Archive for the ‘Dolby Digital 5.1 (Italian)’ Category
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Disc Reviews by Gino Sassani on March 29th, 2011
All eyes are on Angelina Jolie; okay, so that’s not much of a surprise, is it? But, I’m talking about the opening scenes of Jolie’s partnership with Johnny Depp in the remake of the French spy thriller Anthony Zimmer, retitled for the American audience, The Tourist. Her character Elise is attracting a lot of attention from men hidden away in vans with surveillance equipment trained on her every move and from every angle. No, it’s not the paparazzi this time. Elise is being followed because the intelligence community believes she will lead them to their real target, an elusive master criminal named Alex.
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Disc Reviews by Gino Sassani on November 9th, 2010
His name was Fleming, Ian Fleming, and he would go on to create the most famous spy in literary history. James Bond would actually be based on Fleming’s own experience in Her Majesty’s Secret Service. But Fleming had another side. It’s hard to believe that the man who gave us such ubervillians as Dr. No and Goldfinger brought us one of the most enchanting children’s stories of our time. Chitty Chitty Bang Bang‘s bond association doesn’t end with its celebrated author. Albert “Cubby” Broccoli might have been just as instrumental for the success of Bond as Fleming himself.
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Disc Reviews by David Annandale on September 18th, 2010
After a series of releases from erotic cinema specialist Tinto Brass’s early career, Cult Epics now gives us one of his latest works. Marta (Anna Jimskaia) loves her husband Dario (Max Parodi), but he has become inattentive and selfish in bad, when he shows any interest in sex at all. Feeling lonely and unappreciated, Marta takes in the sights of Mantua, and in a museum she encounters Leon (Riccardo Marino, who is no more French than I am Martian), a sexually aggressive alpha male with whom she begins a passionate affair, with an eye (of course) to re-igniting Dario through jealousy.
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Disc Reviews by Gino Sassani on August 18th, 2010
“I remember once going on a school trip to the top of the Empire State Building. When I looked down at the crowds of people on the street, they looked like ants. I pulled out a penny and some of us started talking about what would happen if I dropped it from up there and it landed on somebody’s head. Of course, I never crossed that line and actually dropped the penny. I don’t think Early Grayce even knew there was a line to cross.”
Kalifornia was never made for a mass audience, at least that’s how it appears to have played out.
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Disc Reviews by Gino Sassani on April 16th, 2010
Remakes are a fact of life. It might seem now more than ever that we are plagued with this reality, but it’s been true for a very long time. It’s not so new, as you might expect. Even the lauded Cecil B. Demille The Ten Commandments was a remake of his own silent 1923 film. They’ve existed almost as long as the movies themselves and will continue to exist for the foreseeable future. So, the question should be: Why should a particular film be remade? Often technology catches up with the content in a film. The ability to create on the screen something that was simply impossible originally is a legitimate reason to tackle an older film. Sometimes the movie is so powerful that it bears retelling for a new generation.
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Disc Reviews by Gino Sassani on March 12th, 2010
“Perseus and Andromeda will be happy together. Have fine sons… rule wisely… And to perpetuate the story of his courage, I command that from henceforth, he will be set among the stars and constellations. He, Perseus, the lovely Andromeda, the noble Pegasus, and even the vain Cassiopeia. Let the stars be named after then forever. As long as man shall walk the Earth and search the night sky in wonder, they will remember the courage of Perseus forever. Even if we, the gods, are abandoned or forgotten, the stars will never fade. Never. They will burn till the end of the time.”
Talk about your perfect storm.
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Disc Reviews by Gino Sassani on February 4th, 2010
“There are stories a river can tell. And truths it cannot hide. There are ways it brings us together that we may never see, connecting us with places never suspected. Places like fear, like betrayal, like murder.”
One thing you have to say for Clint Eastwood. In his later years as a director and producer of films, maybe from Unforgiven onward, he has selected some of the most compelling stories for his film projects. You get the sense that he hasn’t been in this for the money in a long time. You easily believe that he doesn’t make a film unless it reaches him completely and deeply.
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Disc Reviews by Gino Sassani on November 11th, 2009
“The perpetrator is an expert marksman. He’s an expert in explosives and tactics. Gentlemen, play this one by the numbers. Maintain your fields of fire… We’re blind and he’s seeing in 20/20… We have not contained him. He’s contained himself.”
