Posted in: Disc Reviews by Archive Authors on January 3rd, 2011
From beginning to end, the emotional impact of Prayers for Bobby will leave you reaching for a tissue.
The screenplay for Prayers for Bobby is from the biographical novel by Leroy Aarons about the Griffith family. Sigourney Weaver plays her role as the matriarch Mary Griffith perfectly. Mary Griffith (Sigourney Weaver) is a devout Christian who believes that by the power of God and of prayer, all problems have a solution. Mary and her husband, Robert Griffith (Henry Czerny), raise their children under a conservative religious perspective. Their young son, Bobby (Ryan Kelley), believes he is gay. For years, Bobby has dealt with confusion, inner turmoil, and shame. Naturally, he is terrified to tell his family. Bobby knows his secret will change the way his parents and siblings look at him forever.
Posted in: Disc Reviews by Archive Authors on December 30th, 2010
Written by Dave Younger
This is a prison drama, where the most feared criminal in Combs State Prison is born-to- be-bad Miles “Cain” Skinner (Ving Rhames). His nemesis Redfoot (Robert LaSardo) has just been caught doing his last drug deal and is transferred there. Which tough guy will prevail? Cain is so dangerous he’s in solitary confinement, so that makes it harder to take him out. But he is allowed out one hour a day. He’s handcuffed – sometimes – and security is increased, so it seems like Redfoot has an advantage. But those handcuffs could be nasty weapons…
Posted in: Disc Reviews by Archive Authors on December 27th, 2010
Written by Dave Younger
David (Sam Page) and Georgie (Natassia Malthe) are engaged. They go overseas, to Spain, to get the blessing of David’s father, Robert (Michael Maxwell). Georgie is abducted from a nightclub and becomes a sex slave for a twisted psycho known as the White Arab (David Gant, but because this is an ultra-cheap straight-to-DVD Hostel knockoff, his name is misspelled as Grant on the cover). Georgie’s fiancée discovers a guy whose sister was also kidnapped, and they make plans for a rescue. But there are lots of crazies, drug dealers, and corrupt officials they have to deal with first.
Posted in: Disc Reviews by Archive Authors on December 23rd, 2010
Written by Diane Tillis
It is hard to talk about Inception without spoiling something. It is also hard to read any review and get a full feel for the film. Inception truly needs to be seen to understand why it is so amazing. On one level, it is an incredible action film that revolves around the heist scenario set in exotic locations such as France and Japan. On another level, the core purpose of the film is a complex discovery into dreams and the subconscious, and the consequences that come with manipulating the mind of another person. Inception is packed with inventive action, high drama, ideas and emotion. It is a masterpiece; whether it makes a billion dollars or not, it is a triumph for mainstream cinema. As the complexities of the film unravel themselves on the screen, Inception stands as a reminder that there is more to mainstream cinema than mindless entertainment. It forces the audience to think and question everything they are experiencing. If you give Inception the opportunity, I promise you will not be disappointed. In fact, you will want to talk more and more about the film once the credits roll to figure out what it all means. This is a sign of great cinema! Just for precaution, possible spoilers ahead!!
Posted in: Disc Reviews by Archive Authors on December 23rd, 2010
Written by Dave Younger
This is an entertaining and informative biopic of the American icon. Starting with a $600 loan from the bank, he parlays his good fortune of coming across Marilyn Monroe pay-the-rent nudes into an I-gotta-see-this magazine. Along the way he publishes some great fiction – Ray Bradbury says nobody wanted his Fahrenheit 451, so he sells it to Hef for $400 – and non-fiction: groundbreaking interviews with Jimmy Carter, Miles Davis and John Lennon. His road was filled with battles, because America in the 50s was staunchly conservative. And racist, so imagine the shock of seeing blacks and whites mingle on his TV show Playboy’s Penthouse. (Sammy Davis Jr. is given a puppy for Christmas by the eternally suave Hef – “Oh, hi, I didn’t see you come in.”)
Posted in: Disc Reviews by Archive Authors on December 22nd, 2010
One man. One alien. One choice.
That’s the tag line for Hunter Prey, the latest project from Sandy Collora, idol to fanboys everywhere thanks to his 2003 short film, Batman: Dead End, believed by many to be the best fan film ever made. Well, after a long wait, he has finally made his first full-length feature film, and though it’s clearly hovering around the bottom rung of the budget ladder, there is much to admire here.
Posted in: Disc Reviews by Archive Authors on December 19th, 2010
Written by Dave Younger
A couple, Alex and Kate (Nicholas Shaw, Zoe Richards), has fallen asleep on the couch watching a movie. Kate wakes up muttering, “Don’t open it.” Someone rings the doorbell. You know they shouldn’t open it. It’s only David (Giles Alderson), a good friend, a little freaked out because he’s just discovered his girlfriend is cheating on him. They agree to let him spend the night. Bad idea. He’s more than a little freaked: he can’t sleep, and he sees monsters. We can’t see the monsters too well, but what we do see is reminiscent of the phantasmagoric creatures on The Outer Limits. We’re mostly aware of them through sound – they make spectacularly creepy and eerie sounds – thumping, banging, screeching, and hissing combine with constantly unsettling music.
Posted in: No Huddle Reviews by Archive Authors on December 13th, 2010
Written by Diane Tillis
Wings had an interesting story to tell when they completed Band on the Run. Paul and wife Linda McCartney wanted to record a new album at an unusual location. From a list of potential locations, they chose a remote studio in Lagos, Nigeria. Right before the departure date, lead guitarist Henry McCullough and drummer Denny Seiwell quit the band. It was up to Paul, Linda, and fellow member Denny Laine to finish the project. They spent August and September 1973 in Lagos working on the project under difficult conditions. The band suffered with the intense African heat and survived a dangerous mugging at knifepoint. The thieves stole valuables and the album’s demo tapes. The band had to re-record the entire album from memory. The difficulties the band endured in Nigeria paid off; Band on the Run triumphed critically and commercially. It sold seven million copies, topped the United States album chart three times, and won a Grammy.
Posted in: No Huddle Reviews by Archive Authors on December 13th, 2010
Written by Diane Tillis
Posted in: Disc Reviews by Archive Authors on December 13th, 2010
Written by Dave Younger
Young Adam (2003, 98 min.), set in drab postwar Glasgow, Scotland, combines the kitchen-sink dramas of late 50s/early 60s northern England with a Hitchcockian tale – what if you discovered your girlfriend floating dead in a river? Throw in explicit full-frontal NC-17 sex (most movies, like Blue Valentine, will do anything to avoid this kiss of death, but Young Adam embraces it; they wanted to cut Ewan McGregor’s junk for the American release, but he fought to keep it in) with the sexually-charged characters of Joe (McGregor), Ella (Tilda Swinton), and Cathie (Emily Mortimer), and you have more than enough angry young men and women to overcome the tedium of being one of the working poor in the grimy, coal-infused landscape of the docks of Glasgow.