The boys are back, and I only have one question. What the heck took so long? I have a lot of respect for Pixar and the groundbreaking films they’ve created over the last couple of decades, but I have to question someone’s marketing good sense when they get a sequel to Cars out before anyone bothered to look towards what is arguably the studio’s best creation to date. For me it’s all about Monsters, Inc. I hadn’t fallen so hard for an animated film since The Lion King, and so I was thrilled when I got the invitation to graduate early from Monsters University.
Who are “the boys”, you might ask. If you’re serious, then you might actually be reading the wrong piece. For the rest of you, “the boys” are Mike Wazowski (Crystal) and James P. “Sulley” Sullivan (Goodman). And it’s been a dozen years since we last saw them in Monsters, Inc. A sequel to that film might be a bit problematic. We learn that laughs provide far more power than screams, and we leave the power structure of Monsteropolis on its head. Pixar’s imaginative team took the best route available to them and decided to go the prequel pathway, and we get to see Mike and Sully as college students. Both have their sights on becoming master scarers. For Sulley, it’s in the blood. He comes from a long line of successful scarers, and he’s not really taking the college scene very seriously. For Sulley it’s about fun. Mike, on the other hand has stars in his eyes and works harder than anyone else on campus. But he might have to come to grips with the fact that he just might not have what it takes.
When we first meet them, they are from two different worlds and not apparently on the journey to the friendship we knew from the first film. No matter how hard he studies, Mike can’t seem to cut it. Meanwhile Sulley is the big man on campus and wanted by the most popular fraternity on campus. But when Mike’s clumsiness finds him on the foul side of campus legend and department dean Hardscramble, he manages to take unsuspecting Sulley down with him. Kicked out of the department, their only hope is to team with the only losers on campus who will accept them and win the prestigious scare games. If they can win, they’re back in the program. If not, they’re history. The two have to pull together even if they don’t particularly like each other. Along the way Sulley discovers Mike’s incredible heart and has a bit of an awakening to the kind of cruel guy he’d been. So begins the iconic friendship that would lead to the events of Monsters, Inc.
It’s a little unfortunate that we can’t, for just a couple of hours, forget that we’ve seen the first film. So much of the enjoyment of that movie was discovering this place and these characters for the first time. Repeated viewings have the reinforcement of wonderful memories and good times. That puts Monsters University in an awkward situation. On the surface it’s a much better movie than the first. There is more of a story here, and the characters have the advantage of having some history. That means the plot can put them into more complicated situations and allow what we already know and expect to fill in the gaps. Of course, the technology has improved no matter how impossible that might appear. The real difference is in the Sulley character. The computer-generated hair has come along way from the already excellent detail and texture we already experienced 12 years ago. Finally, the world is somewhat known to us, and we can enjoy the wonderful population of characters which include the return of rival Randy (Buscemi), and we learn how the rivalry started. Helen Mirren is abominably delicious as the dean and foil for Mike and Sulley which ultimately brings them together. The technology of the character is also light years from anything we’ve seen before. It all makes for a superior film in many ways.
Still, I found myself not quite as entranced as I was before. Boo was a wonderful character in the first film, and her absence here robs the overall film of just a small amount of its charm. There are plenty of warm moments here, and this is undeniably one of Pixar’s best efforts and might be the best, if not for the original. There was something about that formula that can never be quite the same again. Still, I’m thankful that they tried and came up with a movie that will stand in its own light and likely capture a place in the hearts of the generation that gets to embrace this film first. To them, this will be their magical moment, and I can’t blame them for feeling so. I think you have to just avoid the “which one is better” comparison altogether. Why can’t I just take both?
There is the expected short called The Blue Umbrella that has much the same theme as the paper airplane short from the last Pixar movie. It involves no dialog and brings the ordinary inanimate objects of an urban rainy day to magical life.
Pixar remains the benchmark by which all other computer animated films are still measured. I can’t tell you how they will compare, but I can promise you a wonderful stay. If there’s an animation studio out there who thinks they’re as good as these guys, I have bad news for you. “You’re not even in the same league.”
