Posts by Archive Authors

WELCOME! TO THE MOULIN ROUGE! *tips her purple satin top hat with an amethyst topped cane* Come in, come in! Take off your cloaks and have a drink of Absinthe! So many lonely women here tonight that need a partner... to dance with of course! Hope you brought lots of cash, your dancing shows, and perhaps a nice big diamond for one of our infamous Diamond Dogs! What's that? Oh! Yes of course! I know, you came to see a show, and of course to see our lovely Satine! Well take a look see, here she comes! *cues "Diamonds Are A Girl's Best Friend" and the curtains pull open!*

The year is 1899, meet Christian (Ewan McGregor)a young, handsome, man who intends to be a writer. He moves from England to the Montmartre district in France to write about love. One problem, he has never been in love before, so how can he write about something he has never experienced? -crash!- A man falls through the ceiling of his room (Jacek Koman) and Henri de Toulouse-Lautrec (John Leguizamo) comes in through the door. A few heads pop around the hole in the floor, and they are discussing what to do about their narcoleptic friend who can't stay awake during the rehearsal for a play they are working on. Oh how they need a replacement, but where oh where are they going to find one? Christian is upstairs rehearsing with the group, and he comes up with some lines that blow their minds. They talk about introducing him to Satine, but decide that will wait till after they have some Absinthe!

Classic Albums is a television series that airs on VH1. Each episode is basically a short documentary chronicling the genesis and creation of a, you guessed it, classic album. These stories are told through archival footage, video clips, and interviews with the band members, production people, along with fans and notables in the industry. This episode highlights two seminal albums by Canadian prog-rock legends Rush: 2112 and Moving Pictures.

The first part of the disc covers the early career of the band, going over their initial success and their first few albums. After their concept album Caress of Steel fizzled with critics and fans, Rush was given one last chance by their label, Mercury Records, to create an album that had mass appeal. The band, outraged and defiant, wrote 2112, a treatise on conformity featuring a dystopian world where individuality and music have been smothered out by a fascist religious order. Though the album’s influence and acknowledgement to Ayn Rand’s Anthem was the source of some controversy, its themes of non-conformity and individualism, along with the fact that the music itself had pushed conventional boundaries and was, to put it simply, awesome, ignited fans all over the world. 2112 is described on the disc as the first time the group sounded like Rush. It is the album that defined their sound and truly set up their careers for everything that would come after.

Written by Diane Tillis

Lake Placid (1999) was a humorous film which played on our fears of animal attacks. It depicted a gigantic man-eating crocodile living in a lake near a rural town in Maine. The idea of crocodiles in Maine was a creative parallel to the alien-invasion scenario. The humans (park rangers, anthropologists, and wildlife experts) had to defeat the murderous alien (giant crocodile) before it destroyed the world (Maine). This concept continued in two direct-to-DVD films, Lake Placid 2 and Lake Placid 3.

Written by Diane Tillis

Hush Little Baby is a direct-to-DVD film presented by the Lifetime television network. Already you can make assumptions as to the quality of the film and the heightened drama that is associated with all Lifetime films. Hush Little Baby is parallel to any horror film about a possessed child who torments his/her parents, minus any suspense or gore.

Written by Diane Tillis

I will admit, the moment I saw the cover of the DVD I was already convinced this was going to be one of the worst films I have ever seen or a close second. The cover has a dark figure cloaked in a blue throw blanket and is holding a leaf blower as a weapon… a leaf blower?! Four Boxes turned out to be one of those independent thriller films that should have been left on the cutting room floor.

Written by Diane Tillis

Grimm Love is a thriller film based upon the true story of a cannibal and his willing meal. Graduate student Katie Armstrong (Keri Russell) is researching into cannibal Oliver Hartwin (Thomas Kretschmann) and his victim Simon Grombeck (Thomas Huber) as a part of her criminal psychology thesis. As she goes deeper into their tortured psyches, Katie begins to lose herself to her obsession to understand why. Grimm Love is a love story from hell. The men were attracted to each other as perfect opposites; Simon wanted to be eaten and Oliver was hungry. Their intense relationship would drive the two men carry out an unimaginable horror.

Written by Diane Tillis

If you happen to be a loyal fan of B-horror films, like I am, then you are going to want to check out Dark House. For those who have never heard of the ‘B-horror film’ concept, here is a little education!

Wow, someone took Dolan’s Cadillac, one of my favourite Stephen King short stories, and made it into a movie! Awesome! Cool, not a bad cast either. Christian Slater and Wes Bentley. Good actors. A little bit of edge to them. This might be alright. What’s that? It’s a straight to DVD release? Well that’s not promising. Hmm? It was made in Saskatchewan? By a Canadian sit-com director? Okay, now you’re just messing with me…

As it turns out, it’s all true. King’s sun-scorched tale of madness and revenge has indeed been brought to the screen, even if that screen is the one hooked up to your DVD player.

Written by Diane Tillis

October is my favorite month for several reasons. First, my birthday is only a month away…hint hint. Second, the cooler weather characteristic of fall finally reaches Florida, even if it only lasts a weekend. And finally, it is the month for horror films!! Finding a truly amazing (scream till I am white in the face, can’t sleep for fear of the boogie monster) horror film is something I love to do every October. I will collect some of the historic foreign horror films, throw in a little Hitchcock with a dash of Supernatural episodes, and put on my own horror festival. Thus when I had the opportunity to review a few screeners from the Fangoria Frightfest, I was tickled Bloody Mary red!

This is the final seasons, so we are well into the series. Its groundbreaking nature (an unmarried professional woman as a central character) has obviously long since ceased to be a novelty, and the show is, by this point in its existence, what one might call a fixture. This is merely by way of observation, and not a criticism, because the writing remains as strong as ever, and the show has stood up well to the test of time. Not every joke is a winner, of course, and there are plenty of situations whose outcomes are visible a mile off. So name the sitcom for which this isn’t true. But it was the characters more than anything else that won audiences over, and the terrific chemistry of eccentricity and camaraderie is very much in evidence here. Humanity over ratings is typical of the show’s philosophy and spirit.

The Mary Tyler Moore Show is classic TV comedy at its best. This show is legendary, and still ranks amongst the top comedy sitcoms of all time.