Posted in: Disc Reviews by Archive Authors on October 8th, 2005
Let's face it; Harrison Ford is not a particularly great actor. He is not capable of playing diversity in his roles, and he has never faded into a character. When you go to see a Harrison Ford movie, the result is always something like “Harrison Ford as the President of the United States”, or “Harrison Ford is wrongly accused of a crime he didn't commit.” Never once have I seen one of his films and came away saying “it is about this professor that goes on a quest to find the holy grail. Harrison Ford played the profe...sor.”
Having said this, I like Harrison Ford. He happens to be one of those personalities, much like William H. Macy, that is comfortable and pleasant to watch on screen. He always handles each role with care, and is never content to let a role slip by without putting effort into the feelings and intentions of the character. He is much like the great Gregory Peck in this regard, as some of Harrison the man always comes through in the characters he plays. He is always genuine, always true to himself.
Posted in: Disc Reviews by Archive Authors on October 7th, 2005
Synopsis
The wife of a policeman shows up at the mansion of one Elizabeth Caine (or is she Erzsebet Bathory) for a lesbian tryst, but has her neck punctured by her host. Ray, the cop, investigates his wife’s disappearance, and very quickly suspects Bathory, but has difficulty assembling proof. To make matters worse, bodies of young women start piling up, and the evidence points more and more damningly toward Ray. He is in a race to prove his innocence and stop Bathory before she kills again.
Posted in: Disc Reviews by Archive Authors on October 6th, 2005
Synopsis
A trio of low-lifes led by Tiffany Bolling kidnap innocent young Candy (Susan Sennet). They bury in the hillside, and the only witness is mute, autistic little boy. They inform Candy’s father that he must deliver a load of diamonds from the shop he runs, or Candy dies. Their plan appears foolproof. But then the father doesn’t show up. Confusion and dissension in the ranks breaks out, and the plot moves inexorably towards a terrible ending.
Posted in: Disc Reviews by Archive Authors on October 4th, 2005
Synopsis
A serial murderer is at large, burning his victims’ bodies down to the bone with acid. In order to identify the victims, the police must turn to reluctant forensic sculptor Hyun-min. He has no heart for the job, concerned as he is with this daughter, whose body seems to be rejecting its heart transplant. But he does go to work, even as he and his daughter have visions of a female ghost.
Posted in: Disc Reviews by Archive Authors on October 3rd, 2005
Winter Solstice is one of those quiet, somber independent films. While not as flashy as The Upside of Anger (and that’s not a flashy film), Josh Sternfeld’s feature is a meditative look at a broken family trying to rebuild its life. Don’t expect any major plot twists or a flashy directing style. Solstice takes its time and builds towards something called hope.
A family tragedy as taken its toll on a Jersey family. Anthony LaPaglia plays Jim Winters, a landscape gardener. H...s sons Gabe and Pete (played by Aaron Stanford and Mark Webber, respectively) are adolescents and are trying to deal with their senses of identity. Enter the new woman down the street, Molly (played by West Winger Allison Janney). Jim takes an interest, but romance is tough since the “family tragedyâ€. There are soap opera elements in the film, but these elements are handled with quiet human rhythms.
Posted in: Disc Reviews by Archive Authors on October 3rd, 2005
Synopsis
In 1969, a group of jocks drug their dates at the homecoming dance in order to abduct them. One of them, Mary, stays sober, and is accidentally killed by her date. Thirty years later, history repeats itself when three young women are the victims of a similar revenge prank on the part of the jocks. One of the victims (Kate Mara) accidentally summons the vengeful ghost (by reciting “Bloody Mary”) and the culprits all start dying in various gruesome ways. It seems, however, that they all have s...me link to the original victimizers of 1969.
Posted in: News and Opinions by Archive Authors on October 3rd, 2005
Here is a great interview with The Interpreter Director Sydney Pollack speaking to the benefits of Widescreen over Fullscreen presentations. For those of you who are still fans of the 1.33:1 aspect ratio, this is an informative peice you sould check out. Click here to view the interview
Posted in: Disc Reviews by Archive Authors on September 28th, 2005
Synopsis
It’s the Brady Bunch. What, exactly, by way of synopsis are you hoping for? At any rate, among the notable episodes is one with guest star Davy Jones of the Monkees. Plus, there’s the epic start to the season: a three-parter that has the family hitting the road with a tent trailer and running into misadventures on the way to the Grand Canyon (such as encountering a hostile prospector or Cindy and Bobby getting lost). The other ongoing thread is Jan’s inferiority complex with regards to Marci..., and her attempts to crawl out from her sister’s shadow. The show is what it is. Nostalgia for Gen X viewers, I suppose, though it does have value as something of a pop culture icon. In purely objective terms, this is television at its most innocuous and disposable.
Posted in: Disc Reviews by Archive Authors on September 27th, 2005
Synopsis
And here we go again with some 37 stories of inspired stupidity. Among the crazed storylines we find the classic sitcom scenario of Plankton swapping lives with Mr. Krabs and discovering he can’t take the heat, Squidward being drawn willy-nilly into a plastic conch shell-worshipping club of SpongeBob and Patrick, the non-swimmer SpongeBob becoming a lifeguard with disastrous consequences, and so on. It’s all bright, cheerful, unobtrusively self-aware, and refreshingly silly in a way that har...ens back to classic cartoons of yore. A vital part of this generation’s cultural heritage.
Posted in: Disc Reviews by Archive Authors on September 27th, 2005
Synopsis
Having survived one onslaught by rebel angels, Kari Wuhrer becomes a target yet again. She is the guardian of the Lexicon, and self-writing book of prophecies, and big-shot angel Tony Todd wants that book so he can learn the identity of the Antichrist and kill the child before he can bring about Armageddon. He sends killer Jason Scott Lee after Wuhere, but Lee is stricken with a conscience attack, and helps her instead. When the straits become very dire, however, there is only one person Wuh...er can turn to for help with her divinely appointed task: Satan.
