Posted in: Disc Reviews by Archive Authors on June 20th, 2006
The Phil Silvers Show was groundbreaking for several reasons, but to look at the list of those who appeared on the show during its four season run is to look at a "Who's Who" of television ancestry and history. Allen Melvin played Sam the Butcher on The Brady Bunch, Harvey Lembeck previously appeared in Stalag 17 and his son Michael became an accomplished television director. Joe Ross played one half of the cop team in Car 54, Where Are You? next to a guest star of the show, a guy named Fred Gwynne, who also appeared in a show called The Munsters. Billy Sands went on to appear in McHale's Navy with a friend (and other Silvers show guest star named George Kennedy). Dick Van Dyke even showed up once in a blue moon.
Sometimes with projects like that, the stars in space seem to last longer than the television planet they orbit. But with The Phil Silvers Show and its star of the same name, there was an irreverent comic talent that not only was hilarious in his own right but helped to complement other members of the cast and giving them their chances to shine. Based around the fictional Ernie Bilko and the soldiers stationed on Fort Baxter, Bilko was sharp and a bit of a schemer, and his schemes involving other soldiers were the perfect vehicle to help Silvers offload some prime comedic moments to other actors. With Silvers and his co-creator Nat Hiken, the two managed to put together a show based on their sensibilities and wrote it the way they wanted to.
Posted in: Disc Reviews by Archive Authors on June 20th, 2006
The 60's have become something of a caricature of themselves. Take a girl with straight hair and flowers, throw in a “groovy” and a “man”, add some grainy photography, and you're all ready to go. It is sometimes hard to remember that there was a time when this was not a kitchy formula, it was just the way that it was. This film is so authentically steeped in 60's hippie culture that it almost doesn't seem real when the footage starts rolling. Once the film begins to sink in, though, the viewer is completely drawn in ...o this world than many of the modern era may only know from oldies radio, of all things.
The Monterey Pop Festival was a large music festival held in Monterey California in 1967. The bill included not only some of the top acts of the day, such as the Mammas and the Papas, Simon and Garfunkel, Jefferson Airplane and The Who, but it also launched the careers of such legends as Jimi Hendrix, Janis Joplin and Otis Redding. The weekend festival was a defining moment in the history of rock and roll, as well as of the hippie movement.
Posted in: Disc Reviews by Gino Sassani on June 16th, 2006
Growing up, that twangy Mike Post music provided a part of the soundtrack of my life. I remember walking around school and everywhere you turned you heard kids saying, “That’ll be $200 a day plus expenses.” We all printed up fake business cards. I can tell you firsthand that it takes more than the props. I didn’t have Jim’s natural charm and finesse. Somehow fifth grade’s Sister Margaret wasn’t buying that my NSA credentials meant my homework assignments were classified and above her clearance level. As I sat in detention wondering what could have possibly gone wrong, one theme kept going through my mind. This is gonna cost her. You guessed it. $200 a day plus expenses.
James Rockford lived in a trailer on the beach. His lovable dad was a truck driver who never did understand how his “sonny” could be mixed up in the dirty world of private investigations. While Rockford always projected a tough guy exterior, it was his soft spot for a sad story that often got him deep in trouble. He could understand the world of injustice. He had spent 5 years in prison for a crime he didn’t commit. Even after a full pardon, the cops considered him a lowlife ex-con. His one buddy, Lt. Becker, usually laid low among his fellow officers, often afraid to admit to being Rockford’s friend. Rockford was also king of the con. When normal tactics didn’t work, he could bring together a group of scam artists and con men to handle the largest of productions. He traveled with his own business card printing press. Afraid of guns, Rockford usually kept his in the cookie jar.
Posted in: Disc Reviews by Gino Sassani on June 16th, 2006
I’ve already had a lot to say about this show in my Season 5 review. All of it still applies. Richard Dean Anderson was fortunate enough, some would say talented enough, to have played two iconic characters in one life-time. I propose that he’s really played only one, but in two very different circumstances. I’ve already pointed out the similarities between the actor and his two roles, from their birthplaces to their hobbies and sports activities. This should in no way be interpreted as taking anything away from Anderson. The opposite is, in fact, even more the point. Anderson makes you feel at home with his characters. There’s so much of him there that we have a hard time remembering that there must also be so much that is not. It’s safe to say he has not traveled through wormholes or deactivated a nuclear device with a rubber band, paperclip, and stick of chewing gum. This is the beauty of the style he brings. By making the character very much like himself he gives us an easy-to-identify ordinary human being played against extraordinary events.
