted in: Game Reviews by Archive Authors on January 7th, 2007
Gameplay
Hype. Hype is a piece of the media that we never want to admit to ourselves, or anyone for that matter, we let get the best of us. After all, how many times has the hype for something become so huge that it turned out to be a real bummer once you finally played it? When message boards started rambling in 2005 about a game coming from Microsoft Studios (made by Epic) entitled Gears of War, a small look into Microsoft’s history of product release, would easily entail a game that would ...ake forever to actually hit the store shelves. So low and behold the shock when Gears of War hit store shelves in November of this year. Taking over a year to make and amid numerous delays, would this spell a sign of things to come for Gears of War?
Posted in: Brain Blasters, News and Opinions by David Annandale on January 5th, 2007
William Peter Blatty might seem a slightly odd candidate for discussion in this space. After all, he wrote and produced The Exorcist, whose enormous mainstream success makes it rather suspect as a cult film. Ditto for another of Blatty’s screenplays: A Shot in the Dark, which is arguably the best of the Pink Panther movies. But as a director, ah, there we start getting closer to cult status. He has made two films. The Exorcist III (1990) is his best-known effort, and is debatably a cult movie. Ve...y little debate is necessary regarding his other work: The Ninth Configuration (1980).
A couple of words about The Exorcist III to begin with. Of all the sequels and prequels to the landmark original, this is the only one that really stands up to scrutiny. It is, granted, a flawed work. It’s low-key, character-driven mood is broken by the sudden over-the-top pyrotechnics of the climactic exorcism, but we can’t entirely blame Blatty for that. The story, in a nutshell, goes something like this: Blatty gets the green light to film his novel Legion. He comes up with the perfect ending for his story. Studio suits tell him that the title has to be changed to The Exorcist III or no one will know it’s a sequel. Fine, he changes the title. Then he’s told there’s another problem: there’s no exorcism in the film, and how can it be called The Exorcist III if there’s no exorcism in it? You can figure out the rest.
Posted in: Disc Reviews by Archive Authors on January 5th, 2007
Pierce Brosnan as a hit man, something were all used to with the James Bond franchise, but this time he�s not killing for the good guys. Instead he is a freelance assassin traveling the globe killing whoever he�s told and for good money too. But comparing Pierce�s role in this film to James Bond isn�t exactly fair, although the characters share some similarities; you really have to watch this one to appreciate the uniqueness of the character.
Pierce Brosnan stars as Julian Noble, a jaded assassin visiting Mexico on business, don�t expect the same Pierce you�ve seen as James Bond as of late. Instead he plays a much deeper and more troubled assassin, which makes this movie both funny and dramatic. Greg Kinnear plays Danny Wright an edgy salesman on his last whim hoping to land an account with a big client whilst in Mexico. The moment these two meet in the hotel bar the humor, dark at times, begins. They exchange awkward conversation, which ultimately results in Danny taking off in a huff because of an offensive comment made by Julian. The next morning the two meet again, Danny not wanting anything to do with this mysterious stranger, but Julian is sincerely sorry and offers up tickets to see a local bull fight. This is where the real fun begins as Julian reveals his profession, and even feels he has to somehow prove he is telling the truth. The two form an awkward yet undeniable bond and part ways from Mexico. Things really take a turn for the worst beyond there, Julian is undergoing a mid life crisis, causing him to rethink his profession and ultimately resulting a hit put out on him. Apparently this guy has no other friends, so guess whose door he goes knocking on?
![The Matador [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-matador-hd-dvd-large.jpg)
Posted in: Disc Reviews by David Annandale on January 5th, 2007
You may have heard this one before. Annabelle (Erin Kelly, channelling Leelee Sobieski) is the hellraising daughter of a US Senator, sent to a Catholic girls’ school to be out of sight and out of trouble. Her rebellious ways continue, however, and she falls in love with her poetry teacher Simone (Diane Gaidry). Much angst, particularly on Simone’s part, ensues, not to mention inevitable walks on the beach and much Lilith Fair-style musical noodlings (our heroines would clearly die of shock if they had a run-in with Maria Beatty), before the consummation and the rather sudden ending of the movie arrive.
Kelly and Gaidry turn in good work, and succinctness of the storytelling keeps the viewer’s interest. There is a larger problem, though, than the movie’s rather overdone storyline and not-terribly-original narrative technique. In the making-of featurette, writer/director Katherine Brooks acknowledges the inspiration provided by Mädchen in Uniform, and how she had wished the student and teacher had gotten together in that film because that would have been “hot.” All right, so that makes this pic something a fantasy. Fair enough. But she also wants a real-world tie-in to all the stories in the news about teachers arrested for having sex with their students, only her take is sympathetic. This leads to some intellectual dishonesty. Having the student actively seduce the teacher is a neat but cheap cop-out from dealing with the unbalanced, predatory power dynamic such a relationship implies. Any truly ethical teacher would have run in a blind panic from a student making the advances Annabelle does, but Simone only utters one line at the end of the film to suggest that her many haunted looks might have been caused by the notion that what she is tempted to do might be wrong. I have this sense of the film trying to have things both ways, and it simply can’t. But even with these knocks against it, it remains a not unengaging romance.
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