Posted in: Disc Reviews by Archive Authors on January 21st, 2008
This is one of those wholesome movies the entire family can enjoy. From veteran director Michael Apted (Coal Miner’s Daughter), Amazing Grace is the true story of William Wilberforce, the 18th Century political activist who spent nearly his entire adult life campaigning to end the British slave trade. It’s a simple but compelling story wonderfully told, with a superb cast including Ioan Gruffudd (Fantastic Four), relative newcomer Benedict Cumberbatch (Atonement) and stage and screen legends Albert Finney (Big Fish) and Sir Michael Gambon (Harry Potter and the Prisoner of Azkaban).
The film picks up some time in 1797, well into Wilberforce’s political crusade. The man is in shambles, sick with colitis, addicted to some sort of opiate (for medicinal use only, of course) and suffering nightmares. He has given up the fight to abolish slavery in his beloved Britain, and it will take the introduction of his bride-to-be to get him back on track.
Posted in: Disc Reviews by Archive Authors on January 18th, 2008
It's not often that a review starts with the final score, but I'm going to break that rule. Go out and buy this DVD set. Stop reading this review, leave your residence, and go directly to your nearest DVD retailer for a copy of the 3-disc version of Hot Fuzz. When I first watched Shaun of the Dead, I was absolutely blown away at how deftly creators Simon Pegg and Edgar Wright were able to mix the comedy, spoof and horror genres into one of the most entertaining and original films of the decade. While I had high hopes for the follow up project, deep down I was expecting to find a case of the sophomore slump; a good film that manages to fall short of the success of the debut. Not only was my gut feeling dead wrong, but I am of the opinion that the two have actually been able to surpass their previous success. Shaun of the Dead was not a fluke, but merely a warm-up to the amazing success of Hot Fuzz.
This time around, the pair (along with hilarious stalwart Nick Frost) cover the action film genre. Pegg plays a London cop so outstanding that he makes the rest of the department look bad, so he is shipped off to a sleepy countryside hamlet to hand out tickets to speeders and the occasional noisy pub patron. What he finds, however, is something more sinister than anything he had ever come in contact with on the streets of London.
Posted in: Disc Reviews by Archive Authors on January 17th, 2008
Honestly, is adding a cinematic volume onto a series when one film seemed to have addressed it is beyond me. You've got Carlito's Way, a film whose main character (played by Al Pacino) died at the end, yet in Carlito's Way - Rise to Power, we're getting a prequel? I think that all that could have been answered was done so in the Pacino film, but we're seeing a film about how Carlito, pardon the word choice, has "rose to power"? What's the point? Needless to say, I'm still popping the hood and looking what's underneath.
So Rise to Power was written by Edwin Torres, who also wrote the novel about Carlito's later years. Michael Bregman, son of Martin, who's produced several Pacino movies through the years, adapted the novel and directed this straight to video project. Carlito is now played by Jay Hernandez (Hostel), and his true beginnings are in jail with the Italian Rocco (Michael Kelly, Unbreakable) and the African American Earl (Mario Van Peebles, Baadasss!!!!). When they get out, their friendship forms into a business partnership of heroin trafficking. They do pretty well, in fact Earl manages to leave the business and move to the Caribbean, however he asks Carlito to look after his younger brother, who is long on bluster and short on any real business or personal sense, causing friction among the bigger crime bosses like Hollywood Nicky (Puff Daddy himself, Sean Combs), and Artie (Burt Young, Rocky).
Posted in: Disc Reviews by Archive Authors on January 16th, 2008
So from time to time, I get television shows to review that frankly I don't really follow. However, my wife does, so she grabbed the tenth season of Frasier from me quicker than a crackhead getting a fix at the methadone clinic. I encourage you to peruse and enjoy her literary stylings.
For about 20 years, the character of psychiatrist Frasier Crane gave us awkward humor, taught us about Freud, and was the only character on television who tried to get sherry promoted from cooking liquor to a regular drink.
Posted in: Disc Reviews by Archive Authors on January 16th, 2008
What we've got here is a nasty case of the Sequels. Rush Hour, the original Jackie Chan/Chris Tucker vehicle, was a fun action-comedy with an amusing twist on the buddy-cop genre. Rush Hour 2 was a re-hash, bigger but not better, but still worth a rent. Six years later, Rush Hour 3 proves the third time is definitely not the charm, with 121 minutes of recycled gags, bad acting and uninspiring action.