We’re sadly nearing the end of MacGyver with Season 6. Still, this was a great year. “Harry’s Will” has to be one of the most popular episodes in the show’s run. Not only is it great material for Anderson to play against, but we learn so much more about the character. This is also quite a star-studded outing with the likes of Henry Winkler, James Doohan, Rich Little, Dick Butkus, and Abe Vigoda. There’s another wonderful fantasy episode where MacGyver dreams he’s in the old West ordering mail order brides that turn out to be the various women in his life. There’s plenty of classic stuff here to more than make the set worth your time and your money.
Posted in: Disc Reviews by Archive Authors on June 15th, 2006
When the film V For Vendetta was announced, my interest immediate peaked as I found out the Wachowski Brothers would be writing the film. Unlike a majority of fans, I didn’t completely dislike The Matrix Trilogy; in fact, I thought they were a ton of fun. With this new film, the brothers attack the theme of a society where the government has the only voice, similar to the novel 1984. Add in actors Natalie Portman and Hugo Weaving, and you have me at the word go.
The year is 2020. A vir...s has run through the world leaving a majority of Americans dead in their shoes, and Britain is ruled by a fascist dictator who promises nothing but security for his people. This dictator never mentions anything about giving his people freedom though. This causes a man simply known as V to rebel. V secretly moves throughout London evading authority figure after authority figure. V wears a mask of the face of Guy Fawkes, a man who tried, in 1605, to blow up the houses of Parliament. On November 5th, the eve of Guy Fawkes Day, many citizens burn fires in a type of effigy toward Fawkes. On this eve in the year 2020, V saves a young reporter named Evey (Natalie Portman) from rape. He forces her to join him and concludes the night by sitting the Old Bailey courtrooms ablaze.
Posted in: Disc Reviews by Archive Authors on June 14th, 2006
For Director Peter Berg, the film The Rundown was an interesting note for him. Before his ultimately better film Friday Night Lights, The Rundown marked the first time Berg directed a film that went on to become a big success. Before The Rundown, Berg had films like Very Bad Things which was just that and The Last Seduction which was excellent. The Rundown also marked the first main feature film (main staring role) for wrestler turned actor Dwayne “The Rock” Johnson. N...w Universal has decided to re-release the film in the new HD-DVD format. What lies ahead? Join me on the journey to find out.
Beck (Dwayne “The Rock” Johnson) is the type of man who one calls on to do something someone else wouldn’t do. Beck is more of a retrieval expert. An early scene, where he retrieves a ring off of an NFL quarterback’s finger, gives us a little bit of insight into the type of man Beck is. His boss, after this successful mission, decides to send Beck off to the Amazon forest to retrieve his son Travis (Seann William Scott). Instead of using the a-typical locales like LA, Maimi, etc, Berg decided to opt for the Amazon jungle which helps make the film into something slightly new. Once in the Amazon forest, Beck is taken to the town of El Dorado, which is run by Hatcher (Christopher Walken). Travis, we learn, is a fearless fortune hunter looking for the ultimate treasure that Hatcher happens to be looking for at the same time.
Posted in: Disc Reviews by Archive Authors on June 14th, 2006
I like to call movies like this “exception films”. They are the exception to the rule. Those odd little films that show up every once in a great while that really have no right to be good. You hear the plot, you see the trailer, and you know that this film is mere days away from losing vast sums of money for someone on the left coast. Then the movie comes out and it is... inexplicably entertaining and fantastic.
Kiss Kiss Bang Bang has carved out a surprisingly strong cult following for itself since it... theatrical release. So here's the plot of this unlikely hit: Robert Downey Jr. plays Harry Lockhart, a clumsy small time criminal who stumbles into a Hollywood acting audition while fleeing the police. Naturally, he gets the part, and is quickly ushered off to La La Land to act in the film. When he gets there, he is assigned an acting coach (Val Kilmer) named Gay Perry (get it?) to help him learn the craft. Throw in an old High School girlfriend and a murder mystery, and there you have it. A movie that is much better than it has any right to be.
