Posted in: Disc Reviews by Gino Sassani on February 7th, 2006
Pity the younger generations that will forever associate the character of Inspector Clouseau with Steve Martin. Peter Sellers might not have been a “wild and crazy guy,” but he was nothing short of brilliant as a comedic actor. Sellers never relied on over the top grandstanding to make a point. You never needed to be hit over the head with the jokes. He displayed an altogether different, more subdued, flamboyance than the modern comic. You didn’t need to be told when to laugh. The problem was more often being able to stop. Teamed with Blake Edwards in the Pink Panther series, the comedy becomes iconic. While it is true that Return of the Pink Panther might not be the best of the series, it is superior to later entries that eventually ran out of steam. The series without Sellers finally resorted to the pushy humor so prevalent today. In case it isn’t obvious by now, the success of this franchise rested squarely on Sellers’ shoulders. Attempts were made to continue the series immediately after his untimely death. All of these films were resounding failures. I suspect the current film will find itself stuck in the same fate.
The largest and most valuable diamond in the world, The Pink Panther, has been stolen for a second time. All clues point to The Phantom (Plummer). His only hope of clearing his name is the man who recovered the jewel the first time it was taken: Inspector Clouseau (Sellers). Clouseau has troubles of his own. Someone wants him dead… his boss.
Posted in: Disc Reviews by Archive Authors on February 6th, 2006
Synopsis
For awhile, Jim Carrey looked to be taking the career path that Michael Keaton had previously established. Start off with strong, hilarious comedic performances, attempt to get into dramatic roles with some critical success, and fade into the sunset, with the occasional bad script choice. While Carrey hasn’t dipped into the Jack Frost period yet, with The Truman Show and Man on the Moon, Carrey had established the fact that he could pull off carrying a dramatic movie, and do it...fairly well, with consecutive Golden Globe awards to boot. Then, after playing a cop with multiple personalities (Me, Myself and Irene) and the Grinch and The Majestic came along, and it was hammered; no one went to see it. Enter Tom Shadyac, Carrey’s old reliable, and collaborator on Liar Liar and Ace Ventura: Pet Detective. With Bruce Almighty, Carrey goes back to the goofball comedy well that helped to propel him to the $20 million paychecks you hear about now.
Posted in: Disc Reviews by Archive Authors on February 6th, 2006
Synopsis
At first glance Once Upon a Mattress would appear to be a bit of a Disney cash grab, an often performed musical featuring a couple of aging comediennes, one of which had performed a role in the musical for decades.
Posted in: Disc Reviews by Archive Authors on February 5th, 2006
Synopsis
Knowing that Stormy Weather is the title of a song that helped vault Lena Horne (The Wiz) into celebrity fandom, I had very little other ideas about her. But the cool thing that I discovered while watching the film is that, for the age of this film, it’s better than anyone would possibly think.
Posted in: Disc Reviews by Archive Authors on February 5th, 2006
Judd Apatow and Paul Feig may have been stung by the criticism and cancellation of their show Freaks and Geeks back in 2000, but that did not deter them from pressing forward with another project. Freaks and Geeks was about a group of kids growing up in high school in the 1980s, while Undeclared is about the first year of college for a group of kids.
Now there are a lot of similiarities between Freaks and Geeks and Undeclared, but I’ll focus on some of the bigger things, b...cause, not really watching Freaks and Geeks back in the day, and doing a IMDB search, some of the cast seems to have carried over to it. Jason Segel played Nick in Freaks and Geeks, and frequently appears as the crazed boyfriend Eric in Undeclared. Seth Rogen played Ken in Freaks and Geeks, and appears as a roommate named Ron here. The series focuses on Steven Karp (Jay Baruchel, Million Dollar Baby), a freshman new to the University of North Eastern California, who meets Ron, Marshall (Timm Sharp, Fun with Dick and Jane), the eccentric Lizzie (Carla Gallo, The 40 Year Old Virgin) and her roommate Rachel (Monica Keena, Entourage), and the handsome Lloyd (Charlie Hunnam, Green Street Hooligans).
Posted in: Disc Reviews by Archive Authors on February 5th, 2006
The concept of the musical biopic is nothing new. We have seen many films come and go, some good and some bad. A majority of these musical biopic films try to tell the rising of a group, whether or not the group is a reality, in a manner that will connect with the audience. Robert Townsend’s The Five Heartbeats is a prime example of a film that connects with its audience by taking this concept of the musical biopic just that one step further than we might expect from a film like this.