This two-disc release may be a top-notch DVD, but I certainly hope you don't get suckered by a nice transfer, good audio and a whole whack of extras. No matter how well you dress it up, this film's a walking, talking turd.
Posted in: Expired Contests by Archive Authors on January 14th, 2008
After a short delay over the holidays, we are back to conclude the last three days of our 12 Days Of Contests promotion. Today, for our Day 10 Edition, we explore our planet with two copies of the 5-disc BBC Planet Earth series. Yes... that equals 10 discs of Planet Earth being given away!
So - enter away below by commenting! We have extended the draw dates for all 12 of our "12 Days of Contests" contests to Tuesday, February 5th... so check back at that time so see who won!
Posted in: Disc Reviews by Archive Authors on January 12th, 2008
When Close Encounters of the Third Kind came out in 1977, a young Steven Spielberg was coming off of the unexpectedly phenomenal success of Jaws. This was the director's chance to solidify his career as a well-respected filmmaker, and build a lifelong career. While most directors would have either gone the route of making Jaws II or picking up a no-brainer script from a proven scriptwriter, Spielberg wagered his success on the odd tale of a possibly mentally deranged individual's belief in extra-terrestrial life. What he came away with was a film that won an Academy Award for Best Cinematography, was nominated for four Golden Globes (including Best Picture and Best Director), and has become synonymous with the legacy of the famed director.
Normally I would take this opportunity to go over the basic plot of the film, but this is a classic. Most film buffs are already well versed in the plot of this film, and those who are not should be ashamed of themselves. The real story here is not the fact that this film has been released yet again. The story is the manner in which it has been released. In addition to Spielberg's original version of the film, he also re-cut the film into a Special Edition in 1980. In 1998, the film was re-cut yet again, in a version that the Director considers to be his definitive cut. All three versions are included on this three-disc set, so there is plenty here to warrant a purchase for any Close Encounters fan. All versions have been completely remastered, and the set is packaged in a box that reminds one of the excellent packaging of The Soprano's sets.
Posted in: Disc Reviews by Archive Authors on January 11th, 2008
My wife and I have gotten into a small discussion about October Road. A fellow writer has mentioned that this show is the natural progression of shows like Gilmore Girls, where you've got young twenty and thirty somethings living in an idyllic setting, somewhere in the Northeast, as they take in the residents of the town they used to spurn. I think my wife likes it in that vein. Me? Not so much.
October Road was helped along to TV by Gary Fleder, director of films like Kiss the Girls, but also has done quite a bit of television directing. The show's main focus is Nick (Bryan Greenberg, The Perfect Score), who left Knights Ridge, Massachusetts when he graduated college and went to New York and became a successful writer after his book about his hometown was published. He's faced a couple problems since then, first off is that he's blocked and unable to write a follow-up, and secondly, the first book seemed to burn a lot of bridges and goodwill between him and the town, so it seems he can't go home again.
Posted in: Disc Reviews by Archive Authors on January 9th, 2008
Back in the summer of '89, a popular action flick was calling my name from the shelves of the local video rental store. It was Young Guns, and I'd heard it was wild, gun-toting ride from start to finish. Problem was, I was eight years old and there was no way my folks were going let me see such a violent movie, for fear two hours with Billy the Kid would make me a career criminal.
Boy, have times changed. Granted, Young Guns wasn't the baddest film on the block 18 years ago, but it was reflective of the then-current action standards. In 2007, we've got stuff like Shoot 'Em Up, a film so over-the-top violent that the tables have turned — I wouldn't let my parents anywhere near it, for fear they'd have simultaneous, massive myocardial infarctions.
Posted in: News and Opinions by Archive Authors on January 8th, 2008
According to the Financial times, Paramount/Dreamworks has an out clause in their exclusivity contract with HD DVD. FT states that Paramount is looking to use that clause to move over the better looking pastures of Blu-ray.
Earlier this week Newline confirmed to Variety magazine that they would go Blu-ray exclusive as well. If this all comes to fruition, it would leave Universal as the lone soldier on the HD DVD side of the format war... most certainly leading to the formats demise. We here at UpcomingDiscs.com will continue covering both formats as long as they are supported. More news on this as it comes out.
![Carlito's Way: Rise To Power [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/carlitos-way-rise-to-power-hd-dv-large.jpg)
