Posted in: Disc Reviews by David Annandale on March 10th, 2006
Synopsis
Three directors, three doses of uncompromising Asian horror. The first, and nastiest, is “Dumplings” (directed by Fruit Chan), which tells the story of a woman who purchases some very expensive dumplings said to restored youth. What is the secret ingredient? The worst thing you can think of, trust me. And the film leaves nothing to the imagination. Where others would imply the horror and let your imagination do the rest of the work, “Dumplings” gets your imagination working, and then tops it... Nasty stuff indeed.
Posted in: Disc Reviews by David Annandale on March 9th, 2006
Synopsis
As one of the discs in this set is exactly the same as the previous release, my review is the same too:
Posted in: Disc Reviews by Archive Authors on March 9th, 2006
Michael Ontkean and Kate Jackson play a married couple dealing with the ramifications of the husband's newly discovered homosexual behavior. Right off, I'll say these two seem too happy from the beginning to make the sudden turn believable. Also, the ending [SPOILER ALERT, kind of] is too predictable and cliche to be the least little bit effective. The "I'm okay/You're okay" resolution, where everyone moves on and everyone's okay with who they are, and the world is once more a wonderful place, is pure Grade-A drivel ...hat simply got by with it at the time because it was one of the first movies to deal so openly with such a controversial topic.
With that said, the film's flaws really have nothing to do with its handling of the subject matter. Instead, it goes down - in flames - at the hands of two actors, who haven't learned a thing since they nabbed their first roles. Kate Jackson's wife is supposed to be a career woman, but she never stops whining and self-indulging into her own feelings long enough to step off your nerves and convince you she's any more than a cry-baby trophy wife. Harry Hamlin secured his rightful place in Lifetime movie hell with performances such as this one, where he's so convinced he's charming that all he really accomplishes is making the viewer want to punch him right in the mouth. As two-thirds of the triangle (Ontkean is actually quite good as the husband), the film was dead in the water, and nothing Arthur Hiller's direction could do was able to save it.
Posted in: Disc Reviews by Gino Sassani on March 9th, 2006
In its first year NYPD Blue succeeded through controversy. Language and partial nudity was pretty much all the critics were talking about. Season two brought “the test”. Could the show survive a major cast loss with David Caruso’s well publicized split from the show? Season three, however, is when it all came together. It’s so much fun watching a quality series hit its stride, that season when everything falls into place and we see for the first time that we could be in for a sweet ride.
The cop show ...as back in the 1990’s resurrected by the man who performed CPR on the genre in the 1980’s. With NYPD Blue we realize that Hill Street Blues wasn’t a fluke. Jimmy Smits was far more compelling than Caruso could be on his best day. The writers were beginning to find deep emotional material here. The season’s many rich themes included alcoholism, with not only Sipowitz but the newly formed Russell character. This seems to be a common theme for Steven Bochco. Every one of his shows have featured at least one alcoholic. Andy gets a fresh shot at fatherhood. One of the most compelling arcs has been the Andy/Andy Jr. arc. The tragic death of his son and the birth of a new son were huge stories in this season. Overall the characters are challenged both professionally and personally. The show’s documentary-like filming remains. This is the point when NYPD Blue finally took shape. We haven’t looked back yet, until now.
Posted in: 1.85:1 Widescreen, Comedy, Disc Reviews, Dolby Digital 5.1 (English), Dolby Digital 5.1 (French), DVD, Universal by David Annandale on March 8th, 2006
Synopsis
The recently divorced Uma Thurman is seeing therapist Meryl Streep as she tries to put her life back together. She meets Bryan Greenberg, sixteen years her junior, and falls for him. Streep encourages her to go for it, and then discovers that the object of Thurman’s affection is her son, whom she wanted to find a nice Jewish girl. Neither Thruman nor Greenberg know of their connection through Streep and carry on with their relationship, while Streep struggles to carry on with Thurman’s thera...y, forced to hear altogether more than she would like about her son.
Posted in: Disc Reviews by Gino Sassani on March 8th, 2006
MacGyver (v) To act in an extremely resourceful manner. To utilize everyday items in unconventional ways to achieve a difficult task. I predict it will not be long before you can open your trusty copy of Webster’s and find this character has officially entered our lexicon. There is little doubt but that it is an unofficial part of it now. Crossing over from the realm of pop culture and into our language is a phenomenal achievement for a television show.
