Posts by Archive Authors

I used to watch Moonlighting in the 80's. Back then, I thought it was so fresh and funny. The crackling dialogue, the rapid fire pace, the screwball comedy chemistry between the two leads. There was also mystery to boot. I loved it. Is still as fresh and funny? Is the show as good as I remember it being? I mean, ourmemories rarely hold up to reality. Watching this box set in 2005 was quite an experience. Does the show hold up? Yes and no. It feels atad "dated" (but what show from the 80's doesn't.... But the fresh wit and originality still come shining though.

6 discs, the feature pilot, and 23 episodes of Moonlighting are here. If you don't know the show, Bruce Willis (in the series thatmade him a star) plays David Addison, an authentic smart a$$ in need of a job. He hounds Maddie Hayes (played by the gorgeous Cybill Shepherd) for a position at her detective agency. Addison is hired and together, Dave and Maddie, form a partnership based on dislike, but with a definite electric energy. Plagued by production delays and contract disputes, Moonlighting went downhill after these first few seasons. There was even a season (or part of a season) without Dave and Maddie! But Moonlighting's originality was alwaysevident. An episode in black and white and the famous "Taming of the Shrew" show were examples of a televsion program that always wanted topush the envelope. Moonlighting pushed it, pushed it till it broke.

Fascination is a potboiler without a pot. It loosely follows the plot of Hamlet. Adam Garcia plays Scott Doherty, a spoiled young artiste who sulks more than Anakin Skywalker. Scott's father dies (played by James Naughton) under mysterious circumstances, and his wife (played by the "still a hotty" Jacqueline Bisset") returns from a cruise with a new beau (Stuart Wilson). Scott smells something fishy, and with the help of a new stepsister/lover (Alice Evans), he tries to get to the bottom of this crime. So...nds fascinating? Not really.

Everything about Fascination is not fascinating. It's only interesting in the sense of how much worse can it get! For a thriller, it moves like molasses. For eroticism, it's more awkward than sexy. As far as underwater sex scenes go, I'll take the one in Showgirls any day. The performances aren't the saving grace either. Garcia is one note, Bisset tries her bisset, and Alice Evans deserves an award for one of the strangest performances I've ever seen. You can watch the film in a director's cut or a theatrical cut. The director's cut is a bit shorter, so I might go for that one.

posted by Kim Lee

The father & son team behind American Chopper are back for another thirteen new episodes in season two of this great Discovery Channel show. This time, the Orange County Choppers (OCC) crew gets down to the nuts and bolts of building 6 new bikes:

I used to watch Moonlighting in the 80's. Back then, I thought it was so fresh and funny. The crackling dialogue, the rapid fire pace, the screwball comedy chemistry between the two leads. There was also mystery to boot. I loved it. Is still as fresh and funny? Is the show as good as I remember it being? I mean, ourmemories rarely hold up to reality. Watching this box set in 2005 was quite an experience. Does the show hold up? Yes and no. It feels atad "dated" (but what show from the 80's doesn't.... But the fresh wit and originality still come shining though.

6 discs, the feature pilot, and 23 episodes of Moonlighting are here. If you don't know the show, Bruce Willis (in the series thatmade him a star) plays David Addison, an authentic smart a$$ in need of a job. He hounds Maddie Hayes (played by the gorgeous Cybill Shepherd) for a position at her detective agency. Addison is hired and together, Dave and Maddie, form a partnership based on dislike, but with a definite electric energy. Plagued by production delays and contract disputes, Moonlighting went downhill after these first few seasons. There was even a season (or part of a season) without Dave and Maddie! But Moonlighting's originality was alwaysevident. An episode in black and white and the famous "Taming of the Shrew" show were examples of a televsion program that always wanted topush the envelope. Moonlighting pushed it, pushed it till it broke.

East Meets West

I don’t know a great deal about Korean cinema, but I imagine that H must have been a milestone in the Korean film industry – a distinctly Korean interpretation of a Western tradition. H is a dark psychological murder mystery, thriller, and suspense film, best compared to The Silence of the Lambs, or Kiss the Girls - not what one expects from the other side of the Pacific. There’s no martial arts to be found, and no running through trees, and pseudo-mystical mum...o-jumbo is just as Western as Se7en. Never once does a sword fight break out, and no wise, old monastic sages are ever consulted.

