Posted in: Disc Reviews by Archive Authors on October 21st, 2005
When comic book movies started becoming popular in the 90's with Batman, The Punisher, Dick Tracy and the like, directors weren't really sure how to handle the subject. The most popular methods involved making the film look like a comic, to help to tie the narratives together. Unfortunately, audiences soon discovered that the result of this mash-up of styles was a heavy-handed, overblown color explosion that just looked hokey (Batman Forever, anyone?) Finally, in recent years, it has been ...
Posted in: Disc Reviews by Archive Authors on October 20th, 2005
Synopsis
Two playwrights argue over whether life is inherently tragic or comic. To illustrate their point, they each tell the tale of Melinda (Radha Mitchell) who unexpectedly bursts in on a dinner party, creating all kinds of romantic complications. The film then alternates between the two stories. The set-up could hardly be more utterly Woody Allen, simultaneously pretentious and shallow. One story is comic (with Will Ferrell taking Allen’s usual role), the other is tragic, but you’d be hard-presse...
Posted in: Disc Reviews by Archive Authors on October 20th, 2005
Synopsis
A group of young folk on their way to the “biggest college football game of the year” (you would do an overnight trip for THAT?) take an unfortunate detour. In groups of two, they are lured into a town run by two madmen, where the only other inhabitants are the was-coated effigies of their victims. What follows is the expected gory slaughter, and some of the deaths are gruesomely imaginative. There is, however, no terror. What does it say when practically the most likeable character in a fil...
Posted in: Disc Reviews by Archive Authors on October 19th, 2005
Synopsis and Comments
Apparently “Land of the Dead” was created for an audience that the producers of the movie (and writer Romero) consider to be no more intelligent than the zombies that populate Romero’s world. We shuffle into the theatre, clutching out-sized drinks like totems from the outside world, moaning piteously that they cost us five bucks to get. Unnnghhhhhh. Mooooovie. RRRrrrrgghhh.
Well, if you managed to avoid it when it infected theatres, save your coin and dodge this DVD. I...
Posted in: Disc Reviews by Archive Authors on October 19th, 2005
Criterion doesn't put out too many box sets, so you know that when they do, it is really going to be something special. Their Brazil set is a benchmark release that all other single-film, multiple-disc sets are measured against. The Wrong Men & Notorious Women – Five Hitchcock Thrillers set is a brilliantly-themed way to showcase five of the director's most devious films. They have taken that same approach with Rebel Samurai – Sixties Swordplay Classics. The four films in this set, Samurai Re...
Posted in: Disc Reviews by Archive Authors on October 19th, 2005
In an odd sort of way, Samurai Spy has the feel of one of the Sean Connery Bond films. The plot seems to be more convoluted than it really needs to be, and there are many scenes that show a character quiet and alone, as they discover a new piece of the plot puzzle for themselves. I would say that parts of the film could be a bit too complex for some American audiences to follow, as so much of the story is driven by Japanese character and clan names. It seems that Criterion anticipated this problem, as they hav...
Posted in: Disc Reviews by Archive Authors on October 18th, 2005
First and foremost, it is important to note that this is a large, “A” list film. While many samurai movies are low budget stories, everything about this beautiful film is first rate. As you can see by the two hour running time, the story comes first in this piece, with the swordplay coming in later, merely to serve the story.
And an important story it is. In 1967, World War II was still fresh in the minds of many Japanese citizens. These people, who had never questioned authority in thousands of years, had j...
Posted in: Disc Reviews by Archive Authors on October 17th, 2005
Synopsis
A merchant ship is sunk by a U-boat, but the submarine is itself destroyed by the ship’s shells. All of this happens prior to the credits. The survivors of the ship wind up in a damaged lifeboat, and they pick up a survivor of the U-boat. Is he a mere crewman, or the captain himself? What ensues is a tense drama of conflicting personalities, ranging from the plotting German to the hard-headed newswoman unforgettably incarnated by Tallulah Bankhead. Despite the claustrophobic setting, the fil...
Posted in: News and Opinions by Archive Authors on October 17th, 2005
New Line Home Entertainment will release that recent Samuel L. Jackson & Eugene Levy comedy The Man on January 17th. This disc will be presented in a 1.85:1 anamorphic widescreen transfer, along with an English Dolby Digital 5.1 audio track. Extras will include four featurettes ("Sam Jackson’s Guide to Cursing Like a Bad A&% Motha F$#@*," "Who’s the Man?," "Making an Action Scene" & "The Ride: A Look at the ’83 Cadillac"), deleted scenes, gag reels, and the trailer.
Posted in: Disc Reviews by Archive Authors on October 16th, 2005
This release is identical in every respect but one (the colourization) to the previous Studio Classics edition, and so what follow below is the same review, with an additional note about colour.
Synopsis
Returning to California after some years in Spain, Don Diego (Tyrone Power) finds that his father has been deposed and that the region is ruled by a venal, corrupt governer under the thumb of tyrannical lieutenant Basil Rathbone. Pretending to be a useless fop by day, Diego dons mask and sw...