“He” is Samuel L Jackson in the 1998 action thriller The Negotiator. Jackson stars as Danny Roman. He’s a Chicago Metro hostage negotiator. As the film opens we get to see him in action saving a little girl from a tight hostage situation. He’s obviously good at his job and he has the respect and admiration of his fellow officers and commanders.
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Disc Reviews by Gino Sassani on June 29th, 2009
“A long time ago in a land far, far away, way East of Chicago, in a place called Brooklyn, actually, a great man named Mel Brooks was born. And, that man begat this and that, and then some, and then he did this…”
This, was Spaceballs. Brooks had tackled pretty much every genre of film before Spaceballs. He took on horror films with Young Frankenstein. He tore up the old West and the Western with Blazing Saddles. He was bold enough to offer us a take up on the Silent Movie. On television he took on James Bond
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Disc Reviews by Michael Durr on September 26th, 2007
The style of “Grindhouse” films were something of a cult legend. More often than not, they were crazy over-the-top horror movies or action movies that had insane action that usually involved a body count that could rival an Arrrrrnold flic. These were referred to commonly as “B” flics due to the shoddy quality of the films. Video would be scratched up, missing reels were all over the place and audio would drop at the most inconvenient moment. More often than not they would be shown at some crusty drive-in for the change in your pocket. Fast forward to 2007 where Quentin Tarantino and Robert Rodriguez decided to resurrect the forgotten genre and brings us two movies (Death Proof and Planet Terror) to the screen.
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Disc Reviews by Archive Authors on March 17th, 2006
Anthology films are a good training ground for young filmmakers to flex their muscles and really get creative. However, with Eros, the three filmmakers have already been around the block a time or two, and on the surface, that could be considered a good thing. But when you consider what Michaelangelo Antonioni, Steven Soderbergh, and Kar-Wai Wong, are already capable of, these shorts seem a bit of a letdown. The best segment is Soderbergh’s “Equilibrium,” with its symbolic stylistic effects and wry sense of hu…
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Disc Reviews by David Annandale on December 9th, 2004
Synopsis
Giovanna Mezzogiorno plays a wife and mother (also named Giovanna) who is frustratedand ground down by her lot in life. Her job is depressing, her marriage has lost all its spark, andshe lives in a building that echoes with the furious battles of dysfunctional couples. She is alsofascinated by the man she sees across the way, whose life in all respects seems to be the oppositeof hers. The catalyst for change in her life is the arrival of Simone, an elderly amnesiac whom her…
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Disc Reviews by David Annandale on April 12th, 2004
Synopsis
Carlo (Stefano Accorsi) and his live-in girlfriend (Giovanna Mezzogiorno) aren’t married,and he has no inclination yet to change this. She is pregnant, however, and the spectre of totalcommitment sends him into a blind panic. Also freaking out over adulthood and responsibilitiesare his buddies. Meanwhile, Mezzogiorno’s mother (Stefania Sandrelli) is dismayed by the ideaof becoming a grandmother, and, feeling rejected by her distant husband, seeks to revive an oldromance of …
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Disc Reviews by David Annandale on February 17th, 2004
Synopsis
Welcome to Lampedusa, a Mediterranean island that is simultaneously impoverished andparadisical. The central character is Grazia (Valeria Golino), a mother of three. Her neighboursthink she is insane, seeing her mood swings from extreme happiness to extreme depression asunhealthy. Is she insane? Or is she simply far more in tune with the natural world than everyoneelse?
The atmosphere conjured by the film is very peculiarly its own. You can almost feel thescorchin…
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Disc Reviews by Gino Sassani on April 8th, 2003
Synopsis
Nothing really to summarize here: 13 clips of musical numbers from everything from TheLion King to Pinocchio to Aladdin. Captions encourage viewers to sing along. There are severalnew songs from recent direct-to-video movies too.
Audio
This isn’t a sound effects disc, so what is of interest is the music, and the 5.1 mix is verysolid: distortion free but not too deafening.
Video
Strong and sharp, with the colours generally vi…
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Disc Reviews by Gino Sassani on April 8th, 2003
Synopsis
A synopsis is beside the point here. The main feature is song clips from various Winnie ThePooh cartoons with animated captions encouraging the kids to sing along. I do wonder about theaudience for such bits as the Tigger song: this piece moves so fast that you need to be a speedreader to keep up, and so probably too old for the DVD.
Audio
No sound effects to speak of, naturally, since music is the whole point of the DVD. Themusic sounds fine. It is…
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