Samaritan Girl is a provactive little film from South Korea. The director, Kim Ki-Duk, has been said to be a filmmaker to watch. The plot surrounds the plight of two teenage girls, Jae-young (played by Min-jeong Seo) and Yoe-Jin (played by Ji-min Kwak). These two friends have dreams of going to Europe. The only problem: they need money. What's the solution: the oldest profession. Jae-Young becomes the prostitute and Yoe-jin is the pimp. Sounds a little twisted. Well...tragedy strikes. And Yoe-Jin devo...es herself to the men Jae-young slept with. You-Jin's father, a detective (played by Eol Lee), finds out about his daughter's secret life, thus going on a revenge mission. Ki-Duk's visual style is simple, but haunting. The narrative seems a bit far fetched, but works on a symbolic level.

Audio

Sony Pictures Home Entertainment will release the Bernie Mac and Ashton Kutcher comedy Guess Who on August 2nd. This disc will be presented in an anamorphic widescreen transfer, along with an English Dolby Digital 5.1 audio track. Extras will include an audio commentary (with director Kevin Rodney Sullivan), a gag reel, deleted scenes (with optional director commentary), a "Love is the Melody: The Making of GUESS WHO" featurette, & a collection of trailers.

Miracles is a unique television experience in the same vane as X-Files but with a religious rather then an alien spin. Many seem to blame this series short network run (6-episodes) on its misplacement and movement within ABC’s schedule, but there is also talk of the War in Iraq possible having something to do with it. As we all know… timing is everything. This set adds seven episodes to the six that originally aired on ABC… giving us all a chance to see the full 13 episodes that were filmed.

< ...>So what is this show all about? Here is a brief synopsis from Shout Factory… “Paul Callan (Skeet Ulrich) is an investigator of modern miracles. While consistently disappointing hopeful believers by finding simple explanations for “miraculous phenomena,” Paul finds his own faith sorely tested. Then something happens to reignite his passion for discovery and he joins a team that works to uncover the unexplained.”

Assault on Precinct 13 is a remake of the 1976 John Carpenter classic (which is remake of the Howards Hawks western Rio Bravo). The plot scenario is something we've all seen before. Our heroes are holed up in an indoor arena (in this case, a precinct), trying to keep the outside forces at bay. In this case, the hero is Jake Roenick (played by Ethan Hawke). On New Year's Eve, and with the closing of the precinct looming, crimelord Bishop (played by Laurence Fishburne)is dumped off at the office. A s...owstorm has forced the criminals here. Meanwhile, Bishop's men try to bust him out, hence the assault. As we all know, hell will break loose.

Assault sports an excellent cast. The always engaging Mario Bello plays a psychiatrist caught up in the seige. Soprano's star Drea De Matteo is along for the ride as a sexy secretary, crusty Brian Dennehy is crusty Brian Dennehy, and Ja Rule and John Leguizamo round out the other baddie detainees. The success of the film, however, can mostly be attributed to the slick and taut direction of Frenchman Jean-Francoise Rinet. The film moves along at a stylish pace. Despite lacking in the Carpenter moral ambiguity, and the synth score, this Assault on Precinct 13 is a solid, modern action movie for the 21st century.

Kinsey, starring Liam Neeson, is a film that seems more relevant today. Albert Kinsey, known to his students as Prok, had to fight societal conservatism to get his work published and recognized. The movie is part biography/part sociological study. The director/writer Bill Condon traces Kinsey’s life from early childhood to older age. The flaws of the film are a matter of narrative clarity: in two hours, Condon tries to pack too much in. However, Kinsey sports a strong cast, which makes the two hou...s fly by. This is one of best films of 2004.

Liam Neeson is perfectly cast as the complex “Prok”. Neeson seems so natural in these “important roles” (think Oscar Schindler). He has the detachment of a scientist, but we know the heart is raging underneath. He is seduced by a male colleague (played by the stellar Peter Sarrsgard), and the scene is electric. There is also a scene later in the film where Kinsey feels the guilt for opening up this “Pandora’s Box”. Neeson has a breakdown that is perfectly believable. Laura Linney (in her Oscar Nominated role) is equally as watchable as Kinsey’s wife “Mac”. Linney captures the complexities of this character as well; she’s torn between unconventional morality and her love for “Prok”. In the film’s final touching scene, Prok and Mac emerge as a couple that really does need each other. There is a depth and subtlety to their relationship that words cannot express. Kudos to Condon for bringing such a modern, mature relationship to the screen. Rounding out the cast is Peter Sarrsgard, Timothy Hutton, and an excellent John Lithgow (as Kinsey’s father). In a nice bit of type casting, Lithgow plays a conservative preacher (Footlose anyone?), but his final scene with Kinsey is a heartbreaker; one is reminded that Mr. Lithgow needs to leave the 3rd Rock more often.