The Five Hea...tbeats are a nineteen-sixties Motown type singing group that consists of lead singer Eddie (Michael Wright), songwriter ‘Duck’ Matthews (Robert Townsend), ladies’ man J.T. Matthews (Leon), bassman ‘Dresser’ Williams (Harry J. Lennix), and tenor ‘Choirboy’ Stone (Tico Wells). These guys start out by singing on streets corners. Enter big shot manager (Chuck Patterson). Potter nails them a record deal and gets them to perform everywhere leading to super exposure and stardom. Naturally with stardom, comes the rocky road one travels on. The road consists of internal conflict between the band members and producers, drug addiction, racism, and even a close death. This all occurs before the groups untimely end in the mid nineteen-seventies.
Posted in: Disc Reviews by David Annandale on February 4th, 2006
Synopsis
Nine people are kidnapped and imprisoned inside a huge mansion. A voice informs them that only one of them will leave this place alive. That person will win five million dollars. But meanwhile, the owner of the voice will enjoy watching them kill each other. Present are a young dancer, a priest (Dennis Hopper, of all people), a cynical French music composer and his wife, a gay fashion designer, a runaway, a glamorous former tennis star, a cop, and a resentful rapper. The mix gets volatile ri...ht away, and their captor is in for plenty of entertainment via his innumerable cameras.
Posted in: Disc Reviews by Archive Authors on February 3rd, 2006
Harry Belafonte stars as an ambitious young politician, who refuses to fear the white majority that holds a foothold over his island home, in Island in the Sun. Along the way, he strikes up a romance with Joan Fontaine. Incidentally, we are supposed to believe Ms. Fontaine’s character is younger than Belafonte’s, despite the fact that she looks ten years older. Dorothy Dandridge also stars as a pharmacy clerk, who falls in love with the white aide to the island’s governor. If this seems like it’s all over the ...lace, that’s because it is. While the film was ahead of its time in factors such as race relations (with the two interracial romances above to speak of), it took a huge leap back when it came to the old standbys of narrative logic and a well-developed plot. But while I clearly did not enjoy this film, I will admit it has its values when viewed in the proper context.
The role of Island in the Sun as a classic is largely dependent on its subject matter and the time period in which it was released. A drama tackling interracial love in 1957 was hardly something that would go unnoticed, or be easily forgotten. However, when dissected by today’s audiences, the film proves to be pretty lightweight. For one, affection between interracial couples was limited to only the occasional embrace. In no way could the couples share an on-screen kiss, even if it were simply a peck on the cheek. Secondly, the story wanders about with no real plot to speak of. It’s as if the filmmakers had some ideas of what they wanted and forged ahead without the security of a well-constructed script – truly disappointing for a motion picture considered so groundbreaking. You can tell this film had Oscar aspirations. It simply didn’t realize how important a story was to achieve such lofty goals. Of course, today such omissions would not disqualify it, so long as it had an Academy-friendly agenda to support. However, there were higher standards in those days, and producer Darryl Zanuck relied on his message – and an admittedly incredible cast – to do all the work for him. The results are mediocre at best.
Posted in: Disc Reviews by Gino Sassani on February 3rd, 2006
“Let’s be careful out there…”
The men and woman of Hill Street Station, a fictitious police precinct in Chicago, have found it rather difficult at times to live by their sergeant’s admonition. Steven Bochco’s award winning police drama changed most of the rules for a one hour television drama. Some of Hill Street’s trademark style has become rather ordinary over 20 years later. Bochco protégés now dominate the scene. Dick Wolf (Law and Order), David Kelley (The Practice), David Milch (Deadwood), Scott Brazil ...The Shield) and Ken Olin (Alias) all came from the tutelage of Bochco.
Captain Furillo (Travanti) runs one of the toughest precincts in the inner city. The streets are inundated by gang violence. Furillo also often finds himself under fire by city politics, a bitter ex-wife, and even his own girl: ADA Davenport (Hamel). The squad includes veteran sergeant Esterhaus (Conrad), scrappy biter Belker (Weitz), Redneck cop Renko (Haid), playboy detective LaRue (Martin), Gung ho SWAT leader Hunter (Sikking), Detective Goldblume (Spano), Detective Washington (Blacque). A more diverse and entertaining cast has never been assembled anywhere.
Posted in: Disc Reviews by David Annandale on February 2nd, 2006
Synopsis
Blair Underwood plays Bob Richardson, who moves from Alabama to California with his brother and parents. The African-Amercian family has high hopes of finding a new land of opportunity, but racism and poverty are just as prevalent here. Richardson becomes a reporter, and he is on the scene for the Watts riots of 1965. Families and friends are torn apart in that violence, but his reporting is a landmark work.
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