Posted in: Disc Reviews by Archive Authors on May 4th, 2009
With the gigantic success that the Blue Collar Comedy Tour has accumulated, it was only a matter of time before each one of the comedians received their own HBO or Comedy Central special. Jeff Foxworthy is associated with the “Are you smarter than a 5th grader?” game-show. Larry the Cable guy is showcasing his acting range with box office phenomena (i.e. Witless Protection and Delta Farce). Bill Engvall has struggled to find his niche and seems to be on every sitcom pilot that has come out in the last two years. And then there’s Ron White, if you’re anything like myself, this is your next question, who?
Posted in: Disc Reviews by Archive Authors on May 2nd, 2009
In writing a review of this shameless Da Vinci Code cash-in project (the tag line on the cover even trumpets “Only one can shatter the code”!), it would be easy to fall back on easy comparisons to the Dan Brown books, or the Indiana Jones movies, or even Tomb Raider. That, however, would be predictable and, considering how obvious such comparisons are, has probably been done many times over by other reviewers. For this reason, I have decided that for this review, I will focus on the things I discovered by watching The Last Templar. After all, a three-hour epic mini-series brimming with historical perspective and exotic locales is bound to leave some sort of impression. So here goes:
Posted in: Disc Reviews by Archive Authors on April 16th, 2009
The Kings: Anatomy of a One-Hit Wonder tells the story of a Canadian rock band's rise to fame. The documentary discusses the creation of their one hit "This Beat Goes On/Switchin' to Glide" as well as donates a significant amount of time to the aging rockers. The original band members all provide interviews throughout the film: David Diamond (lead vocals, bass), Sonny Keyes (keyboards, vocals), Max Styles (drums) and Mister Zero (guitar).
Posted in: No Huddle Reviews by Archive Authors on April 14th, 2009
Posted by Ken Spivey
Some movies are simply made better by enjoying them with a six pack of beer and several of your closest, silliest friends. Unfortunately, when I watched “Come Hell or High Water” I was alone drinking a Coke...so the desired experience was diminished. Yet, to better relay the plot of the film, I shall use the lens of myself after about six shots of “Wild Turkey.” This shall lend itself better to the film's narrative style.
Posted in: Disc Reviews by Archive Authors on April 13th, 2009
With Robert Rodriguez releasing films where he directs, writes, scores, edits and produces some people humor themselves into believing that anyone can do the same. With Diary of a Tired Black Man, Tim Alexander attempts to accomplish a similar feat. Jimmy Jean-Louis headlines the small cast as James who recently divorced his wife Tonya (Paula Lema)of four years. Alexander directed an internet clip that dealt with this relationship and from that 3 minute clip he adapted it into a feature film. The story evolves into a complex investigation of relationships from the black male perspective.
Posted in: No Huddle Reviews by Archive Authors on April 6th, 2009
Written by Ken Spivey
“Slumdog Millionaire” grabs you by the lapel and forces you to watch the triumphant resilience of three orphans who thrive amid unbelievable poverty and cruelty which still exists among the lower classes in rapidly industrializing India. “Slumdog Millionaire's” opening sequences employs both English and Hindustani, with English subtitles. The use of subtitles helps to draw the viewer into his this alien world.
Posted in: Disc Reviews by Archive Authors on April 1st, 2009
Last year, Chris Rock hit the road with new material for Kill the Messenger, his latest comedy tour. HBO captured three of the performances – in London, Johannesburg and New York – and edited them together into one big comedy special. Now on DVD in this three-disc set, Rock fans can see the HBO special and the full-length shows at each of the locations above. If you love his stuff, that might be great news. But after more than a decade at the top, does Rock still have it? Read on.
Posted in: Disc Reviews by Archive Authors on April 1st, 2009
What would you get if you were to cross the films Dangerous Minds and Waiting for Guffman? Well, add a liberal helping of High School Musical and you might end up with Hamlet 2 (though it is difficult to imagine the High School Musical drones belting out songs like “Rock Me Sexy Jesus” and “Raped in the Face” with such gusto).
Posted in: Disc Reviews by Archive Authors on April 1st, 2009
For anyone not familiar with here! TV’s series The Lair, let me bring you up to speed. The setting is a picturesque little town on an island somewhere on the East Coast. What makes this town so picturesque? Well, there’s its lush greenery, its sweeping ocean views, its many gorgeous houses, and there is also the fact that it seems to be entirely populated by attractive young gay men (the lone straight guy in town was culled in season one when he was murdered by his girlfriend who is now in jail – oh, and he was a bad man who abused her, so he had it coming I guess). Of these gay men, several are played by actors from gay porn (in an uncanny twist, the dead straight guy was played by an actor from straight porn). In fact, the local sheriff looks like he may have played the lead in the gay porn version of Sylvester Stallone’s Copland. And if he hasn’t he should think about it. I even have the perfect title for it, though it is unprintable here.
Posted in: Disc Reviews by Archive Authors on March 28th, 2009
Barbra Streisand’s 1983 Historical Epic/Fable/Musical/Vanity Project comes to DVD for the first time ever in this deluxe release. Exciting news for a large chunk of our population, though in this instance it’s a case of “good news/bad news” for rabid Barbra fans. With Yentl, Streisand is in full-on quadruple threat mode, as director, producer, co-writer, and Star (yes, the capital ‘s’ is necessary), and her Herculean labours in getting this film made are probably as well known as the film itself. Her obvious passion for the project and the fact that she had a hand in it at every level gives access to a wealth of incredibly detailed information in the special features, including “Materials from Barbra’s Archive”. However, there are some technical shortcomings in this volume that will lessen the experience, even for fans.