I came to the MacGyver party rather late. Like ...veryone else on the planet I was certainly aware of the show and the clever abilities of the lead character. Still, with so many other shows to watch, I never saw a complete episode. Then came Stargate SG-1. This was another series I at first avoided. I thought the original film was OK but nothing I’d care to see week in and week out. One day while my wife was taking our neighbor’s dog to the vet I was bored and sat down to an episode on Showtime. I was hooked, not only on the series, but the characters, along with their alter ego actors. Richard Dean Anderson I found most compelling. I must admit to confusing him at first with the Richard Anderson of The Six Million Dollar Man fame (Oscar). Finally I sat down to some MacGyver on DVD. It didn’t hurt that MacGyver’s boss bears no small resemblance to O’Neil’s commanding officer, played by Don S. Davis. I would later learn that Davis has filled in for Dana Elcar on a few occasions as a double.
Posted in: Disc Reviews by David Annandale on March 7th, 2006
Synopsis
Christmas in Wichita Falls, but there’s not much comfort and joy going around. John Cusack and Billy Bob Thornton have just stolen two million bucks from mob boss Randy Quaid. If they can keep things together for just a few hours, they will be home free and off to warmer climes with their loot. But a huge thug is looking for them, Cusack keeps drawing attention to himself, and then there’s the question of whether these two can really trust each other.
Posted in: Disc Reviews by Archive Authors on March 7th, 2006
Ahh, Moonlighting. For people of my generation, this may be the golden age of television. That's not to take anything away from I Love Lucy or The Andy Griffith Show, but when you grew up in the 80's, there was this, L. A. Law and Miami Vice. For my money, Moonlighting was the best of the three. Even by today's standards, it is extremely rare to find a show such as this. A genuine drama/mystery program that succeeds in being very, very funny. The fact is, the entire show was ...uilt around the skill of a new actor on the scene named Bruce Willis, and had he been anything less than stellar in every single scene that he was in, the program would have crashed and burned. Suffice to say, the show soared. Cybill Shepard was both beautiful and clumsy, and quirky character work by Allyce Beasley and Curtis Armstrong filled in the supporting plotlines, but it was Willis who stole the show every week. By the time the series ended, he had made himself a superstar.
Season Three may very well be the best season of this shows five year run. On the one hand, the early introductions and quirks of the first season had been worked out. On the other hand, we are still in the midst of the brilliant episodes that came before David and Maddie took the plunge, so to speak. These episodes are the cream of the crop. If you are thinking about trying out this series to see if it is for you, Season Three actually might not be that bad of a place to start. It's cheaper that the combined Seasons One and Two release, and you don't necessarily need the back story to dive right in and have fun.
Posted in: Disc Reviews by David Annandale on March 6th, 2006
Synopsis
The Bennet family is not rich, and when Mr. Bennet (Donald Sutherland) dies, the estate will pass out of the family’s hands and into those of a rather pompous little twit of a parson. There are five daughters, and their future can only be achieved through marriage. Elizabeth Bennet (Keira Knightley) is the second daughter (improbably described as plain). Her path repeated crosses that of Mr. Darcy (Matthew Macfadyen), an aloof, brooding gentleman who apparently has little use for her or her ...amily. She doesn’t like him much, either. They are both, of course, in for a surprise.
Posted in: Disc Reviews by Archive Authors on March 6th, 2006
Ever since making the Lord of the Rings trilogy, Director Peter Jackson has almost become a household name that seems to always guarantee success. Don’t get me wrong though, Jackson has not always been successful. Before making the Lord of the Rings trilogy, Jackson had the film The Frighteners and a few smaller films where he only produced. The idea of giving this not so successful movie director hundreds of millions of dollars to remake the Lord of the Rings trilogy, made many turn their...heads simply wondering why. But, after the gigantic success of the trilogy, Jackson targeted another remake, a remake to a film he says was the reason he wanted to become a film director. The film in question is the 1933 classic King Kong
When news first arrived of this remake, many fans, including myself, were very excited to see what Jackson could come up with. However, I don’t need to spell out how many remakes, including the recent Pink Panther, are extremely horrid. With the news coming out that Universal wanted Jackson to trim the film down (from the final run time of 182 minutes to 140 for a quicker turn around audience) and that the film’s budget had sky-rocketed forcing Jackson and his partner Fran Walsh to fork over their money, a lot of fans started to worry if Peter Jackson’s King Kong was going to go down in history as simply another poorly made remake. Can a one-time nobody director, now an extremely famous director turn a black and white classic into a modern age epic? Read on to find out.
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