Posted in: Disc Reviews by Archive Authors on June 13th, 2006
Utter the words ‘Dave Chappelle’ or ‘The Chappelle Show’ to any person and odds are they will think of the ‘Lil’ Jon’ skit or the ultra famous “I’m Rick James, bitch”. While this one joke doesn’t even come close to the charm and humor that Dave Chappelle had on his once popular ‘Chappelle Show’ on Comedy Central, it still has become the most popular joke. But enough about that and more about the actual film at hand.
Dave Chappelle’s Block Party takes place around September of 2004, which was before ...happelle walked off of the third season of his show, but after the famous $50 Million Dollar deal that Comedy Central offered him. Chappelle has decided to have a block party on the 18th of September. He has invited many big artists to perform at the block party including Kanye West, Mos Def, Common and the Fugees to name a few.
Posted in: Disc Reviews by Archive Authors on June 12th, 2006
In Failure to Launch, Trip (Matthew McConaughey) is a 35-year-old man who still lives with his parents. His parents simply want him out of the house, which doesn’t seem so harsh considering his age. So what do they do? Why, they simply decide to hire a woman named Paula (Sarah Jessica Parker) to assist them. Paula, you see, is a specialist in helping grown men move out of their parents’ homes. I didn’t even think such a job existed. Well, Paula, we soon learn, has a very simple method that usually guarantees h...r success. First, she looks nice, then she finds out what they like and she pretends to like it too. What a complex job. Paula calls this system “Failure to Launch”.
Trip’s parents, Sue and Al (played by Kathy Bates and Terry Bradshaw) live in a naturally beautiful home that Trip loves to pass off as his own. You see, Trip dates a girl, begins to like her, continues to date her, and then when he gets “the look”, he takes her home passing the home off as his own. It usually isn’t until Al comes into his room that he reveals to the girl that the home is actually his parent’s home. Sue tells Paula this is Trip’s method of breaking up with people. I find it hilarious that Sue takes the amount of care that she does of Trip for a man at his age. She cooks him a big breakfast, packs his launch, does his laundry, etc. I know the whole motherly-love thing is always around, but what kind of mother does this for her 35-year-old son?
Posted in: Disc Reviews by Archive Authors on June 11th, 2006
OK, I hope I'm not diving into a review that may fall into the "film scholar" category, and thus rule me out of being taken seriously. When there's a lull in buying new releases, sometimes my wallet gets cabin fever, and so I went out and picked up the Hitchcock set from Criterion, entitled Wrong Men and Notorious Women: Five Hitchcock Thrillers 1935-1946, and includes the previous Criterion releases from Hitchcock, namely Rebecca, Notorious, Spellbound and The Lady Vanishes. I'm tackling the earliest release of the bunch, entitled The 39 Steps. The story very much resembles another of Hitchcock's later works, North by Northwest, in the aspect that the wrong man is thrown into a spy chase. While Cary Grant is taken through New York, a cornfield, and Mount Rushmore in the later film, in The 39 Steps, Richard Hannay, played by Robert Donat, attends a Music Hall production, meets and takes home a women (Annabella Smith, played by Lucie Mannheim), who he later finds out is a spy who is being chased by two men attempting to kill her. In the middle of the night, Annabella comes into Richard's room, and falls over him, dead of a knife in the back. As the police chase him, looking to detain him for the murder, the two men, assuming that Richard has found out about the secret she held, start to pursue him in order to kill him. And whatever he does, some of Anabella's last words to him are not to trust a man missing the tip of his right pinkie (It sounds strange to write the word "pinkie" in a review of Hitchcock, so I hope it looks out of place as you're reading it).
This was one of Hitchcock's last works before coming over to America to wow us with the movies that have become legend. For all of my DVD collecting, I'm still a bit green when it comes to the older stuff. And after seeing The 39 Steps, I now realize what I've been missing. For its time, it's a pretty suspenseful film, with a lot of shots that are still used in movies today, and even the story has been used in some fashion or another over the years, though clearly not to the same effectiveness that Hitchcock has done. Despite the "Born On" date for this film, it's a very good one, and to see many of the same devices used today, both within the story and within Hitchcock's technical realm, make it an easy recommendation to those who are even casual film fans.
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